An orphaned child. A mysterious device. Cut-throat pirates who'd kill to get it. When her mother is murdered, a young girl is thrust into a dangerous quest to find her missing father. Steampunk adventure with a strong female protagonist and a quiet message about the triumph of courage, hope and friendship pitched against terrible odds. 9+
Utopia has been achieved. For centuries, disease, hunger, poverty and war have been things found only in the histories. And applied genetics has given men and women the bodies of athletes and a lifespan of over a century. They should all have been very happy.... But Hamilton Felix is bored. And he is the culmination of a star line; each of his last thirty ancestors chosen for superior genes. Hamilton is, as far as genetics can produce one, the ultimate man. And this ultimate man can see no reason why the human race should survive, and has no intention of continuing the pointless comedy. However, Hamilton's life is about to become less boring. A secret cabal of revolutionaries who find utopia not just boring, but desperately in need of leaders who know just What Needs to be Done, are planning to revolt and put themselves in charge. Knowing of Hamilton's disenchantment with the modern world, they have recruited him to join their Glorious Revolution. Big mistake! The revolutionaries are about to find out that recruiting a superman is definitely not a good idea.... With an all new afterword by Tony Daniel. At the publisher's request, this title is sold without DRM (Digital Rights Management).
The Ismay Line charts the rise and fall of one of the most eminent British shipping companies - and tells the story of the family behind it. The founder of the White Star Line, T H Ismay, pioneered a revolutionary design of iron steamships, built for him by Harland & Wolff of Belfast. By the time of his death in 1899 he had become the most successful steamship owner in the world. He was succeeded by his son, Bruce Ismay, who in April 1912 was aboard his latest ship, Titanic, when it collided with an iceberg on its maiden voyage. Ismay survived by boarding the last lifeboat to leave the starboard side of the sinking liner: and thus began one of the greatest witch-hunts of modern times. The Ismay Line draws on many previously unpublished family diaries and correspondence and offers a robust defence of Bruce Ismay's conduct. Originally published in 1961, the book has been out of print for many years and is now a sought-after collector's item.
Nothing is "pure" in America, and, indeed, the rich ethnic mix that constitutes our society accounts for much of its amazing vitality. Werner Sollors's new book takes a wide-ranging look at the role of "ethnicity" in American literature and what that literature has said--and continues to say--about our diverse culture. Ethnic consciousness, he contends, is a constituent feature of modernism, not modernism's antithesis. Discussing works from every period of American history, Sollors focuses particularly on the tension between "descent" and "consent"--between the concern for one's racial, ethnic, and familial heritage and the conflicting desire to choose one's own destiny, even if that choice goes against one's heritage. Some of the stories Sollors examines are retellings of the biblical Exodus--stories in which Americans of the most diverse origins have painted their own histories as an escape from bondage or a search for a new Canaan. Other stories are "American-made" tales of melting-pot romance, which may either triumph in intermarriage, accompanied by new world symphonies, or end with the lovers' death. Still other stories concern voyages of self-discovery in which the hero attempts to steer a perilous course between stubborn traditionalism and total assimilation. And then there are the generational sagas, in which, as if by magic, the third generation emerges as the fulfillment of their forebears' dream. Citing examples that range from the writings of Cotton Mather to Liquid Sky (a "post-punk" science fiction film directed by a Russian emigre), Sollors shows how the creators of American culture have generally been attracted to what is most new and modern. About the Author: Werner Sollors is Chairman of the Afro-American Studies Department at Harvard University and the author of Amiri Baraka: The Quest for a Populist Modernism. A provocative and original look at "ethnicity" in American literature BLCovers stories from all periods of our nation's history BLRelates ethnic literature to the principle of literary modernism BL"Grave and hilarious, tender and merciless...The book performs a public service."-Quentin Anderson
This book presents the largely unknown early history (1870-1900) of the American Steamship Company--an extremely colorful and eventful time replete with disasters and triumphs.