Grenager's soul-thrumming, real-time trek toward her self will amuse, shock, inform, and, most of all, inspire readers to see and be the wild and wonderful people they already are. She offers empowerment to take who one is and run with it, into a world that can't wait for the light.
"But I Can Still Dance" offers a refreshing approach to caregiving. Portrayed is Carleen Breskin Clarke's own story along with her solutions for caregiving issues often skirted over in print. Loneliness, sex problems, money, guilt, and feelings of entrapment are discussed candidly in ways which all caregivers can identify and understand. While learning to live a more positive and quality-filled life, you will discover a world infused by the sweetness and joy that the gift of giving to a loved one can bring. Ms. Clarke writes,"the richest rewards of life are sprinkled along the way of the journey and not found at the end of the rainbow." "But I Can Still Dance" can change your life. You will learn to have more fun and have a life worth living. Resentment, bitterness, and anger will be part of your past, and you will be set emotionally free.
A glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, filmmaker Alejandro Jodorowsky • Retraces the spiritual and mystical path Jodorowsky has followed since childhood, vividly repainting events from the perspective of an unleashed imagination • Explores the development of the author’s psychomagic and metagenealogy practices via his realization that all problems are rooted in the family tree • Includes photos from Jodorowsky’s appearance at the 2013 Cannes Film Festival and from the film based on this book, which debuted at Cannes Retracing the spiritual and mystical path he has followed since childhood, Alejandro Jodorowsky re-creates the incredible adventure of his life as an artist, filmmaker, writer, and therapist--all stages on his quest to push back the boundaries of both imagination and reason. Not a traditional autobiography composed of a chronological recounting of memories, The Dance of Reality repaints events from Jodorowsky’s life from the perspective of an unleashed imagination. Like the psychomagic and metagenealogy therapies he created, this autobiography exposes the mythic models and family templates upon which the events of everyday life are founded. It reveals the development of Jodorowsky’s realization that all problems are rooted in the family tree and explains, through vivid examples from his own life, particularly interactions with his father and mother, how the individual’s road to true fulfillment means casting off the phantoms projected by parents on their children. The Dance of Reality is autobiography as an act of healing. Through the retelling of his own life, the author shows we do not start off with our own personalities, they are given to us by one or more members of our family tree. To be born into a family, Jodorowsky says, is to be possessed. To peer back into our past is equivalent to digging into our own souls. If we can dig deep enough, beyond familial projections, we shall find an inner light--a light that can help us through life’s most difficult tests. Offering a glimpse into the mind and life of one of the most creative and enigmatic visionaries of our time, The Dance of Reality is the book upon which Jodorowsky’s critically acclaimed 2013 Cannes Film Festival film of the same name was based.
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Think finding the perfect lover is difficult? Ask Susan Webb—-she knows it is. Lonely, tired of dull routine and dud men who only think with their lower brains, she takes a calculated risk to shake up her lackluster life. Now she’s set to take part in a reality dating show. Her objective: to find a good, honest man who’s up for enjoying lots of sexy fun on the road to love. Failure is not an option. One look at his older brother’s Farmer Seeks a Wife candidate, and Tyler Penrith is intrigued. Prim and proper on the surface, she has a secret smile in her eyes and an exotic dancer sway to her step. And calamity follows her around like a tame dragon. Susan might be in his brother’s age group, but Tyler’s not about to let Nolan waltz off with the first woman to snare his attention in ages. As the show’s ratings go through the roof, Susan finds herself falling for the wrong man—and her simple plan for happiness on the brink of falling apart. Warning: Contains sibling rivalry, lots of sneaking around, sexy times in the great outdoors, a bright blue vibrator, and a reality show that’s giving everyone something to talk about.
This cultural study of modern dance icon Isadora Duncan is the first to place her within the thought, politics and art of her time. Duncan's dancing earned her international fame and influenced generations of American girls and women, yet the romantic myth that surrounds her has left some questions unanswered: What did her audiences see on stage, and how did they respond? What dreams and fears of theirs did she play out? Why, in short, was Duncan's dancing so compelling? First published in 1995 and now back in print, Done into Dance reveals Duncan enmeshed in social and cultural currents of her time — the moralism of the Progressive Era, the artistic radicalism of prewar Greenwich Village, the xenophobia of the 1920s, her association with feminism and her racial notion of "Americanness."
