Emma can't believe her luck when her phone mysteriously reappears after she dropped it in the ocean. She thought she'd lost her vacation pictures forever! But when Emma returns home, her phone starts flashing strange underwater images and receiving calls with no sound but crashing waves. Turns out Emma didn't just bring back souvenirs from the beach, but a spirit who is tired of swimming alone . . . In this Scary Graphics tale, easy-to-read text and eerie, full-color art combine to deliver just-right scares for kids who crave chills and thrills.
Goosebumps now on Disney+! Jerry can't wait to explore the dark, spooky old cave he found down by the beach. Then the other kids tell him a story. A story about a ghost who is three hundred years old. A ghost who comes out when the moon is full. A ghost . . . who lives deep inside the cave! Jerry knows it's just another silly made-up ghost story . . . isn't it?!
The Nightmare by Gertrude Mabel Barrows Bennett is about Mr. Jacob Lutz, a merchant who attains a valuable and mysterious trinket. "PHILIP, did you notice that tall, thin man in the gray ulster, who was walking up and down the boat deck just before dinner?" "Yes, sir. I observed the gentleman. Very aristocratic appearance, if I may say so, Mr. Jones." "Exactly. He never bought that ulster in New York. When we reach London I want you to look around and see if you can find a tailor who will make me one of the same cuts."
Now over twenty years old, the original edition of Nightmare Movies has retained its place as a true classic of cult film criticism. In this new edition, Kim Newman brings his seminal work completely up-to-date, both reassessing his earlier evaluations and adding a second part that assess the last two decades of horror films with all the wit, intelligence and insight for which he is known. Since the publication of the first edition, horror has been on a gradual upswing, and taken a new and stronger hold over the film industry. Newman negotiates his way through a vast back-catalogue of horror, charting the on-screen progress of our collective fears and bogeymen from the low budget slasher movies of the 60s, through to the slick releases of the 2000s, in a critical appraisal that doubles up as a genealogical study of contemporary horror and its forebears. Newman invokes the figures that fuel the ongoing demand for horror - the serial killer; the vampire; the werewolf; the zombie - and draws on his remarkable knowledge of the genre to give us a comprehensive overview of the modern myths that have shaped the imagination of multiple generations of cinema-goers. Nightmare Movies is an invaluable companion that not only provides a newly updated history of the darker side of film but a truly entertaining guide with which to discover the less well-trodden paths of horror, and re-discover the classics with a newly instructed eye.
Around the world, when people think of vacation it's the beach they want--even when long distances must be traversed, the seashore is the place to escape the rigors of modern life. How did this come to be, and what does our ongoing love affair with the beach mean? How do shore vacations differ from traditional tourism, and what does this tell us about our fears and dreams? In At the Beach, Jean-Didier Urbain offers witty and insightful answers to these questions. Urbain traces the transformation of the beach from a place of mythological threats and a demanding workplace fraught with danger to a destination for medical treatment and the pursuit of pleasure. He looks to the emergence of the modern vacation in the nineteenth century, examines representations of beachgoing in literature and the arts, and shows the transgressive side of beach culture--from nudism to hedonism to various "scandals" about costume, behavior, and sexuality that make the beach the site of social spectacle as well as leisure. Urbain's ultimate focus is the paradoxical enterprise of the residential seaside vacationer, who travels in order to stay in one place and who leaves the everyday world behind to reconstruct an idealized version of it at the shore. He argues that unlike tourists, who move from place to place, beach vacationers are not seeking to explore nature, to discover other cultures, or even to "get away from it all"; rather, they are attempting to re-create their own identities through a simplified community they can no longer find elsewhere. Blending history with social observation, Urbain presents an original, incisive, and entertaining account of this enduring ritual of escape and recreation.
