Bard the gecko loves to rhyme. he sees rhymes everywhere -- in his bedroom, his backyard, at the lake, and at the farm. Flaps on every page make learning about rhyming words fun, and will encourage children to find things that rhyme all about them.
Bard Bart - Poetic Rhymes and Punchlines won the Pinnacle Book Achievement Award as Best Book-Poetry Category from the North American Bookdealers Exchange (NABE) in 2017, and has received top critical reviews. It is a book of carefully structured poems, with rhythm, rhyme, and meticulous wordsmithing, which invariably offer critical life lessons in the form of powerful poetic punchlines.
Jack is an apprentice bard and just beginning to learn the secrets of his mysterious master, when he and his little sister are captured by Viking chief, Olaf One-Brow, and taken to the court of Ivar the Boneless. Ivar is married to a half-troll named Frith, an evil and unpredictable queen with a strange power over her husband's court. Jack is sent on to the kingdom of the trolls, where he has to find the magical well and undo the charm he has cast on Frith. He is accompanied by Thorgill, a shield maiden, aged 12, who wants to be a berserker when she grows up. Together, they are set for a magical and exciting adventure.
TERRY PRATCHETT meets THE WITCHER in this pee-your-pants-laughing fantasy novel. Sure, you think you know the story of the fearsome red dragon, Dragonia. How it terrorized the village of Skendrick until a brave band of heroes answered the noble villagers' call for aid. How nothing could stop those courageous souls from facing down the beast. How they emerged victorious and laden with treasure. But, even in a world filled with epic adventures and tales of derring-do, where dragons, goblins, and unlicensed prestidigitators run amok, legendary heroes don't always know what they're doing. Sometimes, they're clueless. Sometimes, beleaguered townsfolk are more hapless than helpless. And orcs? They're not always assholes, and sometimes, they don't actually want to eat your children. Heloise the Bard, Erithea's most renowned storyteller, is here to set the record straight. See, it turns out adventuring isn't easy, and true heroism is as rare as an articulate villager. Having spent decades propagating this particular myth (which, incidentally, she wrote), she's finally able to tell the real story...for which she just so happened to have a front-row seat. Welcome to Erithea. I hope you brought a change of undergarments; things are going to get messy. hr “Evoking the dry humor of Terry Pratchett and absurdist trope subversions of Monty Python...Gibson’s story is clever, twisty, and bursting with sidesplittingly funny one-liners. Fantasy fans are guaranteed a laugh.” – Publisher’s Weekly “...if Gibson continues to put out work of this quality and high level of entertainment, will be a success story along the lines of Michael R. Fletcher, M.L. Spencer, or Rob J. Hayes.” – Grimdark Magazine “I can't praise the story enough. If you want something light-hearted and fun to read that will zip by quickly, but still want to feel like you got the content you hoped for, this is definitely the book you should pick up.” – The Inkslinger Book Reviews “Mr. Sean Gibson would be extremely fun to play Dungeons and Dragons with.” – Verified Reviewer
Walt Whitman has long been regarded as the quintessential American bard, the poet who best represents all that is distinctive about life in the United States. Whitman himself encouraged this view, but he was also quick to remind his readers that he was an unlikely candidate for the office of national poet, and that his working-class upbringing and radical take on human sexuality often put him at odds with American culture. While American literary history has tended to credit Whitman with having invented the persona of the national outsider as the national bard, Edward Whitley recovers three of Whitman's contemporaries who adopted similar personae: James M. Whitfield, an African American separatist and abolitionist; Eliza R. Snow, a Mormon pioneer and women's leader; and John Rollin Ridge, a Cherokee journalist and Native-rights advocate. These three poets not only provide a counterpoint to the Whitmanian persona of the outsider bard, but they also reframe the criteria by which generations of scholars have characterized Whitman as America's poet. This effort to resituate Whitman's place in American literary history provides an innovative perspective on the most familiar poet of the United States and the culture from which he emerged.