Doo-dah!
Doo-dah!

Author: Ken Emerson

Publisher: Wayland

Published: 1997

Total Pages: 424

ISBN-13:

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In the first biography of Foster in more than sixty years, Ken Emerson makes the man as well as his music come alive.

Composers in the Movies
Composers in the Movies

Author: John C. Tibbetts

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 381

ISBN-13: 0300128037

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Amadeus . . . Yankee Doodle Dandy . . . Swanee River . . . Rhapsody in Blue. Even before movies had sound, filmmakers dramatized the lives of composers. Movie biographies—or biopics—have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels.

The Life and Songs of Stephen Foster
The Life and Songs of Stephen Foster

Author: JoAnne O'Connell

Publisher: Rowman & Littlefield

Published: 2016-09-29

Total Pages: 497

ISBN-13: 1442253878

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The Life and Songs of Stephen Foster offers an engaging reassessment of the life, politics, and legacy of the misunderstood father of American music. Once revered the world over, Foster’s plantation songs, like “Old Folks at Home” and “My Old Kentucky Home,” fell from grace in the wake of the Civil Rights Movement due to their controversial lyrics. Foster embraced the minstrel tradition for a brief time, refining it and infusing his songs with sympathy for slaves, before abandoning the genre for respectable parlor music. The youngest child in a large family, he grew up in the shadows of a successful older brother and his president brother-in-law, James Buchanan, and walked a fine line between the family’s conservative politics and his own pro-Lincoln sentiments. Foster lived most of his life just outside of industrial, smoke-filled Pittsburgh and wrote songs set in a pastoral South—unsullied by the grime of industry but tarnished by the injustice of slavery. Rather than defining Foster by his now-controversial minstrel songs, JoAnne O’Connell reveals a prolific composer who concealed his true feelings in his lyrics and wrote in diverse styles to satisfy the changing tastes of his generation. In a trenchant reevaluation of his NewYork Bowery years, O’Connell illustrates how Foster purposely abandoned the style for which he was famous to write lighthearted songs for newly popular variety stages and music halls. In the last years of his life, Foster’s new direction in songwriting stood in the vanguard of vaudeville and musical comedy to pave the way for the future of American popular music. His stylistic flexibility in the face of evolving audience preferences not only proves his versatility as a composer but also reveals important changes in the American music and publishing industries. An intimate biography of a complex, controversial, and now neglected composer, The Life and Songs of Stephen Foster is an important story about the father of American music. This invaluable portrait of the political, economic, social, racial, and gender issues of antebellum and Civil War America will appeal to history and music lovers of all generations.

"Susanna," "Jeanie," and "The Old Folks at Home"

Author: William W. Austin

Publisher: Urbana : University of Illinois Press

Published: 1989

Total Pages: 422

ISBN-13: 9780252060694

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The music of celebrated composer Stephen Foster--whose two hundred songs include 'Camptown Races' and 'My Old Kentucky Home' as well as 'Susanna, ' 'Jeanie with the Light Brown Hair, ' and 'The Old Folks at Home'--has influenced such famous composers and popular singers as Antonin Dvorak, Charles Ives, George Gershwin, Pete Seeger, and Ray Charles. Now, more than one hundred years after they were written, these songs are still popular. William Austin shows how generations of Americans have kept them alive, weaving them into the changing fabric of American life.

Father Of The Blues
Father Of The Blues

Author: W. C. Handy

Publisher: Da Capo Press

Published: 1991-03-22

Total Pages: 340

ISBN-13: 9780306804212

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W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first 100 from "Memphis Blues"; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.

Florence Foster Jenkins
Florence Foster Jenkins

Author: Nicholas Martin

Publisher: St. Martin's Griffin

Published: 2016-07-12

Total Pages: 247

ISBN-13: 1250115965

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This is the true story of Florence Foster Jenkins—now the basis of a major motion picture starring Academy Award-winning actress Meryl Streep! She was a woman with a dream. Nobody believed in her talent. But nothing could stop her. . . She had no pitch, no rhythm, and no tone. Still, Florence Foster Jenkins (Streep) became one of America’s best-known sopranos. Born in 1868, Florence was a talented young pianist whose wealthy father refused to let her continue her musical studies in Europe. In retaliation, Florence eloped with Dr. Frank Jenkins, a man twice her age, and moved to New York. But when her father died and left her a large sum of money, Florence finally had a chance to pursue her one true passion: Singing. But first she would have to learn how to become a great singer. Years of lessons and a chance meeting with St. Clair Bayfield (Hugh Grant), who would become her manager and common-law husband, would help launch Florence’s career and entry into New York’s prestigious classical musical societies, culminating in her giving a recital, at the age of seventy-six, at Carnegie Hall. This is story of a woman who was not afraid to recreate herself into the person she wished to become—and achieve her own version of the American Dream.

Music in the USA
Music in the USA

Author: Judith Tick

Publisher: Oxford University Press

Published: 2008-09-26

Total Pages: 920

ISBN-13: 019803203X

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Music in the USA: A Documentary Companion charts a path through American music and musical life using as guides the words of composers, performers, writers and the rest of us ordinary folks who sing, dance, and listen. The anthology of primary sources contains about 160 selections from 1540 to 2000. Sometimes the sources are classics in the literature around American music, for example, the Preface to the Bay Psalm Book, excerpts from Slave Songs of the United States, and Charles Ives extolling Emerson. But many other selections offer uncommon sources, including a satirical story about a Yankee music teacher; various columns from 19th-century German American newspapers; the memoirs of a 19th-century diva; Lottie Joplin remembering her husband Scott; a little-known reflection of Copland about Stravinsky; an interview with Muddy Waters from the Chicago Defender; a letter from Woody Guthrie on the "spunkfire" attitude of a folk song; a press release from the Country Music Association; and the Congressional testimony around "Napster." "Sidebar" entries occasionally bring a topic or an idea into the present, acknowledging the extent to which revivals of many kinds of music play a role in American contemporary culture. This book focuses on the connections between theory and practice to enrich our understanding of the diversity of American musical experiences. Designed especially to accompany college courses which survey American music as a whole, the book is also relevant to courses in American history and American Studies.