With a combination of newly uncovered archival material, fine writing, and a rich appreciation of West's unique blend of comedy and come hither appeal, Emily Wortis Leider has created a serious and seamless biography as well as a cultural history. From her birth in Brooklyn, to her Broadway battles with censorship, to the years in which she took Hollywood by storm, West comes to vibrant life as the driven, dynamic performer who made herself a movie star and sex symbol the likes of which America had never seen -- and changed our culture forever.
"Louvish's research cements West's reputation as the definitive siren of suggestion, without whom there would never have been any Sex and the City." ---Publishers Weekly
Sex goddess Mae West is responsible for some of the most quoted lines in film history: * Is that a gun in your pocket or are you just happy to see me? * When I'm good, I'm very good, but when I'm bad, I'm better. * It's not the men in my life that counts - it's the life in my men. She was a performer from childhood and debuted on Broadway in a play she wrote entitled "Sex" which was a success until it was raided for immorality and Mae was jailed for ten days. This book is packed with stars from George Raft to Cary Grant and W.C. Fields, with whom she made "My Little Chickadee", the most successful film of Fields' career. Charlotte Chandler recorded Mae West over a period of roughly a month towards the end of the star's life. She was still as vital and lively as ever, and this book will convey all of Mae West's legendary attitude.
'A CHILLING new memoir by the daughter of mass murderer Fred West and his wife Rose describes the savage cruelty of her upbringing in 25 Cromwell Street, Gloucester' DAILY MAIL 'Mae, I mean this ... I'm not a good person and I let all you children down ...' Rose West, HM PRISON DURHAM It has taken over 20 years for Mae West to find the perspective and strength to tell her remarkable story: one of an abusive, violent childhood, of her serial killer parents and how she has rebuilt her life in the shadow of their terrible crimes. Through her own memories, research and the letters her mother wrote to her from prison, Mae shares her emotionally powerful account of her life as a West. From a toddler locked in the deathly basement to a teen fighting off the sexual advances of her father, Mae's story is one of survival. It also answers the questions: how do you come to terms with knowing your childhood bedroom was a graveyard? How do you accept the fact your parents sexually tortured, murdered and dismembered young women? How do you become a mother yourself when you're haunted by the knowledge that your own mother was a monster? Why were you spared and how do you escape the nightmare? What other readers are saying about Love as Always, Mum xxx: 'A fascinating read. Mae West seems like such a warmhearted and caring person. It was heart-breaking to hear about what she went through.' 5* Goodreads 'This book is truly moving in many ways and as much as I want to say I enjoyed it, I didn't, because it was heart-wrenching, but that's why it's a 5-star read. So much emotion and truth. It's definitely hard not to be moved by this.' 5* Goodreads 'This is an extremely important story to read, giving Mae a voice to be verbal about breaking the cycle of abuse and surviving a terror she never thought she would be a part of. And because of that, it deserves five stars.' 5* Goodreads 'This has got to be the most heartbreaking and emotionally demanding book I have ever read ... a heart wrenching and powerful read.' 5* Goodreads 'As an avid reader of true crime books I had read a lot about Feed and Rose West. However with all of those books I had never considered their surviving children. This feels like such a raw, honest and real account of day to day life in 25 Cromwell Street. Good on you Mae for your strength to tell your story.' 5* Goodreads 'A hauntingly tragic book. I couldn't put it down from start to finish.' 5* Goodreads
Mae West & The Count takes you inside Mae's relationship with the man who launched her career and stole her heart. Set in the first half of the 20th Century, this is the heretofore untold story of the torrid romance, lust-filled five-year marriage, and entwined show business careers of the Vaudeville headliner "Deiro" and the "Queen of Camp" Mae West. Unpublicized by mutual agreement, the improbable, humorous, and often heartbreaking, personal and professional relationship between the Italian nobleman, who rose to "rock-star" fame, and the Brooklyn-born fifth-grade dropout who became a show business legend and an icon of sexual freedom, is intimately and elegantly exposed in this volume. "I couldn't help myself - "D" was an amazing lover. The sex thing was terrific with this guy. I wanted to do it morning, noon and night, and that's all I wanted to do. " -Mae West, Goodness Had Nothing to Do With It (1959). "It went very deep, hittin' on all the emotions. You can't get too hot over anybody unless there's somethin' that goes along with the sex act, can you?" -Mae West, Goodness Had Nothing to Do With It (1959).
"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular--and colorful--stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the black tradition of double-speak and "signifying," West also may have hinted at her own African-American ancestry and the phenomenon of a black woman passing for white. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.
