The author's beloved Orkney is brought vividly to life in this classic collection, peopled with crofters, fishermen, ferrymen and tinkers. History plays a part too, for Norse and Scottish legend are revived in tales of witch trials, priest hunts and Viking raids, all endowed with the stark beauty of George Mackay Brown's masterful storytelling.
A New York Times Notable Book of the Year “Brilliantly breathes life not only into the perils of living at sea, but also into the hidden dangers of domesticity, parenthood, and marriage. What a smart, swift, and thrilling novel.” —Lauren Groff, author of Florida Juliet is failing to juggle motherhood and her stalled-out dissertation on confessional poetry when her husband, Michael, informs her that he wants to leave his job and buy a sailboat. With their two kids—Sybil, age seven, and George, age two—Juliet and Michael set off for Panama, where their forty-four foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being at sea. The vast horizons and isolated islands offer Juliet and Michael reprieve – until they are tested by the unforeseen. A transporting novel about marriage, family and love in a time of unprecedented turmoil, Sea Wife is unforgettable in its power and astonishingly perceptive in its portrayal of optimism, disillusionment, and survival.
**ON SALE FOR A LIMITED TIME!** Meg had thought that taking a commuter flight from Pasco, Washington to Boise, Idaho would be a simple matter. But nothing is simple for Meg when it comes to travel, and especially not when she finds herself in the Middle Ages again instead of in a plane crash on a mountain side in Oregon. And when the pilot takes off without her in a quest to return to the twenty-first century, Meg will need every last bit of maturity and knowledge she gained in the sixteen years she spent in the modern world--to survive even a day in this one. Winds of Time is a short novel in the After Cilmeri series: A note from the author: This story was started many years ago, as part of Footsteps in Time. When it came down to it, however, the story didn't fit with what was happening with David and Anna, and had to be put aside. Happily, I am now able to share the story of Meg's return to the Middle Ages. Thus, Winds of Time takes place between Part 1 and Part 2 of Footsteps in Time. I think you will enjoy Winds of Time more if you read Footsteps in Time first. Diolch yn fawr (thank you)! -Sarah Complete series reading order: Daughter of Time, Footsteps in Time, Winds of Time, Prince of Time, Crossroads in Time, Children of Time, Exiles in Time, Castaways in Time, Ashes of Time, Warden of Time, Guardians of Time, Masters of Time, Outpost in Time, Shades of Time, Champions of Time, Refuge in Time, Outcasts in Time, Hidden in Time, Legacy of Time. Also, This Small Corner of Time: The After Cilmeri Series Companion.
Greenvoe, the community on the Orkney Island of Hellya, has existed unchanged for generations. George Mackay Brown has recreated a week in its life, mixing history with personality in a sparkling mixture of prose and poetry.
A shortlisted finalist for the 2018 Scotiabank Giller Prize and the ALA 2019 Reading List for Science Fiction “Thea Lim’s An Ocean of Minutes is that rare thing—a speculative novel that is as heartfelt as it is philosophical. In lucid prose, Lim lays bare the complexities of migration and displacement, while offering a clear-eyed meditation on the elusive nature of human devotion.” —Esi Edugyan, Man Booker Prize Finalist and author of Washington Black “Lim paints a strange and unfamiliar world with her novel, full of fascinating social commentary on class differences, racism, and sexism.” —The Los Angeles Times In September 1981, Polly and Frank arrive at the time travel terminal at Houston Intercontinental Airport. One will travel, and one will stay. America is in the grip of a deadly flu pandemic. Frank has caught the virus and Polly will do whatever it takes to save him, even if it means risking everything. So she agrees to a radical plan—time travel has been invented in the future to thwart the virus. If she signs up for a one-way-trip into the future to work as a bonded laborer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in twelve years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found. Alone in a changed and divided America, with no status and no money, Polly must navigate a new life and find a way to locate Frank, to discover if he is alive, and if their love has endured. “Lim’s enthralling novel succeeds on every level: as a love story, an imaginative thriller, and a dystopian narrative” (Publishers Weekly, starred review).
A haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. A single mother takes her two sons on a trip to the seaside. They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys. Beside the Sea is a haunting and thought-provoking story about how a mother's love for her children can be more dangerous than the dark world she is seeking to keep at bay. It's a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won't soon be forgotten.
The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
The ocean has always been a place of freedom for Lisa Whelan, and after her newborn son passes away, she returns to her family home by the sea to seek freedom from her grief. She’s not expecting to meet anyone, and is caught off guard by the attraction she feels for Rachel, the part-owner of a local restaurant. That initial spark is dampened, however, when Lisa realizes that Rachel has a child. Rachel Murray has worked hard to build a life for herself and her son but raising Declan has not been without its challenges. Each day when Rachel picks him up from school, she says a silent prayer that he will be waiting for her in his classroom, and not in the principal’s office. Again. Her son’s behavior has grown increasingly disruptive, and Rachel is at a loss at how to help him. Despite her grief, Lisa finds herself drawn to both Rachel and Declan. She thinks she can keep her emotions at bay— keep from drowning in grief and keep from falling in love—but she finds both to be a tidal wave, washing over her, sweeping her off her feet. Lisa never intended on falling in love with anyone, and she certainly cannot allow herself to fall for someone whose son is a constant reminder of the child she lost. Or can she?