Chamber Arrangements of Beethoven's Symphonies, Part 1

Chamber Arrangements of Beethoven's Symphonies, Part 1

Author: Nancy November

Publisher: A-R Editions, Inc.

Published: 2019-01-01

Total Pages: 327

ISBN-13: 198720283X

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The three selections in this edition of quartet arrangements of Beethoven’s symphonies are chosen to represent the diversity of quartets as a medium for arrangement in the early nineteenth century. Only the arrangement by Carl Zulehner, of Beethoven’s first symphony, is a string quartet. The arrangement by Johann Nepomuk Hummel of Beethoven’s fifth symphony, for pianoforte, flute, violin, and violoncello (or pianoforte alone), is part of an extensive collection of arrangements that he made for that grouping, while the arrangement for piano quartet by Ferdinand Ries of the Eroica Symphony represents the particular popularity of chamber groupings involving stringed instruments and piano.


Beethoven's Symphonies: An Artistic Vision

Beethoven's Symphonies: An Artistic Vision

Author: Lewis Lockwood

Publisher: W. W. Norton & Company

Published: 2015-10-26

Total Pages: 231

ISBN-13: 039324928X

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“[Beethoven’s] music never grows old— and, enjoyed alongside Mr. Lockwood’s expert commentary, it sparkles with fresh magic.”—Wall Street Journal More than any other composer, Beethoven left to posterity a vast body of material that documents the early stages of almost everything he wrote. From this trove of sketchbooks, Lewis Lockwood draws us into the composer’s mind, unveiling a creative process of astonishing scope and originality. For musicians and nonmusicians alike, Beethoven’s symphonies stand at the summit of artistic achievement, loved today as they were two hundred years ago for their emotional cogency, variety, and unprecedented individuality. Beethoven labored to complete nine of them over his lifetime—a quarter of Mozart’s output and a tenth of Haydn’s—yet no musical works are more iconic, more indelibly stamped on the memory of anyone who has heard them. They are the products of an imagination that drove the composer to build out of the highest musical traditions of the past something startlingly new. Lockwood brings to bear a long career of studying the surviving sources that yield insight into Beethoven’s creative work, including concept sketches for symphonies that were never finished. From these, Lockwood offers fascinating revelations into the historical and biographical circumstances in which the symphonies were composed. In this compelling story of Beethoven’s singular ambition, Lockwood introduces readers to the symphonies as individual artworks, broadly tracing their genesis against the backdrop of political upheavals, concert life, and their relationship to his major works in other genres. From the first symphonies, written during his emerging deafness, to the monumental Ninth, Lockwood brings to life Beethoven’s lifelong passion to compose works of unsurpassed beauty.


Beethoven - His Symphonies Critically Discussed

Beethoven - His Symphonies Critically Discussed

Author: Various

Publisher: Read Books Ltd

Published: 2020-08-14

Total Pages: 131

ISBN-13: 1528790936

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This volume contains a collection of classic essays by various authors that explore and analyse Beethoven's most notable compositions. Contents include: “Beethoven, by Lawrence Gilman”, “Beethoven, by Arthur Johnstone”, “A Sketch of Beethoven - A Lecture, by Thomas Hanly Ball”, “On Hearing a Symphony of Beethoven, by Edna St. Vincent Millay”, etc. Ludwig van Beethoven (1770–1827) was a German composer and pianist. Beethoven's musical prowess was recognised from an early age, and he soon became famous as a virtuoso pianist and composer. However, after having gone almost completely deaf by 1814, Beethoven ceased public performances and appearances entirely. One of the most celebrated composers in Western history, Beethoven's music remains amongst the most commonly-performed classical music around the world. Read & Co. Books is publishing this brand new collection of classic essays for the modern reader.


Chamber Arrangements of Beethoven's Symphonies, Part 2

Chamber Arrangements of Beethoven's Symphonies, Part 2

Author: Ludwig van Beethoven

Publisher: A-R Editions, Inc.

Published: 2019-01-01

Total Pages: 275

ISBN-13: 1987203372

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This volume adds to our understanding of the Viennese string quintet, revealing the tip of a vast repertoire that has been little studied to date. The string quintet was a popular chamber genre and was one of the most popular media for arrangement in the early nineteenth century. String quintet arrangements were published for a great number of Beethoven’s works during his lifetime, including all of the symphonies except the third and ninth; many overtures; and Fidelio, in two parts. The string quintet arrangements in this volume are of particular significance in this publication history: they appeared as part of a new policy on the part of Beethoven and his publisher Sigmund Anton Steiner, which included the publication of orchestral scores simultaneously with the first editions of the orchestral parts and with arrangements for various instruments, from piano solo to larger ensembles.


Chamber Arrangements of Beethoven's Symphonies, Part 3

Chamber Arrangements of Beethoven's Symphonies, Part 3

Author: Ludwig van Beethoven

Publisher: A-R Editions, Inc.

Published: 2020-01-01

Total Pages: 437

ISBN-13: 1987204549

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This volume represents two important aspects of early-nineteenth-century taste in chamber music: a predilection for “mixed” groupings, including winds and strings; and a preference for larger groupings, including nonets. The sheer number of such works composed, along with data from publishing catalogs and concert programs, is evidence of the contemporary taste for varied chamber music. The present volume gives a selection of three large-scale chamber arrangements of Beethoven’s symphonies. Michael Gotthard Fischer’s arrangement of the sixth symphony for string sextet provides an example of this less common format. The nonet arrangement of the second symphony for flute, two horns, two violins, two violas, cello, and bass by Ferdinand Ries shows the flexibility of performance forces in this repertoire as well as the publishers’ and composers’ desires to capitalize on their popularity, given that this arrangement can be performed with or without the addition of winds. The arrangement of the fourth symphony by William Watts stands between the sextet and nonet arrangements noted above in its combination of one flute with six strings.


The Cambridge Companion to Beethoven

The Cambridge Companion to Beethoven

Author: Glenn Stanley

Publisher: Cambridge University Press

Published: 2000-05-11

Total Pages: 268

ISBN-13: 1107494044

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This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.


Beethoven

Beethoven

Author: David Benjamin Levy

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 246

ISBN-13: 0300129033

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Beethoven's Ninth Symphony, a masterpiece that has influenced virtually every Western composer since its premiere, has become associated with the marking of momentous public occasions. In 1989, Chinese students played its finale through loudspeakers in Tiananmen Square, and Leonard Bernstein led a performance in Berlin to celebrate the razing of the Berlin Wall. This lively and up-to-date book focuses on Beethoven's Ninth, exploring the cultural and musical meanings that surround this powerful work of genius. David B. Levy sets the scene with a brief survey of nineteenth-century Germanic culture and society, then analyzes the Ninth symphony in detail with special emphasis on the famous choral finale. He discusses the initial performances in 1824 under Beethoven's direction and traces the symphony's critical reception and legacy. In the final chapter of the book, Levy examines interpretations of the work by prominent conductors, including Wagner, Mahler, and Weingartner. A fully annotated discography of selected recordings completes this comprehensive volume.


Notes

Notes

Author: Music Library Association

Publisher:

Published: 2003

Total Pages: 608

ISBN-13:

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