Winner of the Bruss Real Estate Book Award His assignment was to write about a real-estate frenzy lighting up the Redneck Riviera. So Ryan Dezember settled in and bought a home nearby himself. Then the market crashed, and he became one of the millions of Americans who suddenly owed more on their homes than they were worth. A flood of foreclosures made it impossible to sell. It didn't help that his quaint neighborhood fell into disrepair and drug-induced despair. He had no choice but to become a reluctant and wildly unprofitable landlord to move on. Meanwhile, his reporting showed how the speculative mania that caused the crash opened the U.S. housing market to a much larger breed of investors. In this deeply personal story, Dezember shows how decisions on Wall Street and in Washington played out on his street in a corner of the Sunbelt that was convulsed by the foreclosure crisis. Readers will witness the housing market collapse from Dezember’s perch as a newspaper reporter. First he’s in the boom-to-bust South where a hot-air balloonist named Bob Shallow becomes one of the world’s top selling real-estate agents arranging condo flips, developers flop in spectacular fashion and the law catches up with a beach-town mayor on the take. Later he’s in New York, among financiers like Blackstone’s Stephen Schwarzman who are building rental empires out of foreclosures, staking claim to the bastion of middle-class wealth: the single-family home. Through it all, Dezember is an underwater homeowner caught up in the mess. A cautionary tale of Wall Street's push to turn homes into assets, Underwater is a powerful, incisive story that chronicles the crash and its aftermath from a fresh perspective—the forgotten, middle-class homeowner.
Short of the Book Bianca runs to help someone calling for help in an alleyway. A guy comes running over to help, and they talk while waiting for the rescue. His name is Troy. Bianca's house is broken into that same night. The lead detective moves her into his house to keep her safe, and they fall in love. Troy ends up being Stone's brother Justin. He is undercover in an organization run by Alex. Alex likes Bianca and has stalked her for years. Justin kidnaps Bianca and Stone while they are away for a wedding in the south. They escape and return home. While at home, Bianca is in the barn while Stone has security cameras installed. She returns to the house to find it empty, and when she watches the camera footage, it shows Justin kidnapping Stone again. She calls her brother Andrew for help. She has an earpiece in so Andrew could track her and listen. She calls Justin and tells him to come and get her. He convinces her to act like his girlfriend, and hopefully, it would get Alex off her back. They go to Alex's, and it doesn't work, so they pull out guns on Alex while waiting for the police, whom Andrew called. Alex tells her Stone is in the garage in the second cell. She gets to the cell, and there is a limp body curled up in the back corner. Stone doesn't respond to her. Finally, Justin suggests asking Alex where the keys are after they couldn't find them anywhere. When they go upstairs, everyone is gone--the SWAT team, Alex and his goons, the desks. Not even a piece of paper is left. Justin goes outside to see where they went, and he never returns. Bianca goes back down to the cell, and it is empty. All the lights go off, she had no cell service, the ear piece stops working, and the elevator isn't working. She is stuck there until Andrew comes to the rescue. He used a power pack he had to get the elevator to work to get her out. He was outside and put tracers on all the police vehicles in case they had to trace where they went. Justin was arrested as well--no one believed he was a cop undercover. Andrew and Bianca go back to Stone's house and set up computers to start tracking everyone. They call in reinforcements, and that is where the book ends.
Parade's "10 Books Written by Women We Can't Wait to Read in 2019" | She Reads' "Most Anticipated Thillers of Summer 2019" | Pure Wow's "The Best Beach Reads of Summer 2019" | CrimeReads' "The Most Anticipated Crime Books of Summer" From bestselling author Michele Campbell comes A Stranger on the Beach, an edge-of-your seat story of passion and intrigue that will keep you guessing until the very end. Caroline Stark’s beach house was supposed to be her crowning achievement: a lavish, expensive space to showcase what she thought was her perfect family. But after a very public fight with her husband, she realizes things may not be as perfect as they seem: her husband is lying to her, the money is disappearing, and there’s a stranger on the beach outside her house. As Caroline’s marriage and her carefully constructed lifestyle begin to collapse around her, she turns to Aidan, the stranger, for comfort...and revenge. After a brief and desperate fling that means nothing to Caroline and everything to him, Aidan’s infatuation with Caroline, her family, and her house becomes more and more destructive. But who is manipulating whom in this deadly game of obsession and control? Who will take the blame when someone ends up dead...and what is Caroline hiding?
