A Polish writer's experience of wartime France, a cosmopolitan outsider's perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider's perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation--in a daringly untragic mode--of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man's pleasure in physical movement--miles clocked on country roads and Parisian streets on his trusty bike--and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.
On Diary is the second collection in English of the groundbreaking and profoundly influential work of one of the best-known and provocative theorists of autobiography and diary. Ranging from the diary’s historical origins to its pervasive presence on the Internet, from the spiritual journey of the sixteenth century to the diary of Anne Frank, and from the materials and methods of diary writing to the question of how diaries end, these essays display Philippe Lejeune’s expertise, eloquence, passion, and humor as a commentator on the functions, practices, and significance of keeping or reading a diary. Lejeune is a leading European critic and theorist of diary and autobiography. His landmark essay, "The Autobiographical Pact," has shaped life writing studies for more than thirty years, and his many books and essays have repeatedly opened up new vistas for scholarship. As Michael Riffaterre notes, "Lejeune’s work on autobiography is the most original, powerful, effective approach to a difficult subject. . . . His style is very personal, lively. It grabs the reader as scholarship rarely does. Lejeune’s erudition and methodology are impeccable." Two substantial introductory essays by Jeremy Popkin and Julie Rak place Lejeune’s work within its critical and theoretical traditions and comment on his central importance within the fields of life writing, literary genetic studies, and cultural studies.
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html
Available for the first time, Victor Serge's intimate account of the last decade of his life gives a vivid look into the Franco-Russian revolutionary's life, from his liberation from Stalin's Russia to his "Mexico Years," when he wrote his greatest works. In 1936, Victor Serge—poet, novelist, and revolutionary—left the Soviet Union for Paris, the rare opponent of Stalin to escape the Terror. In 1940, after the Nazis marched into Paris, Serge fled France for Mexico, where he would spend the rest of his life. His years in Mexico were marked by isolation, poverty, peril, and grief; his Notebooks, however, brim with resilience, curiosity, outrage, a passionate love of life, and superb writing. Serge paints haunting portraits of Osip Mandelstam, Stefan Zweig, and “the Old Man” Trotsky; argues with André Breton; and, awaiting his wife’s delayed arrival from Europe, writes her passionate love letters. He describes the sweep of the Mexican landscape, visits an erupting volcano, and immerses himself in the country’s history and culture. He looks back on his life and the fate of the Revolution. He broods on the course of the war and the world to come after. In the darkest of circumstances, he responds imaginatively, thinks critically, feels deeply, and finds reason to hope. Serge’s Notebooks were discovered in 2010 and appear here for the first time in their entirety in English. They are a a message in a bottle from one of the great spirits, and great writers, of our shipwrecked time.
When author Gail Okawa was in high school in Honolulu, a neighbor mentioned that her maternal grandfather had been imprisoned in a World War II concentration camp on the US mainland. Questioning her parents, she learned only that “he came back a changed man.” Years later, as an adult salvaging that grandfather’s memorabilia, she found a mysterious photo of a group of Japanese men standing in front of an adobe building, compelling her eventually to embark on a project to learn what happened to him. Remembering Our Grandfathers’ Exile is a composite chronicling of the Hawai‘i Japanese immigrant experience in mainland exile and internment during World War II, from pre-war climate to arrest to exile to return. Told through the eyes of a granddaughter and researcher born during the war, it is also a research narrative that reveals parallels between pre-WWII conditions and current twenty-first century anti-immigrant attitudes and heightened racism. The book introduces Okawa’s grandfather, Reverend Tamasaku Watanabe, a Protestant minister, and other Issei prisoners—all legal immigrants excluded by law from citizenship—in a collective biographical narrative that depicts their suffering, challenges, and survival as highly literate men faced with captivity in the little-known prison camps run by the U.S. Justice and War Departments. Okawa interweaves documents, personal and official, and internees’ firsthand accounts, letters, and poetry to create a narrative that not only conveys their experience but, equally important, exemplifies their literacy as ironic and deliberate acts of resistance to oppressive conditions. Her research revealed that the Hawai‘i Issei/immigrants who had sons in military service were eventually distinguished from the main group; the narrative relates visits of some of those sons to their imprisoned fathers in New Mexico and elsewhere, as well as the deaths of sons killed in action in Europe and the Pacific. Documents demonstrate the high degree of literacy and advocacy among the internees, as well as the inherent injustice of the government’s policies. Okawa’s project later expanded to include New Mexico residents having memories of the Santa Fe Internment Camp—witnesses who provide rare views of the wartime reality.
In The Death of the Grown-Up, Diana West diagnosed the demise of Western civilization by looking at its chief symptom: our inability to become adults who render judgments of right and wrong. In American Betrayal, West digs deeper to discover the root of this malaise and uncovers a body of lies that Americans have been led to regard as the near-sacred history of World War II and its Cold War aftermath. Part real-life thriller, part national tragedy, American Betrayal lights up the massive, Moscow-directed penetration of America's most hallowed halls of power, revealing not just the familiar struggle between Communism and the Free World, but the hidden war between those wishing to conceal the truth and those trying to expose the increasingly official web of lies. American Betrayal is America's lost history, a chronicle that pits Franklin Delano Roosevelt, Harry Truman, Dwight David Eisenhower, and other American icons who shielded overlapping Communist conspiracies against the investigators, politicians, defectors, and others (including Senator Joseph McCarthy) who tried to tell the American people the truth. American Betrayal shatters the approved histories of an era that begins with FDR's first inauguration, when "happy days" are supposed to be here again, and ends when we "win" the Cold War. It is here, amid the rubble, where Diana West focuses on the World War II--Cold War deal with the devil in which America surrendered her principles in exchange for a series of Big Lies whose preservation soon became the basis of our leaders' own self-preservation. It was this moral surrender to deception and self-deception, West argues, that sent us down the long road to moral relativism, "political correctness," and other cultural ills that have left us unable to ask the hard questions: Does our silence on the crimes of Communism explain our silence on the totalitarianism of Islam? Is Uncle Sam once again betraying America? In American Betrayal, Diana West shakes the historical record to bring down a new understanding of our past, our present, and how we have become a nation unable to know truth from lies.
This final volume of Bollingen Series L covers the material Coleridge wrote in his notebooks between January 1827 and his death in 1834. In these years, Coleridge made use of the notebooks for his most sustained and far-reaching inquiries, very little of which resulted in publication in any form during his lifetime. Twenty-eight notebooks are here published in their entirety for the first time; entries dated 1827 or later from several more notebooks also appear in this volume. Following previous practice for the edition, notes appear in a companion volume. Coleridge's intellectual interests were wide, encompassing not only literature and philosophy but the political crises of his time, scientific and medical breakthroughs, and contemporary developments in psychology, archaeology, philology, biblical criticism, and the visual arts. In these years, he met and conversed with eminent writers, scholars, scientists, churchmen, politicians, physicians, and artists. He planned a major work on Logic (still unpublished at his death), and an outline of Christian doctrine, also unfinished, though his work toward this project contributed to On the Constitution of the Church and State (1830) and the revised Aids to Reflection (1831). The reader of these notebooks has the opportunity to see what one of the most admired minds of the English-speaking world thought on several issues--such as race and empire, science and medicine, democracy (particularly in reaction to the Reform Bills introduced in 1831 and 1832), and the authority of the Bible--when he wrote without fear of public disapprobation or controversy.