Grace Crowley’s Contribution to Australian Modernism and Geometric Abstraction

Grace Crowley’s Contribution to Australian Modernism and Geometric Abstraction

Author: Dianne Ottley

Publisher: Cambridge Scholars Publishing

Published: 2010-02-19

Total Pages: 201

ISBN-13: 1443820474

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Grace Crowley has been recognized as a product of European modernism and was one of the leading innovators of geometric abstraction in Australia. Having studied in Paris in the 1920s with one of the leading art teachers, writers and theorists, André Lhote, she returned to Australia having mastered the complex mathematics and geometry of the golden section and dynamic symmetry, that had become a framework for modernism. Through her teaching of these compositional techniques at the most progressive modern art school in Sydney in the 1930s, she became a crucial influence on the group of artists now recognized as the historical forerunners to American colour-field painting introduced to Australia in the 1960s, and Australian abstraction. Through her close friendship with Anne Dangar, who played a critical role in the success of Albert Gleizes’ utopian art colony in rural France, Crowley maintained contact with mainstream European modernism and links to the Abstraction-Creation Group in Paris. During the 1940s and 1950s, Crowley worked with fellow-artist Ralph Balson, and together they developed their own style of geometric abstract art which reflected the spiritual dimensions of Kandinsky and Mondrian. Although undervalued in her own time, the sincerity and uncompromising quality of her work that transcends national boundaries, makes her one of the most important Australian women artists of her generation.


Sydney Moderns

Sydney Moderns

Author: Deborah Edwards

Publisher: Prestel Publishing

Published: 2013

Total Pages: 0

ISBN-13: 9783791349176

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This treasury of Australian art created between the two world wars sheds fascinating light on the country's incredible artistic growth and the flowering of modernism Down Under. This volume comprises some 400 works by Ralph Balson, Frank and Margel Hinder, Roland Wakelin, and others in the Australian vanguard. Arranged by theme, the art reflects a remarkable range of styles and genres: abstraction, landscapes, still lifes, portraits.


The Sculpture of Margel Hinder

The Sculpture of Margel Hinder

Author: Ian Cornford

Publisher: Phillip Mathews Book Publishers Pty

Published: 2013

Total Pages: 156

ISBN-13: 9780977553280

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Cosmopolitan, sophisticated, and determinedly international in outlook, American born Margel Hinder (1906 1995) was one of Australias most creative modernist sculptors. In America, she experienced at first hand works by Brancusi, Gabo, Pevsner, Archipenko and Epstein, who were to have major impact on 20th century modernist sculpture.


Cubism & Australian Art

Cubism & Australian Art

Author: Lesley Harding

Publisher: The Miegunyah Press

Published: 2009

Total Pages: 273

ISBN-13: 052285673X

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Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation and change, that the idea of a pure or original Cubism was short lived, and that its appearance in Australian art parallels its uptake and re-interpretation by artists internationally. In the words of French artist Andr Lhote, mentor to several Australians who studied at his Academy in Paris: 'There are a thousand defi nitions of Cubism, because there are a thousand painters practising it'. More than eighty international and Australian artists are showcased with over 300 works, featuring Sam Atyeo, Ralph Balson, Grace Crowley, Frank Hinder, Roger Kemp, Godfrey Miller, Stephen Bram and Daniel Crooks, as well as Pablo Picasso, Georges Braque and Fernand L ger.


Australian Art

Australian Art

Author: Andrew Sayers

Publisher: Oxford University Press, USA

Published: 2001

Total Pages: 268

ISBN-13: 9780192842145

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This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.


Grace Crowley's Contribution to Australian Modernism and Geometric Abstraction

Grace Crowley's Contribution to Australian Modernism and Geometric Abstraction

Author: Dianne Ottley

Publisher: Cambridge Scholars Publishing

Published: 2010

Total Pages: 201

ISBN-13: 9781443819770

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Grace Crowley has been recognized as a product of European modernism and was one of the leading innovators of geometric abstraction in Australia. Having studied in Paris in the 1920s with one of the leading art teachers, writers and theorists, Andrè Lhote, she returned to Australia having mastered the complex mathematics and geometry of the golden section and dynamic symmetry, that had become a framework for modernism. Through her teaching of these compositional techniques at the most progressive modern art school in Sydney in the 1930s, she became a crucial influence on the group of artists now recognized as the historical forerunners to American colour-field painting introduced to Australia in the 1960s, and Australian abstraction. Through her close friendship with Anne Dangar, who played a critical role in the success of Albert Gleizes' utopian art colony in rural France, Crowley maintained contact with mainstream European modernism and links to the Abstraction-Creation Group in Paris. During the 1940s and 1950s, Crowley worked with fellow-artist Ralph Balson, and together they developed their own style of geometric abstract art which reflected the spiritual dimensions of Kandinsky and Mondrian. Although undervalued in her own time, the sincerity and uncompromising quality of her work that transcends national boundaries, makes her one of the most important Australian women artists of her generation.


George Johnson

George Johnson

Author: George Johnson

Publisher: Macmillan Education AU

Published: 2006

Total Pages: 260

ISBN-13: 9781876832810

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George Johnson arrived in Australia from New Zealand in 1952 and in 1956 held his first exhibition of abstract painting in Melbourne. This book marks the artist's 80th birthday and fifty years of singular dedication to philosophy-based abstract imagery. Johnson's work is uniquely consistent - rarely straying from compositions based on primary shapes and a limited range of colour preferences, but demonstrating how these minimal means can, in combination, serve as surrogates for complex ideas. Additional contributors to the next include the artist's brother, renowned New Zealand poet, Louis Johnson; Australian poet and critic, Gary Catalano and Melbourne philosopher, Patrick Hutchings.