From Africa to Asia, the elephant makes its home. Light on their feet, despite their great weight, these magnificent creatures appear light and graceful because they're always walking on their tip-toes. They have excellent hearing and can detect the rumblings of other elephants from six miles away. And, just like humans being right handed or left handed, elephants can be right tusked or left tusked!
A friendship unlike any other! After retiring from the circus, Tarra became the first resident of the Elephant Sanctuary in Tennessee. When other elephants moved in and developed close friendships, only Tarra remained alone—until the day she met a stray mixed-breed dog named Bella. From then on, the two were inseparable. Color photographs of Tarra and Bella at home in the Elephant Sanctuary deftly illustrate this inspiring story of inter-species companionship.
"This nonfiction picture book follows an elephant's growth from a newborn calf to a full-grown adult in one of the most socially and structurally complex family groups on earth."--
An outstanding new voice in memoir, Christine Herbert takes the reader on a "time-machine tour" of her Peace Corps volunteer service as a health worker and educator from 2004-2006 in Zambia. Rather than a retrospective, this narrative unfolds in the present tense, propelling the reader alongside the memoirist through a fascinating exploration of a life lived "off the grid." At turns harrowing, playful, dewy-eyed and wise, the author's heart and candor illuminate every chapter, whether she is the heroine of the tale or her own worst enemy. Even at her most petulant, the laugh-out-loud humor scuppers any "white savior" mentality and lays bare the undeniable humanity-and humility-of the storyteller. Through it all, an undeniable love for Zambia-its people, land and culture-shines through. A must-read for the armchair adventurer, a book about Zambia - a personal Peace Corps Memoir.
ONE OF NPR’S BEST BOOKS OF 2019 A “warm and funny and honest…genuinely unputdownable” (Curtis Sittenfeld) memoir chronicling what it’s like to live in today’s world as a fat man, from acclaimed journalist Tommy Tomlinson, who, as he neared the age of fifty, weighed 460 pounds and decided he had to change his life. When he was almost fifty years old, Tommy Tomlinson weighed an astonishing—and dangerous—460 pounds, at risk for heart disease, diabetes, and stroke, unable to climb a flight of stairs without having to catch his breath, or travel on an airplane without buying two seats. Raised in a family that loved food, he had been aware of the problem for years, seeing doctors and trying diets from the time he was a preteen. But nothing worked, and every time he tried to make a change, it didn’t go the way he planned—in fact, he wasn’t sure that he really wanted to change. In The Elephant in the Room, Tomlinson chronicles his lifelong battle with weight in a voice that combines the urgency of Roxane Gay’s Hunger with the intimacy of Rick Bragg’s All Over but the Shoutin’. He also hits the road to meet other members of the plus-sized tribe in an attempt to understand how, as a nation, we got to this point. From buying a Fitbit and setting exercise goals to contemplating the Heart Attack Grill in Las Vegas, America’s “capital of food porn,” and modifying his own diet, Tomlinson brings us along on a candid and sometimes brutal look at the everyday experience of being constantly aware of your size. Over the course of the book, he confronts these issues head-on and chronicles the practical steps he has to take to lose weight by the end. “What could have been a wallow in memoir self-pity is raised to art by Tomlinson’s wit and prose” (Rolling Stone). Affecting and searingly honest, The Elephant in the Room is an “inspirational” (The New York Times) memoir that will resonate with anyone who has grappled with addiction, shame, or self-consciousness. “Add this to your reading list ASAP” (Charlotte Magazine).
This inspirational story about a little elephant who discovers his trumpet blast is different from those of his friends comes with an audio CD with dramatic readings, sound effects, and jazz music composed by Giovanna Imbesi, with vocals by Bryon Holley. Full color.
Sunny the Shark is a fearsome predator. As the oceanic whitetip shark searches for her next meal, a chatty school of pilot fish trails behind, cleaning her in exchange for food crumbs. But when Sunny mistakes a plastic ring for prey and it gets caught around her fin, she soon struggles to hunt. Will she be able to break free and find food before winter sets in?
A magical adventure for fans of Katherine Applegate and Jennifer Holm about a girl with a mysterious connection to the elephant who saved her life. An elephant never forgets, but Lexington Willow can't remember her past. Swept away by a tornado as a toddler, she was dropped in a nearby Nebraska zoo, where an elephant named Nyah protected her from the storm. With no trace of her family, Lex grew up at the zoo with her foster father, Roger; her best friend, Fisher; and the wind whispering in her ear. Years later, Nyah sends Lex a telepathic image of the woods outside the zoo. Soon, Lex is wrapped up in an adventure involving ghosts, lost treasure, and a puzzle that might be the key to finding her family. Can Lex summon the courage to discover who she really is--and why the tornado brought her here all those years ago?
Human beings are primates, and primates are political animals. Our brains, therefore, are designed not just to hunt and gather, but also to help us get ahead socially, often via deception and self-deception. But while we may be self-interested schemers, we benefit by pretending otherwise. The less we know about our own ugly motives, the better - and thus we don't like to talk or even think about the extent of our selfishness. This is "the elephant in the brain." Such an introspective taboo makes it hard for us to think clearly about our nature and the explanations for our behavior. The aim of this book, then, is to confront our hidden motives directly - to track down the darker, unexamined corners of our psyches and blast them with floodlights. Then, once everything is clearly visible, we can work to better understand ourselves: Why do we laugh? Why are artists sexy? Why do we brag about travel? Why do we prefer to speak rather than listen? Our unconscious motives drive more than just our private behavior; they also infect our venerated social institutions such as Art, School, Charity, Medicine, Politics, and Religion. In fact, these institutions are in many ways designed to accommodate our hidden motives, to serve covert agendas alongside their "official" ones. The existence of big hidden motives can upend the usual political debates, leading one to question the legitimacy of these social institutions, and of standard policies designed to favor or discourage them. You won't see yourself - or the world - the same after confronting the elephant in the brain.
