Growing Up with the Impressionists

Growing Up with the Impressionists

Author: Julie Manet

Publisher: Bloomsbury Publishing

Published: 2017-08-24

Total Pages: 258

ISBN-13: 1786721929

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Julie Manet, the niece of Edouard Manet and the daughter of the most famous female Impressionist artist, Berthe Morisot, was born in Paris on 14 November 1878 into a wealthy and cultured milieu at the height of the Impressionist era. Many young girls still confide their inner thoughts to diaries and it is hardly surprising that, with her mother giving all her encouragement, Julie would prove to be no exception to the rule. At the age of ten, Julie began writing her `memoirs' but it wasn't until August 1893, at fourteen, that Julie began her diary in earnest: no neat leather-bound volume with lock and key but just untidy notes scribbled in old exercise books, often in pencil, the presentation as spontaneous as its contents. Her extraordinary diary - newly translated here by an expert on Impressionism - reveals a vivid depiction of a vital period in France's cultural history seen through the youthful and precocious eyes of the youngest member of what was surely the most prominent artistic family of the time.


Berthe Morisot

Berthe Morisot

Author: Marianne Mathieu

Publisher: Editions Hazan, Paris

Published: 2012

Total Pages: 268

ISBN-13:

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A handsomely illustrated volume that provides new insight into one of the great women artists of the Impressionist circle


Women in Impressionism

Women in Impressionism

Author: Susan Elizabeth Strauber

Publisher:

Published: 2006

Total Pages: 328

ISBN-13:

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This title presents a thorough analysis of how the concepts of 'woman' and 'femininity' unfold inside the broader spectrum of Impressionist painting by male as well as female artists.


The Beast in the Boudoir

The Beast in the Boudoir

Author: Kathleen Kete

Publisher: Univ of California Press

Published: 2023-11-10

Total Pages: 212

ISBN-13: 0520326857

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Kathleen Kete's wise and witty examination of petkeeping in nineteenth-century Paris provides a unique window through which to view the lives of ordinary French people. She demonstrates how that cliché of modern life, the family dog, reveals the tensions that modernity created for the Parisian bourgeoisie. Kete's study draws on a range of literary and archival sources, from dog-care books to veterinarians's records to Dumas's musings on his cat. The fad for aquariums, attitudes toward vivisection, the dread of rabies, the development of dog breeding—all are shown to reflect the ways middle-class people thought about their lives. Petkeeping, says Kete, was a way to imagine a better, more manageable version of the world—it relieved the pressures of contemporary life and improvised solutions to the intractable mesh that was post-Enlightenment France. The faithful, affectionate family dog became a counterpoint to the isolation of individualism and lack of community in urban life. By century's end, however, animals no longer represented the human condition with such potency, and even the irascible, autonomous cat had been rehabilitated into a creature of fidelity and affection. Full of fascinating details, this innovative book will contribute to the way we understand culture and the creation of class. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.


Early Impressionism and the French State (1866-1874)

Early Impressionism and the French State (1866-1874)

Author: Jane Mayo Roos

Publisher: Cambridge University Press

Published: 1996-07-26

Total Pages: 320

ISBN-13: 9780521552448

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Early Impressionism and the French State explores the reception of modernist painting in the years that preceded the Impressionist exhibition of 1874. Opening with an extensive analysis of the ministry of fine arts and the politics of the Salon, the study considers the Salon experiences of Courbet, Manet, and the group that became known as the Impressionists: Monet, Renoir, Pissarro, Degas, Morisot, Cézanne, and Bazille. This book also examines how art was politicized during the Second Empire and the impact that this had on the interpretation of early Impressionist works.


The Bloody Countess

The Bloody Countess

Author: Valentine Penrose

Publisher: SCB Distributors

Published: 2013-10-12

Total Pages: 276

ISBN-13: 1909923427

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Descended from one of the most ancient aristocratic families of Europe, Erzsebet Bathory bore the psychotic aberrations of centuries of intermarriage. From adolescence she indulged in sadistic lesbian fantasies, where only the spilling of a woman’s blood could satisfy her urges. By middle age, she had regressed to a mirror-fixated state of pathological necro-sadism involving witchcraft, torture, blood-drinking, cannibalism and wholesale slaughter. These years, at the latter end of the 16th century, witnessed a reign of cruelty unsurpassed in the annals of mass murder, with the Countess’ depredations on the virgin girls of the Carpathians leading to some 650 deaths. Her many castles were equipped with chambers where she would hideously torture and mutilate her victims; hundreds of girls were killed and processed for the ultimate, youth-giving ritual: the bath of blood. The Bloody Countess is Valentine Penrose’s true, disturbing case history of a female psychopath, a chillingly lyrical account beautifully translated by Alexander Trocchi (author of Cain’s Book), which has an unequalled power to evoke the decadent melancholy of doomed, delinquent aristocracy in a dark age of superstition.


Berthe Morisot, Woman Impressionist

Berthe Morisot, Woman Impressionist

Author:

Publisher: Rizzoli Publications

Published: 2018-06-26

Total Pages: 250

ISBN-13: 0847861317

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Accompanying a major traveling exhibition, this comprehensive volume examines Berthe Morisot’s remarkable body of work, painterly innovations, and leading role within the Impressionist canon. Today Berthe Morisot (1841–1895) is considered a major Impressionist artist, a recent development despite the respect received in her lifetime from peers Edgar Degas, Édouard Manet, Claude Monet, and Pierre-Auguste Renoir. As the only female member of the Impressionist group at its founding in late 1873, Morisot played a major and multifaceted part in the movement, and her works were prized by pioneering dealers and collectors. Lush illustrations from throughout Morisot’s career depict her daring experimentations and her embrace of modern subjects in the city and at the seaside: fashionable young women, and intimate, domestic interiors. Texts examine her in the context of her contemporaries, the critical reception of her work, the subjects and settings she chose, and the state of Morisot scholarship. Berthe Morisot, Woman Impressionist makes an important contribution to the field, with never-before-published letters, interdisciplinary scholarship, and a specific focus on Morisot’s pioneering developments as a painter first, woman second.


The Annenberg Collection

The Annenberg Collection

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 354

ISBN-13: 1588393410

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The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.