The Psalms of Biblia Hebraica Stuttgartensia as a handy single issue is now available again! Edited by H. Bardtke. Content and print image are identical to the current 5th revised edition of Biblia Hebraica Stuttgartensia (BHS). The booklet is printed on stiff paper and possess a wide margin for notes - the ideal basis for an intensive study of the Hebrew Text.Biblia Hebraica Stuttgartensia (BHS) is known to be the definitive edition of the Hebrew Bible. It is widely regarded as a reliableedition of the Hebrew and Aramaic scriptures and is the most widely used original-language edition among scholars. It is basedon the Leningrad Codex. The Leningrad Codex is the oldest complete Hebrew Bible still preserved. It originally appeared in installments, from 1968 to 1976, with the first one-volume edition in 1977; it has since been reprinted many times. The text is a nearly exact copy of the Masoretic Text as recorded in the Leningrad Codex. The Masoretic notes are completely revised.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.
Many nations had poet kings, but ancient Israel is probably unique in having a poet as founder of the royal house. According to Scripture the young David sang psalms while in hiding, and the elderly David wrote many psalms and encouraged others to do so. With this example before them, the Hebrews became a highly poetical people. They sang psalms in their temple and in their homes, and were famed for their songs even as exiles in Babylon: “There our captors asked us for words of song, and our wardens for joyful song: ‘Oh, sing to us a song of Zion!’” (Psalm 137:3). The psalms hold many more names and titles of God than have been transmitted. These theological phrases are among the most important, because this is sacred poetry. Chant enthusiasts and scholars will know that the peregrine chant tones come from the Gregorian repertory. Jewish historians or musicologists will find great interest in these translated psalms since the tones come also from the Jewish repertory.
