From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, Vintage 1954 is a nostalgic tale of time travel. 'A glorious time-slip caper... Just wonderful’ Daily Mail When Hubert Larnaudie invites some fellow residents of his Parisian apartment building to drink an exceptional bottle of 1954 Beaujolais, he has no idea of its special properties. The following morning, Hubert finds himself waking up in 1950s Paris, as do antique restorer Magalie, mixologist Julien, and Airbnb tenant Bob from Milwaukee, who's on his first trip to Europe. After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on them. The four delight in getting to know the French capital during this iconic period, whilst also playing with the possibilities that time travel allows. But, ultimately, they need to work out how to get back to 2017, and time is of the essence...
An untold story of the southern coastline that explores how tourism played a central role in revitalizing the southern economy and transformed its culture. By negotiating the rigid religious, social, and racial practices of the inland cotton country and the more indulgent consumerism of vacationers, many from the North, a New South emerged.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.
Millions of America’s youth dream of playing major league baseball or in a college bowl game on New Year’s Day. Growing up in Arkansas during the Great Depression, Ransom Jackson had no idea that one day he would not only play in back-to-back Cotton Bowls for two different colleges—the first and only player to do so—but that he would also become known as “Handsome Ransom,” all-star third baseman for the Chicago Cubs. He was in Chicago in 1953 when Ernie Banks became the first African American to play for the Cubs. He was in Brooklyn in 1956, the year Jackie Robinson retired. In 1957, Jackson was the last Brooklyn player to hit a home run before the team moved to LA. Jackson’s major league career spanned the entire decade of the 1950s, a time when the landscape of baseball changed dramatically as teams moved to new cities, built new stadiums, and integrated their rosters. Handsome Ransom Jackson: Accidental Big Leaguer is an autobiographical account of Jackson’s fascinating journey from his boyhood days in Arkansas to playing in the major leagues, where many of his teammates were future Hall of Famers. It’s a fun and nostalgic visit to the past, with Jackson sharing such memories as spring training with the Cubs on Catalina Island, befriending a Mafia boss in Massachusetts, batting behind Hank Sauer and getting knocked down by pitchers retaliating for Sauer’s home runs, rooming with Don Drysdale on an historic baseball tour of Japan, and sitting in the dugout in LA with Dodger teammates looking for movie stars in the stands. In addition, Jackson remembers being brought to Brooklyn to take over third base for the aging Jackie Robinson, and quickly discovering that nobody replaces a legend like Jackie. While many of the players from the 1950s are no longer with us, Jackson’s invaluable and timeless stories celebrate the greatness of the game and preserve a sliver of history from the heart of the golden age of baseball. Featuring many never-before-published photographs from Ransom Jackson’s personal collection, including photos of Dodger and Cub greats Jackie Robinson, Roy Campanella, Carl Erskine, Ralph Kiner, and Ernie Banks, Handsome Ransom Jackson will take the reader back to an era when baseball was truly the national pastime.
Arriving in Hollywood in 1950 to launch her American film career, Jean Simmons (1929-2010) had already appeared in 18 British films and was best known for her portrayal of Ophelia in Laurence Olivier's Hamlet. She soon became a favorite female face working with some of filmmaking's greats and acted opposite many Hollywood A-listers. Two of her most popular films--Guys and Dolls (1955) and Spartacus (1960)--were international box-office hits, and in her seven decades-long career she collected numerous awards and honors including a Golden Globe, an Emmy, and two Oscar nominations as Best Actress. Despite the accomplishments and accolades, radiant beauty, and stunning versatility, Simmons is considered by many to be an underrated artist, too often handed more comfortable leading female roles than those that could've elevated her to the level of super stardom experienced by some of her peers. This, the first full-length biography of Simmons, fills a gap in film and performing arts studies, and includes extensive notes and photographs.
What role has football (and sport in general) played in Hungarian foreign policy? Was there a continuity between the inter-war period and communism? Are foreign politics and sporting diplomacy synonyms? This book tries to provide answers to these questions through a careful examination of documents of the Hungarian Foreign Ministry and Hungarian newspapers, supplemented by documentation from several European countries. Through Hungarian football, the author traces a history of Hungary during the Age of Extremes with a special focus on the period during which sport played a particular role in Hungarian foreign policy: from 1924, the date of the Paris Olympics, the first time the country competed after World War I, to 1960, date of the Olympics of Rome. The result is a study from a particularly original perspective, highlighting, first and foremost, the transnational dimension of Hungarian football.
