Vancouver is in an uproar over the death by gunshot of a Scottish nanny, Janet Stewart. An almost deliberately ham-handed police investigation has Constable Hook suspecting a cover-up. The powerful United Council of Scottish Societies is demanding an inquiry. The killing has become a political issue with an election not far away. The city is buzzing with rumours. Miss Stewart's fellow nannies have accused the Chinese houseboy of murder, capitalizing on a wave of anti-Chinese propaganda led by the Asian Exclusion League and enthusiastically supported by the sensational press--not to mention the Ku Klux Klan, which has taken up residence in upperclass Shaughnessy. The White Angel is a work of fiction inspired by the cold case of Janet Smith, who, on July 26, 1924, was found dead in her employer's posh Shaughnessy Heights mansion. A dubious investigation led to the even more dubious conclusion that Smith died by suicide. After a public outcry, the case was re-examined and it was decided that Smith was in fact murdered; but no one was ever convicted, though suspects abounded--from an infatuated Chinese houseboy to a drug-smuggling ring, devil-worshippers from the United States, or perhaps even the Prince of Wales. For Vancouver, the killing created a situation analogous to lifting a large flat rock to expose the creatures hiding underneath. An exploration of true crime through a literary lens, The White Angel draws an artful portrait of Vancouver in 1924 in all its opium-hazed, smog-choked, rain-soaked glory--accurate, insightful and darkly droll.
Billy Bishop was the top Canadian flying ace in the First World War, credited officially with a record-breaking 75 victories. He was a highly skilled pilot and an accurate shot. Bishop went from being the most decorated war hero in Canadian history to a crusader for peace, writing the book Winged Peace, which supported international control of global air power. Author Dan McCaffery presents the life and accomplishments of Bishop through information he gathered from interviews and archival sources. This new illustrated edition of Dan McCaffery's book contains more than 50 photos of Bishop and other First World War fliers including German and British air aces, plus artefacts from the collection now on display at Billy Bishop airport, Toronto.
An exhilarating page-turner set in 1920s Vancouver post prohibition, when liquor was the fuel driving big business, big government—and major crime. In this spellbinding follow-up to his mystery The White Angel, John MacLachlan Gray captures the spirit of Vancouver in those gritty, gin-soaked days, as the city was remaking itself between wars. Alcohol is once again legal in Vancouver after the failed experiment of prohibition, but pro-temperance sentiments remain strong. Politicians like Attorney-General Gordon Cunning attempt appeasement by establishing the Liquor Control Board, which oversees supply, from the lofty circles of power down to bleak public drinking factories called “beer parlours.” But when Cunning is found deceased, an empty martini glass at his side, quickly followed by Mrs. Harlan Crombie, the wife of a prominent bureaucrat, who falls dead after an afternoon book club meeting, suspicions are raised. Is it pure coincidence that the deceased were both drinking the same brand of “tonic”? Or is it a spillover from American prohibition, where deliberately tainted booze is killing thousands? Fans of The White Angel will be delighted by the return of straight-shooting constable Calvin Hook, frustrated poet-cum-reporter Ed McCurdy and unpredictable, eavesdropping telephone operator Mildred Wickstram, as they pool their skills in order to get to the truth. The result is a clash between temperance activists, the Klu Klux Klan, the Liquor Control Board and global events on the mean streets of Vancouver—a rough little city on the edge of empire.
You’re six years old. Mum’s in hospital. Dad says she’s “done something stupid.” She finds it hard to be happy. So you start to make a list of everything that’s brilliant about the world. Everything that’s worth living for. 1. Ice cream. 2. Kung Fu movies. 3. Burning things. 4. Laughing so hard you shoot milk out your nose. 5. Construction cranes. 6. Me. You leave it on her pillow. You know she’s read it because she’s corrected your spelling. Soon, the list will take on a life of its own. A play about depression and the lengths we will go to for those we love.
This one man tour-de-force originally starred the author playing all eight of the people on a Minneapolis bus. Structured as a series of monologues in which events occur simultaneously, this hilarious and decidedly different work had them rolling in the isles at Actors Theatre of Louisville's famed Humana Festival, where it won the Heidemann Award. Characters include the drool driver, an odd lady, a religious proselytizer, a drunk with a 12 pack over his head, a business man who is not Dave no matter how fervently the drunk insists he is and a mysterious intruder.
"I mark this day most especially with a White Stone." ---Lewis Carroll, The Diaries of Lewis Carroll Edmund Whitty, a London newspaper correspondent who can usually be counted upon for crisp and lurid copy, has fallen upon lean times. After his triumphant exposé of a notorious serial killer, he has inexplicably lost his knack for sensational reporting. Broke and desperate, he seizes upon a generous offer from a mysterious American to discredit a quack psychic. But how, he ends up wondering uneasily, does the psychic know so much about a scandal involving Whitty's late brother? When the psychic is brutally murdered, Whitty finds himself accused of the crime and thrown into Milbank prison, the most bizarre institution of its kind in England. Help comes unexpectedly from "the Captain," a gangster not known for charity work. To save his own skin, Whitty must find the men responsible for the disappearance of the Captain's young niece, Eliza. Whitty's search takes him to Oxford, where he meets the brilliant and eccentric Reverend William Boltbyn, a renowned children's author who delights in playing croquet, devising elaborate stories, and taking artistic photographs of little girls. There he uncovers a looking-glass world, the dark side of Victoriana, and the murder of innocence. John MacLachlan Gray, who evoked "the mean streets and byways of 1852 London with a skill worthy of Dickens" (Publishers Weekly) in The Fiend in Human, spins an even more irresistible tale of dark secrets behind the facade of Victorian respectability in White Stone Day.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates