When a book editor suspects she's the target of a rejected author-turned-murderer, she's determined to track him down before she--or someone she loves--becomes his next victim. Original.
A field guide to the trade and art of editing, this book pulls back the curtain on the day-to-day responsibilities of a literary magazine editor in their role, and to the specific skills necessary to read, mark-up and transform a piece of writing. Combining a break-down of an editor's tasks – including creating a vision, acquisitions, responding to submissions and corresponding with authors – with a behind-the-scenes look at manuscripts in progress, the book rounds up with a test editing section that teaches, by way of engaging exercises, the nitty-gritty strategies and techniques for working on all kinds of texts. Generous in its insight and access to practicing editors' annotations and thought processes, The Invisible Art of Literary Editing offers an exclusive look at nonfiction, fiction and poetry manuscripts as they were first submitted, as they were marked up by an editor and how the final piece was presented before featuring an interview with the editor on the choices they made about that piece of work, as well as their philosophies and working practices in their job. As a skill and a trade learnt through practice and apprenticeship, this is the ultimate companion to editing any piece of work, offering opportunities for learning-by-doing through exercises, reflections and cases studies, and inviting readers to embody the role of an editor to improve their craft and demystify the processes involved in this exciting and highly coveted profession.
You wrote a novel, and want to share it with the world. Where do you begin? Submit / query your work cold turkey? Wrong! Begin with "DITCH THE AGENT - The Book for Writers". This no-nonsense book was written in response to hundreds of comments and questions from writers who are frustrated with, or clueless about the North American publishing industry. It answers the most pressing questions on every aspiring author's mind: from creating query letters, and approaching literary agents and editors, to submitting a manuscript, dealing with rejections, and finding contact information for those elusive editors. See the entire process, in-depth, from the perspective of a published author - an invaluable first-hand experience that will save you time and aggravation, and help secure a publishing deal with a traditional book-publishing house. DITCH THE AGENT is intended for writers who seek to publish their work with traditional publishing houses, however, all writers are encouraged to read this book, including those who are toying with the idea of self-publishing.
These intimate stories of South Indian immigrants and the families they left behind center women’s lives and ask how women both claim and surrender power—a stunning debut collection from an O. Henry Prize winner Traveling from Pittsburgh to Eastern Washington to Tamil Nadu, these stories about dislocation and dissonance see immigrants and their families confront the costs of leaving and staying, identifying sublime symmetries in lives growing apart. In “Malliga Homes,” selected by Chimamanda Ngozi Adichie for an O. Henry Prize, a widow in a retirement community glimpses her future while waiting for her daughter to visit from America. In "No. 16 Model House Road," a woman long subordinate to her husband makes a choice of her own after she inherits a house. In "Nature Exchange," a mother grieving in the wake of a school shooting finds an unusual obsession. In "A Life in America," a professor finds himself accused of having exploited his graduate students. Sindya Bhanoo’s haunting stories show us how immigrants’ paths, and the paths of those they leave behind, are never simple. Bhanoo takes us along on their complicated journeys where regret, hope, and triumph appear in disguise.
Teresa Lewis is doing many things she has never done before--like living in a cabin in the Smoky Mountains and experiencing snow for the first time. After a plane crash entwines her life with a handsome amnesiac, she finds herself falling in love.
Written from the writer's point of view, this is an expert guide to the process of getting published, from submitting your work and finding an agent, to working with a publishing house and understanding the book trade. Harry Bingham, author of 7 titles for a leading international publisher which include both fiction and non-fiction , is founder of the editorial services agency the Writers Workshop. From his own experience, and that of working with new authors, together with interviews from authors, agents and publishers - his book provides expert advice on the best way to find a market for your writing.Topics include:* how to find an agent or publisher * how to present your work * cover letters and synopses * contractual terms with both agent and publisher * how the book trade works * working with publishers and the editorial process * your role in helping to publicize your work. Getting Published will enable you to market your work more professionally, understand the relationship you will have with both agent and publisher and offers a contemporary inside view of the publishing industry. Along with the essential contacts in the Writers and Artists Yearbook, this is a professional tool you will not want to be without.
Dynamics of News Reporting and Writing: Foundational Skills for a Digital Age shows students how to approach their stories and think on their feet in the evolving media landscape. Recognizing that well-crafted stories are founded on sharp prose, author Vincent F. Filak covers more foundational elements of a newswriting textbook, like lead writing, structure, and storytelling, while also teaching students how to think critically and determine what matters most to their readers. The Second Edition includes even more writing and grammar exercises, discussions of social media and digital media advancements, and additional career-related examples to help students succeed upon entering the field.
Practical, real life methods to become the luckiest person you know with – no lucky charms or rituals needed to beat the odds. Luck – we’re not sure what it is, but we know we want it on our side. Is luck a cosmic force that we can randomly stumble upon, or is there something real that people we consider lucky have discovered? The Science of Being Lucky is an in-depth look at what all lucky people have in common and how they set themselves up for success time after time. Put success into your own hands, not fate's. The Science of Being Lucky takes you on a science-based journey into what luck is, what we think it is, and how to get more of it in your life. The journey begins by breaking down and defining the lucky breaks, coincidences, and serendipitous events in our lives – then delves into the specific traits, life factors, and perspectives that create lucky outcomes. The Science of Being Lucky will open your eyes to what is behind each moment you would call lucky and give you a concrete action plan to create more of the same. Luck doesn’t have to be just fantasy. Become immune to bad luck. Nick Trenton grew up in rural Illinois and is quite literally a farm boy. His best friend growing up was his trusty companion Leonard the dachshund. RIP Leonard. Eventually, he made it off the farm and obtained a BS in Economics, followed by an MA in Behavioral Psychology. Ditch the lucky underwear and rabbit’s foot. -Popular methods for luck – do they work? (One does, one does not) -Avoiding bad luck internally and externally. -Three traits that practically manufacture luck. -Max Gunther’s famous “strategic luck planning” approach to life.
This book discusses everything from the study of world, to style choices, to literary techniques. The discussions on rhythm, meter, rhyme, and many forms of poetry are valuable for the writer who is trying to improve and formalize his or her work.