Belgian Art in Exile
Author: Ligue des artistes belges
Publisher:
Published: 1916
Total Pages: 180
ISBN-13:
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Author: Ligue des artistes belges
Publisher:
Published: 1916
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1915
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOKThe periodical's purpose was to report on contemporary developments in painting from the British Isles and elsewhere ; more importantly, each issue contained high quality colour reproductions of examples of various artists' work.
Author: Ligue des artistes belges
Publisher:
Published: 1916
Total Pages: 26
ISBN-13:
DOWNLOAD EBOOKAuthor: Museum voor Schone Kunsten (Ghent, Belgium)
Publisher:
Published: 2002
Total Pages: 214
ISBN-13:
DOWNLOAD EBOOK"Contextualising the work of a group of Belgian refugee artists in Wales, including de Saedeleer van de Woestyne, Gevaert and Minne"--National Museum and Gallery of Wales, Cardiff website.
Author: Anglo-Belgian Union
Publisher:
Published: 1927
Total Pages: 202
ISBN-13:
DOWNLOAD EBOOKAuthor: Jana Wijnsouw
Publisher: Routledge
Published: 2017-09-27
Total Pages: 322
ISBN-13: 1351778145
DOWNLOAD EBOOKThis book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a "national sculpture." By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne.
Author: Carnegie Library of Pittsburgh
Publisher:
Published: 1920
Total Pages: 758
ISBN-13:
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