In this monograph, Danièle Pauly provides an overview of Barragán's life and his architectural œuvre, his Mexican roots, the Mediterranean influences, his Functionalist period, and finally the steps to maturity as a consummate architect.
In this monograph, Danièle Pauly provides an overview of his life and his architectural œuvre, his Mexican roots, the Mediterranean influences, his Functionalist period, and finally the steps to maturity as a consummate architect.
This book contains a unique collection of various perspectives on the relationship between structures and the forms and spaces of architecture. As such it provides students and professionals alike with an essential sourcebook that can be mined for visual inspiration as well as for textually rich and authoritative insight into the links between structure, architecture, and cultural context. The chapters address fundamental structural elements and systems: columns, walls, beams, trusses, frames, tensile structures, arches, domes and shells. Each chapter is subdivided into two parts: • The essays – introduce the chapters with the reprinting of a curated set of essays and excerpts by various authors that uniquely address how particular structural elements or systems relate in essential fashion to architectural design concepts. • The model studies – physical models of the overall structural systems of several notable contemporary buildings from Europe, North and South America, Africa and Asia are illustrated with large photographs, detail close-ups, and views of their external forms and internal spaces that establish the exceptional qualities of these projects in connecting structural form to architectural design objectives. Mosaic layouts complete the chapters with a collection of photographs of yet more models whose particular details and unique features serve to extend the visual repertoire of the structural type being considered. The combination, juxtaposition and mutual positive reinforcement of these two collections, one largely textual and the other image based, provides the reader with unique and multifaceted insights into how structural forms and systems can be related to architectural design intentions. Conveyed by a strong and deliberate graphical design format, this assembly of materials gets to the very essence of structures within the context of architecture, and will inspire students and practitioners alike to make strategic design decisions for their own projects.
In this completely revised and up-to-date edition, the world's most accomplished architects -- Gehry, Pei, Meier, Nouvel, Piano, and 37 more-express their views on creativity, inspiration, and legacy in this visually stunning, one-of-a-kind collection. The Pritzker Prize is the most prestigious international prize for architecture. Architect includes all 42 recipients of the Pritzker Prize, and captures in pictures and their own words their awe-inspiring achievements. Organized in reverse chronological order by laureate each chapter features four to six of the architect's major works, including museums, libraries, hotels, places of worship, and more. The text, culled from notebooks, interviews, articles, and speeches illuminates the architects' influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture. The book includes More than 1000 stunning photographs, blueprints, sketches, and CAD drawings.Architect offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades and reveals that buildings are political, emotional, and spiritual.
In this monograph, Danièle Pauly provides an overview of Barragán's life and his architectural œuvre, his Mexican roots, the Mediterranean influences, his Functionalist period, and finally the steps to maturity as a consummate architect.
The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.
The interaction between color and architecture determines our perception of space, and defines the tectonic relationships. The fascinating spatial potential of color, and the multi-layered dimensions of interpretation in the experience of color are design and communication means which, however, are often not fully used – color oscillates between autonomy and functional purpose, and should be understood as a distinct "material" that can be used as part of the design. The book focuses both on the tangible aspects and design criteria of color, and on its indeterminate nature and its experience value. Using examples in art and architecture, the spatial interdependency of color is illustrated, as is its interaction with structure, light, and geometry.
Colors are an element of both the natural and the man-made environments. They convey messages of all kinds and perform a wide variety of functions, informing, organizing, warning. But they also serve an aesthetic purpose, affecting the statement, effect, and acceptance of objects and spaces. While people’s reactions to color vary widely, in design questions it is still possible to establish generally valid color concepts to match the expectations of the various groups of users. This book offers a guide based on a wide range of scientific findings and may be consulted as an authoritative reference by the architecture student and the professional alike. The three editors, Dr. B. Rodeck, Prof. G. Meerwein, and F. H. Mahnke have taught for many years at the Salzburger Seminare für Farbe und Umwelt der IACC.
"Luis Barragán is an icon of contemporary architecture - a genius of color, light, walls, the garden, the tower, the rooftop, he has influenced an entire generation of current architects, not least of them his one-time collaborator Ricardo Legorreta. Admirers of his work note its serenity, its harmony. In 1979, when Barragán was presented the Pritzker Prize, his work was referred to as "a sublime act of the poetic imagination." It is this aspect of Barragán's work that is presented in The Life and Work of Luis Barragán, a biographical portrait that reveals Barragán as a master of what he himself called "emotional architecture." Barragán's impressions and influences are recorded here, from his early years in Gudalajara to his work in Mexico City, and his highly inspiring travels in the Alhambra, the villages of Greece, and northern Africa. His rejection of the concepts of Le Corbusier and the International Style, and his embrace of the ideas of the French intellectual, painter, and landscape architect Ferdinand Bac provided valuable framework for understanding both the theory and form of Barragán's oeuvre. Brilliant color photographs record Barragán's vibrant work as it has never been seen before, including generous interior shots of such varied projects as Casa Cristo in Guadalajara, and Casas Galvez, Egerstrom, and Meyer, all from his Mexico City years. Barragán was perhaps first and foremost a landscape architect, and this book spotlights his gardens, and his vanguard, landscape-based approach to architecture itself-centered on the close relationship between landscape, color, and architecture in Mexico and the other lands that inspired him. Text and photographs combine in The Life and Work of Luis Barragán for a personal and evocative portrayal of the Mexican master that will fascinate everyone familiar with his legacy, and intrigue those who are only just discovering the power and influence of his work."--Book jacket.