An exploration of Chinese art and culture, Bamboo in China shines a light on this relatively unknown craft. The noted British scholar Joseph Needham concluded from his thorough study of the history of Chinese science and technology that the "East Asian civilization is none other than a bamboo civilization" and China is just the cradle of that bamboo civilization. Since bamboo has been used for thousands of years in China and in many aspects of daily life, it became an influential part of the Chinese culture. With the tributes to bamboo and the extolling of its strengths, it was further blended into China's Confucian, Buddhist and Taoist thinking to give birth to a cultural phenomenon uniquely Chinese that has since spread far and wide. This beautifully illustrated book presents a vivid history of bamboo in China: The uses of bamboo in daily life, production, musical instruments, transportation, architecture and landscaping, hydraulic engineering and the military Traditional treatments of bamboo by Chinese artisans, including two main artistic processing techniques. Bamboo wares with a unique Chinese flavor such as fans, oilpaper umbrellas, and mats and curtains
The idea of information on research and development carried out on bamboo has emerged with the paradigm shift in the area of utilization of natural fibres in various industries. Technological advancements in bamboo sustenance have involved chemical and physical modification that has led to products of high-performance index. This book provides the latest research developments in many aspects of bamboo process, manufacture and commercialization potential. Apart from the interest to facilitate a complete assessment of bamboo as well as assist readers in achieving their goals, this book is intended to be of value to both fundamental research and also to practicing scientists and will serve as a useful reference for researchers, agricultural practitioners and organizations involved in the bamboo-based industry.
Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book's first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk--as well as other media--were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed the course of study and understanding of Chinese paleography.
Following in the tradition of generations of expatriate Chinese merchants, they began establishing small family businesses. Today, the authors show, these have expanded into conglomerate business empires. Entrusting corporate divisions almost exclusively to relatives, and dealing extensively with fellow expatriates, these entrepreneurs have formed close-knit and formidable business spheres throughout Southeast Asia - a "bamboo network."
Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.
Scholarship on early Chinese thought has long tended to treat texts as mere repositories of ideas rather than as meaningful objects in their own right. Not only does this approach present an idealised account of China’s intellectual past, but it also imposes artificial boundaries between textual and philosophical traditions. As the first study to treat text as a cultural phenomenon during the Warring States period, this book demonstrates the interplay among the material conditions of text and manuscript culture, writing, and thought. Through close readings of philosophical texts excavated at Guōdiàn, it analyses crucial strategies of meaning construction and casts light on the ways in which different communities used texts to philosophical ends. Meyer thus establishes new understandings of the correlation between ideas, their material carrier, and the production of meaning in early China.
"This book is a wonderful source for people who are interested in Chinese American history, Los Angeles Chinatown, women rising up through the ranks of a newspaper organization during an era when few women worked in journalism, and family memoirs in general."—Lisa See, author of On Gold Mountain "A fascinating and invaluable historical document. . . . [It] will provide insight into the lifesyles of earlier Chinese American immigrant families [and] sheds light on the Americanization process."—Russell Leong, editor of Amerasia Journal
Sima Qian (c. 100 B.C.E.) was China's first historian—he was known as Grand Astrologer at the court of Emperor Wu during the Han dynasty—and, along with Confucius and the First Emperor of Qin, was one of the creators of imperial China. His Shiji (published for Columbia in a translation by Burton Watson as Records of the Grand Historian) not only became the model for the twenty-six Standard Histories that the historians of each Chinese dynasty wrote to legitimize the dynastic succession, but also has been an enormously influential resource to historians, literary scholars, philosophers, and many others seeking an understanding of early Chinese history. In Worlds of Bronze and Bamboo, Grant Hardy presents convincing evidence that the Shiji is quite unlike such Western counterparts as the histories of Herodotus and Thucydides, for, Hardy argues, Sima Qian's work seeks not only to represent but to influence the world in a manner based on Confucian concepts of sageliness and "the rectification of names." Although many scholars have sought close parallels between Sima Qian and the Greek historians—either criticizing Sima's work, as if Western models of historical interpretation could serve as a template by which to read it, or overemphasizing his "objectivity" to more closely align his text with these "respectable" Greek models—Hardy boldly contends that the Chinese historian never intended to produce a consistent, closed interpretation of the past. Instead, Hardy argues, the Shiji is a microcosm in which Sima Qian sought to represent the open-endedness and multivalence of the world around him, revealing and reinforcing the natural order. In mapping out this model of the world, Sima embodies the historian as sage rather than chronicler. Transcending mere accuracy in recording events, such a historian seeks not to present an opinion about what happened in the past, buttressed with rational arguments and pertinent evidence, but to penetrate the outer details of an incident and discover the moral truths it embodies. Thus intuiting the moral significance of events, the sage-historian delineates the Way and offers his readers a chance to become more in tune with the natural order. Illustrating his provocative theses about the Shiji by analyzing Sima Qian's handling of specific historical personages and episodes such as the First Emperor of the Qin, the hereditary house of Confucius, and the conflicts that ended with the founding of the Han dynasty, Hardy both extends and challenges existing interpretations of this crucial yet understudied text and sheds light on its puzzles and incongruities.
