"A love song to Birmingham, the Magic City of the South. In traditional forms and free verse poems ... [the author] takes readers on a historical, geographical, cultural, and personal journey through her life and the life of her home state [of Alabama]"--
Glass provides a frank tour de force review of Jefferson County, Alabama during the turbulent first half of the 20th Century as seen through the eyes of the coroners, law enforcement officials and news media of that time. Material for this book was compiled over a period of 40 years.Glass's determination to assemble it into a cohesive final product was driven by my desire to avoid the fate of the non-fictional character depicted by Joseph Mitchell in his story titled "Joe Gould's Secret. This book includes portions of a number of transposed verbatim official record entries. These include the actual, uncorrected content to include misspellings and grammatical errors contained in the original documents. This foreknowledge precludes the repetitive use of the Latin term for "thus it was originally written," abbreviated as "sic," to indicate these errors. Interview records and newspaper accounts have been edited to reduce their length by not including statements or material which were considered to be redundant or which did not directly relate to the matter presented. The term "Magic City" in the title of this book is employed as a metaphor for the entirety of Jefferson County and not just for the city of Birmingham. A number of incidents which are presented occurred in Bessemer---"The Marvel City," as well as in the adjacent, then bustling West Jefferson County area commonly known as the "Cut-Off." The period which is covered extends from the late 1890s to a point just prior to the start of the World War II. The use of selected Blues music verses, which I believe serve as relevant introductions to subject matter contained in certain chapters, is predicated on the statement that: "The Blues are about the most elemental stuff in our lives---love, sex, betrayal---and our deepest longings."3 Similar, and even more extensive historical information, can be found within the coroner's records of most cities in this country and every jurisdiction has its own tales to tell. However, this is a partial story of this particular town, the "Magic City," in the early 20th century as portrayed through documented incidents and certain statistics. Although much of the material in these pages is about death, the actual subject is life.
What is the price of a life, a stolen culture, a stolen heart? In formal and nontraditional poems, Reparations Now! asks for what is owed. Moving between voices and through intersecting histories, award-winning poet Ashley M. Jones offers perspectives both sharp and compassionate, exploring the difficulties of navigating our relationships with ourselves and others. From the murder of Mary Turner in 1918 to a case of infidelity to the oppressive nationalist movement of the present, Jones holds us accountable.
The fading advertisement on the walls of Birmingham paint an illuminating picture of the men and women who built an industrial boomtown in the first half of the twentieth century. Experience the disappearing art and see what these commercial creations looked like with fresh paint. Discover the stories behind the wares they hawked, the buildings they adorned and the streets they overlooked. Which soft drink helped you "get wise"? Where could you store a piano in the 1920's, and what gum should you chew for indigestion? Advertising expert, artist and writer Charles Buchanan unravels the mysteries behind Birmingham's ghost signs to reveal glimpses of the past now hidden in plain sight. -- back cover.
Magic City is the story of one of American music's essential unsung places: Birmingham, Alabama, birthplace of a distinctive and influential jazz heritage. In a telling replete with colorful characters, iconic artists, and unheralded masters, Burgin Mathews reveals how Birmingham was the cradle and training ground for such luminaries as big band leader Erskine Hawkins, cosmic outsider Sun Ra, and a long list of sidemen, soloists, and arrangers. He also celebrates the contributions of local educators, club owners, and civic leaders who nurtured a vital culture of Black expression in one of the country's most notoriously segregated cities. In Birmingham, jazz was more than entertainment: long before the city emerged as a focal point in the national civil rights movement, its homegrown jazz heroes helped set the stage, crafting a unique tradition of independence, innovation, achievement, and empowerment. Blending deep archival research and original interviews with living elders of the Birmingham scene, Mathews elevates the stories of figures like John T. "Fess" Whatley, the pioneering teacher-bandleader who emphasized instrumental training as a means of upward mobility and community pride. Along the way, he takes readers into the high school band rooms, fraternal ballrooms, vaudeville houses, and circus tent shows that shaped a musical movement, revealing a community of players whose influence spread throughout the world.
This exploration of rock 'n' roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock 'n' roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider's view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.