Set in Jamaica, Mike drives home after being away five years. He only wants his truck and work carrying sugar cane. What he finds is the whole village under one haulage business. The final battle of the private war is in the courtroom.
This revised edition includes new supplementary material including chapter summaries, an exploration of the book's major themes and post-reading comprehension activities.
Houdini's a super dog. Nobody will ever catch him! Red O'Malley secretly admires the wily dog who has created trouble ever since he cem to town. But his father, the dog-catcher, has been outsmarted by Houdini once too often ... and is determined to put an end to him once and for all! The touching story of a clever mutt and the boy who risked his life to save him.
Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Canadian writers, including André Alexis, Dionne Brand, Austin Clarke, Claire Harris, and M. Nourbese Philip. In so doing, Clarke demonstrates that African-Canadian writers and critics explore the tensions that exist between notions of universalism and black nationalism, liberalism and conservatism. These tensions are revealed in the literature in what Clarke argues to be – paradoxically – uniquely Canadian and proudly apart from a mainstream national identity. Clarke has unearthed vital but previously unconsidered authors, and charted the relationship between African-Canadian literature and that of Africa, African America, and the Caribbean. In addition to the essays, Clarke has assembled a seminal and expansive bibliography of texts – literature and criticism – from both English and French Canada. This important resource will inevitably challenge and change future academic consideration of African-Canadian literature and its place in the international literary map of the African Diaspora.