By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
The Poetics of Fear looks at how fear is used for political purposes, focusing on the binary logic of 'this is the way things are, and there is nothing (else) you can do about it' -- a logic that underlies the realist tradition in international relations theory. The Shield of Achilles from Homer's Iliad is used as metaphorical analysis to look at what the politics of fear is, how it works, and how it can be resisted. It aims to provide a human response to human security matters. The work first shows how the Shield works to paralyze its audience. How can it be resisted? One response is to offer a warning about the hazards of bearing the Shield. After looking at thinkers such as Plato, Baudrillard, and Nietzsche, the work concludes with an examination of ekphrasis as a critical tool.With a unique and fresh perspective, The Poetics of Fear will be relevant to those interested in security studies and critical theoretical approaches to political science.
The arch demon, Drakoor set, is furious: the Sword Bearer has escaped him again! KC and her family fl ee to Verai, to her uncle, Korin Beloruuis, the leader of the Alliance of Territories, the only opposition to Drakoors massive forces. Khyl desperately fi ghts another battle one of his brothers twisted mind while serving beside him in disguise. With all of Nvarda at stake, KC uses her considerable skills and talents to fi ght a war she hopes she can win, but the fury of the demon is a nightmare she faces every time she closes her eyes to sleep. He approaches!
Shed never experienced such agonising loss before, not even when she lost everything to the demon on her home-world, Theras, five years ago. Driven into the darkness of emotional torment and despair, KC, the Sword Bearer, slowly struggles up towards the light to try and find a way to continue on with her life after losing the one person who made it possible. But her lust for revenge may yet undo her and if she succumbs to it and loses sight of who she is, then the entire Universe may forever fall into the claws of Drakoor set, arch demon and destroyer of worlds!
A major contribution to the debate over ancient Greek warfare by some of the world's leading scholars Men of Bronze takes up one of the most important and fiercely debated subjects in ancient history and classics: how did archaic Greek hoplites fight, and what role, if any, did hoplite warfare play in shaping the Greek polis? In the nineteenth century, George Grote argued that the phalanx battle formation of the hoplite farmer citizen-soldier was the driving force behind a revolution in Greek social, political, and cultural institutions. Throughout the twentieth century scholars developed and refined this grand hoplite narrative with the help of archaeology. But over the past thirty years scholars have criticized nearly every major tenet of this orthodoxy. Indeed, the revisionists have persuaded many specialists that the evidence demands a new interpretation of the hoplite narrative and a rewriting of early Greek history. Men of Bronze gathers leading scholars to advance the current debate and bring it to a broader audience of ancient historians, classicists, archaeologists, and general readers. After explaining the historical context and significance of the hoplite question, the book assesses and pushes forward the debate over the traditional hoplite narrative and demonstrates why it is at a crucial turning point. Instead of reaching a consensus, the contributors have sharpened their differences, providing new evidence, explanations, and theories about the origin, nature, strategy, and tactics of the hoplite phalanx and its effect on Greek culture and the rise of the polis. The contributors include Paul Cartledge, Lin Foxhall, John Hale, Victor Davis Hanson, Donald Kagan, Peter Krentz, Kurt Raaflaub, Adam Schwartz, Anthony Snodgrass, Hans van Wees, and Gregory Viggiano.