Enjoy this angsty sports romance novel by bestselling romance author S.B. Alexander. I’m a single mom who once dreamed of becoming a ballerina. Instead, I’m fighting in underground rings, battling for scraps and a future I lost long ago. Every punch I throw reminds me of the boy I once loved and the life I was supposed to have. Tall, dark, and brooding, Kross Maxwell was that boy—now a rising star in the boxing world. He walked away from me without a second thought, leaving my heart shattered. When Kross shows up at one of my fights, he thinks an apology will erase the past and clear his conscience. But it’s not that simple. I blame him for everything, including losing my daughter to the foster care system. I’m not ready to forgive, and I’m certainly not prepared to fall into his arms. If he wants me back, he must fight tooth and nail. As Kross battles for my trust and I struggle to get my daughter back, we both have to confront the demons that tore us apart. Only then will we have any chance at a future together. Dare to Dance is a second chance, sports romance. Be prepared for all the feels, a tortured hero, a strong heroine, and a happily ever after in this angsty, emotionally driven new adult romance. Reading Order: 1. Dare to Kiss 2. Dare to Dream 3. Dare to Love 4. Dare to Dance 5. Dare to Live 6. Dare to Breathe 7. Dare to Embrace Topics: new adult, new adult romance, family saga, alpha male, family, triplets, romance series, sensual romance, kissing books, s.b. alexander, brothers, career, rockstar romance, heartwarming romance, love story, soulmate, contemporary romance, angsty romance, long series, swoon, all the feels, heartwarming, steamy, sexy, beach reads, emotional, possessive hero, family saga, boxing, sports, sports romance, second chance romance, baby, mafia, mob, feisty heroine.
Time had not died. It was still flowing like her blood. Her mind had become what it had endured and more; for now, with the dust, she saw butterflies floating in her room – here, there, everywhere. Infused with lyricism and the romantic aura of pre-colonial India, The Dance of Darkness is a story about a bewildered town with only women, girls and hijras. Raised as dancers and lovers, the girls Surma, Parveen, and Dilchasp traverse through their usual routines until the presence of one man triggers all that the town has ever wished for – LOVE AND FREEDOM.
In this new biography, published to coincide with the 100th anniversary of her execution, Mata Hari is revealed in all of her flawed eccentricity; a woman whose adult life was a fantastical web of lies, half-truths and magnetic sexuality that captivated men. Following the death of a young son and a bitter divorce, Mata Hari reinvented herself as an exotic dancer in Paris, before finally taking up the life of a courtesan. She could have remained a half-forgotten member of France’s grande horizontale were it not for the First World War and her disastrous decision to become embroiled in espionage.What happened next was part farce and part tragedy that ended in her execution in October 1917. Recruited by both the Germans and the French as a spy, Mata Hari – codenamed H-21 – was also almost recruited by the Russians. But the harmless fantasies and lies she had told on stage had become part of the deadly game of double agents during wartime. Struggling with the huge cost of war, the French authorities needed to catch a spy. Mata Hari, the dancer, the courtesan, the fantasist, became the prize catch.
Grazia Deledda (1871-1936) was the author of many influential novels and remains one of the most significant Italian women writers of her time. However, critics tend to pigeonhole her works into convenient literary categories and to ignore the uniqueness of her style and voice. Grazia Deledda's Dance of Modernity offers a timely and thought-provoking interpretation of this Nobel laureate, examining her work in the context of European philosophical and literary modernity. Margherita Heyer-Caput takes a philosophical and philological approach in order to provide a reassessment of Deledda's position in the literary canon. At the same time, she raises the larger issue of the status of allegedly 'regional' or 'minor' literatures within the context of Italian modernity. Dealing with four novels representative of Deledda's vast corpus, Heyer-Caput addresses and dismantles elements of regionalismo, verismo, and decadentismo, labels with which Deledda's works are regularly associated. This is the first volume to introduce some of Deledda's overlooked texts to an Anglophone audience. It invites readers to overturn established critical categories and to question margin-centre hierarchies both in the broad context of literary modernity and the narrower frame of Deledda's writing. Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century. It is a much-needed examination of an important writer and how she managed to construct her own literary and gender identity in the context of modernity.