The Scoring of Baroque Concertos
The Scoring of Baroque Concertos

Author: C. R. F. Maunder

Publisher: Boydell Press

Published: 2004

Total Pages: 304

ISBN-13: 9781843830719

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The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.

A History of the Concerto
A History of the Concerto

Author: Michael Thomas Roeder

Publisher: Hal Leonard Corporation

Published: 1994

Total Pages: 487

ISBN-13: 0931340616

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A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.

The Concerto
The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

Harvard Dictionary of Music
Harvard Dictionary of Music

Author: Willi Apel

Publisher: Harvard University Press

Published: 1969

Total Pages: 968

ISBN-13: 9780674375017

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Contains nearly 1000 pages of precise and accessible information on all musical subjects.

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850
The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

Author: Derek Carew

Publisher: Routledge

Published: 2016-03-23

Total Pages: 494

ISBN-13: 1317037650

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Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

Journey Through Classical Music: A Comprehensive Guide for Beginners
Journey Through Classical Music: A Comprehensive Guide for Beginners

Author: Freddie Caldwell

Publisher: Richards Education

Published:

Total Pages: 120

ISBN-13:

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Embark on a captivating journey through the rich tapestry of classical music with 'Journey Through Classical Music: A Comprehensive Guide for Beginners.' From the majestic compositions of the Baroque era to the emotive masterpieces of the Romantic period, this book offers a thorough exploration of the key periods, styles, and composers that have shaped the classical music tradition. Delve into the intricacies of orchestral music, chamber music, and vocal works, gaining insight into the roles of different instruments, forms, and techniques. Uncover the secrets of musical theory and analysis, empowering yourself to understand and appreciate the complexities of classical compositions. Whether you're attending your first orchestral performance or building your classical music library, 'Journey Through Classical Music' provides valuable guidance and resources to enhance your experience. Engage with the timeless beauty and profound depth of classical music, and discover the joy of immersing yourself in one of the world's most cherished artistic traditions.

The Social and Religious Designs of J. S. Bach's Brandenburg Concertos
The Social and Religious Designs of J. S. Bach's Brandenburg Concertos

Author: Michael Marissen

Publisher: Princeton University Press

Published: 1999-07-01

Total Pages: 163

ISBN-13: 1400821657

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This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music, but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of it reveals, however, that his music should not be understood to call for progressive political action. One important message of Lutheranism, and, in this interpretation, of Bach's concertos, is that in the next world, the heavenly one, the hierarchies of the present world will no longer be necessary. Bach's music more likely instructs its listeners how to think about and spiritually cope with contemporary hierarchies than how to act upon them. In this sense, contrary to currently accepted views, Bach's concertos share with his extensive output of vocal music for the Lutheran liturgy an essentially religious character.

A Concise Guide to Orchestral Music
A Concise Guide to Orchestral Music

Author: David Fligg

Publisher: Mel Bay Publications

Published: 2012-02-28

Total Pages: 255

ISBN-13: 1619110423

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Orchestral works are the central pillars of classical music. In A Concise Guide to Orchestral Music, 1700 to the Present Day, David Fligg evaluates this great music, and explores why so many masterpieces continue to fascinate music lovers. As well as discussing individual composers, the book places orchestral music within a historical context, providing essential reading for music students, and enthusiasts of all ages.