The sadistic Judge Duvic, who we've seen serving God's vengeance on women and children, nearly has Lord Baltimore in his grasp, but first he has to face Baltimore's last few friends in this doomed, war-torn world. "These _Baltimore_ miniseries . . . have provided us with the type of genuine Gothic horror that we crave . . . This is a great read." -Complex
Lord Baltimore's story returns in a deluxe omnibus edition! After a devastating plague ends World War I, Europe is suddenly flooded with vampires. Lord Henry Baltimore, a soldier determined to wipe out the monsters, fights his way through bloody battlefields, ruined plague ships, exploding zeppelins, submarine graveyards, and much more on the hunt for the creature who's become his obsession. This omnibus collects original Baltimore volumes 1-4, with supplemental sketchbook material and an all-new cover by Mike Mignola!
"The original prose novel featuring multiple illustrations by Hellboy artist Mike Mignola, plus the one-shot comic The Widow and the Tank"--Dark Horse website.
Monsters are overrunning Europe, and Baltimore, the only one who can put an end to these horrors, must find and kill Haigus, the vampire responsible for this chaos. Following reports that Haigus is holed up in a cloister, Baltimore finds a haven full of death and black magic, and the creature at the heart of his obsession! Based on the novel by Mike Mignola and Christopher Golden. All-new Mignola series!
A remarkable tale of witchcraft, folk culture, and persuasion in early modern Europe. Based on research in the Inquisitorial archives of Northern Italy, The Night Battles recounts the story of a peasant fertility cult centered on the benandanti, literally, "good walkers." These men and women described fighting extraordinary ritual battles against witches and wizards in order to protect their harvests. While their bodies slept, the souls of the benandanti were able to fly into the night sky to engage in epic spiritual combat for the good of the village. Carlo Ginzburg looks at how the Inquisition's officers interpreted these tales to support their world view that the peasants were in fact practicing sorcery. The result of this cultural clash, which lasted for more than a century, was the slow metamorphosis of the benandanti into the Inquisition's mortal enemies—witches. Relying upon this exceptionally well-documented case study, Ginzburg argues that a similar transformation of attitudes—perceiving folk beliefs as diabolical witchcraft—took place all over Europe and spread to the New World. In his new preface, Ginzburg reflects on the interplay of chance and discovery, as well as on the relationship between anomalous cases and historical generalizations.
Baltimore’s allies relive their own troubled pasts while they bury their fallen friends. Can they uncover the origins of the Blood-Red Witch before she awakens the Red King—the devil behind all the world’s evil? Collects Baltimore: Empty Graves #1–#5.
Months after a devastating plague ends World War I, Europe is suddenly flooded with deadly vampires. Lord Henry Baltimore, a soldier determined to wipe out the monsters, is on the hunt for the creature responsible for this chaos and his own personal tragedy. What he uncovers is a terror as horrific and frightening as any he's seen on the battlefield. Based on the novel by Mike Mignola and Christopher Golden. Mike Mignola reunites with _Witchfinder_ artist Ben Stenbeck! Praise for the novel _Baltimore; or, The Steadfast Tin Soldier and the Vampire_: "Mythic adventure, midway between Lovecraft and the Brothers Grimm. The book burns with black inspiration."_Sci Fi Magazine_ "Gorgeously told and wildly inventive. Mike Mignola's outstanding black-and-white illustrations turn the book into a beautiful object and add to its overall storybook quality. He and Golden have outdone themselves with _Baltimore_, a gorgeous, haunting tale that may well become a classic."_Fangoria_
In 1300, the French region of Languedoc had been cowed under the authority of both Rome and France since Pope Innocent III 's Albigensian Crusade nearly a century earlier. That crusade almost wiped out the Cathars, a group of heretical Christians whose beliefs threatened the authority of the Catholic Church. But decades of harrowing repression-enforced by the ruthless Pope Boniface VIII , the Machiavellian French King Philip the Fair of France, and the pitiless grand inquisitor of Toulouse, Bernard Gui (the villain in The Name of the Rose)-had bred resentment. In the city of Carcassonne, anger at the abuses of the Inquisition reached a boiling point and a great orator and fearless rebel emerged to unite the resistance among Cathar and Catholic alike. The people rose up, led by the charismatic Franciscan friar Bernard Délicieux and for a time reclaimed control of their lives and communities. Having written the acclaimed chronicle of the Cathars The Perfect Heresy , Stephen O'Shea returns to the medieval world to chronicle a rare and remarkable story of personal courage and principle standing up to power, amidst the last vestiges of the endlessly fascinating Cathar world. Praise for The Perfect Heresy : "At once a cautionary tale about the corruption of temporal power...and an accounting of the power of faith ...It is also just a darn good read."-Baltimore Sun "An accessible, readable history with lessons ...that were not learned by broad humanity until it saw 20th-century tyrants applying the goals and methods of the Inquisition on a universal scale."-New York Times
Carlo Ginzburg considers how we assign historical context to events. More than twenty years after Clues, Myths, and the Historical Method was first published in English, this extraordinary collection remains a classic. The book brings together essays about Renaissance witchcraft, National Socialism, sixteenth-century Italian painting, Freud’s wolf-man, and other topics. In the influential centerpiece of the volume Carlo Ginzburg places historical knowledge in a long tradition of cognitive practices and shows how a research strategy based on reading clues and traces embedded in the historical record reveals otherwise hidden information. Acknowledging his debt to art history, psychoanalysis, comparative religion, and anthropology, Ginzburg challenges us to retrieve cultural and social dimensions beyond disciplinary boundaries. In his new preface, Ginzburg reflects on how easily we miss the context in which we read, write, and live. Only hindsight allows some understanding. He examines his own path in research during the 1970s and its relationship to the times, especially the political scenes of Italy and Germany. Was he influenced by the environment, he asks himself, and if so, how? Ginzburg uses his own experience to examine the elusive and constantly evolving nature of history and historical research.
