While K.C. struggles with sexual development dysfunction, hearing loss, and depression that impact her young adult years, she battles with her family, her belief in God, and society as a whole, regarding what is normal for a woman. Traumatic events affect her deeply and the emotional pain leads to drug, alcohol, food and sex addictions. K.C. gets sober in her junior year of high school, but sobriety alone is not enough. When she finds out that she is miraculously pregnant, it is a wake-up call. She goes through a period of self-awareness and eventually turns her bad girl actions into experiences she can use to become a good mother. K.C. recognizes that she could have killed herself or given up hope, but she did not. Instead she persevered, sought help and united with others who battled similar demons. She celebrates her success and challenges readers of all ages to liberate their secrets.
A recently deceased girl must solve her own murder in order to escape purgatory in Bad Girl Gone by Temple Mathews. Sixteen year-old Echo Stone awakens in a cold sweat in a dark room, having no idea where she is or how she got there. But she soon finds out she’s in Middle House, an orphanage filled with mysteriously troubled kids. There’s just one problem: she’s not an orphan. Her parents are very much alive. She explains this to everyone, but no one will listen. After befriending a sympathetic (and handsome) boy, Echo is able to escape Middle House and rush home, only to discover it sealed off by crime scene tape and covered in the evidence of a terrible and violent crime. As Echo grapples with this world-shattering information, she spots her parents driving by and rushes to flag them down. Standing in the middle of street, waving her arms to get their attention, her parents’ car drives right through her. She was right. Her parents are alive—but she’s not. She’s a ghost, just like all the other denizens of Middle House. Desperate to somehow get her life back and reconnect with her still-alive boyfriend, Echo embarks on a quest to solve her own murder. As the list of suspects grows, the quest evolves into a journey of self-discovery in which she learns she wasn’t quite the girl she thought she was. In a twist of fate, she’s presented with one last chance to reclaim her life and must make a decision which will either haunt her or bless her forever.
An insatiable need for sex and love. Periods of overeating or starving. A pattern of unstable and painful relationships. Does this sound painfully familiar? Trauma counselor Kelly McDaniel has seen these traits over and over in clients who feel trapped in cycles of harmful behaviors-and are unable to stop. Many of us find ourselves stuck in unhealthy habits simply because we don't see a better way. With Mother Hunger, McDaniel helps women break the cycle of destructive behavior by taking a fresh look at childhood trauma and its lasting impact. In doing so, she destigmatizes the shame that comes with being under-mothered and misdiagnosed. McDaniel offers a healing path with powerful tools that include therapeutic interventions and lifestyle changes in service to healthy relationships. The constant search for mother love can be a lifelong emotional burden, but healing begins with knowing and naming what we are missing. McDaniel is the first clinician to identify Mother Hunger, which demystifies the search for love and provides the compass that each woman needs to end the struggle with achy, lonely emptiness, and come home to herself.
NEW YORK TIMES BESTSELLER • The disappearance of a beautiful, charismatic mother leaves her family to piece together her secrets in this propulsive novel for fans of Big Little Lies—from the bestselling author of All We Ever Wanted Was Everything and the upcoming Pretty Things. “Watch Me Disappear is just as riveting as Gone Girl.”—San Francisco Chronicle Who you want people to be makes you blind to who they really are. It’s been a year since Billie Flanagan—a Berkeley mom with an enviable life—went on a solo hike in Desolation Wilderness and vanished from the trail. Her body was never found, just a shattered cellphone and a solitary hiking boot. Her husband and teenage daughter have been coping with Billie’s death the best they can: Jonathan drinks as he works on a loving memoir about his marriage; Olive grows remote, from both her father and her friends at the all-girls school she attends. But then Olive starts having strange visions of her mother, still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he understood about his wife. Who was the woman he knew as Billie Flanagan? Together, Olive and Jonathan embark on a quest for the truth—about Billie, but also about themselves, learning, in the process, about all the ways that love can distort what we choose to see. Janelle Brown’s insights into the dynamics of intimate relationships will make you question the stories you tell yourself about the people you love, while her nervy storytelling will keep you guessing until the very last page. Praise for Watch Me Disappear “Watch Me Disappear is a surprising and compelling read. Like the best novels, it takes the reader somewhere she wouldn’t otherwise allow herself to go. . . . It’s strongest in the places that matter most: in the believability of its characters and the irresistibility of its plot.”—Chicago Tribune “Janelle Brown’s third family drama delivers an incisive and emotional view of how grief and recovery from loss can seep into each aspect of a person’s life. . . . Brown imbues realism in each character, whose complicated emotions fuel the suspenseful story.”—Associated Press “When a Berkeley mother vanishes and is declared dead, her daughter is convinced she’s alive in Janelle Brown’s thriller, calling to mind Big Little Lies and Gone Girl.”—Variety
At twenty-three, Wendy Shalit punctured conventional wisdom with A Return to Modesty, arguing that our hope for true lasting love is not a problem to be fixed but rather a wonderful instinct that forms the basis for civilization. Now, in Girls Gone Mild, the brilliantly outspoken author investigates an emerging new movement. Despite nearly-naked teen models posing seductively to sell us practically everything, and the proliferation of homemade sex tapes as star-making vehicles, a youth-led rebellion is already changing course. In Seattle and Pittsburgh, teenage girls protest against companies that sell sleazy clothing. Online, a nineteen-year-old describes her struggles with her mother, who she feels is pressuring her to lose her virginity. In a small town outside Philadelphia, an eleventh-grade girl, upset over a “dirty book” read aloud in English class, takes her case to the school board. These are not your mother’s rebels. In an age where pornography is mainstream, teen clothing seems stripper-patented, and “experts” recommend that we learn to be emotionally detached about sex, a key (and callously) targeted audience–girls–is fed up. Drawing on numerous studies and interviews, Shalit makes the case that today’s virulent “bad girl” mindset most truly oppresses young women. Nowadays, as even the youngest teenage girls feel the pressure to become cold sex sirens, put their bodies on public display, and suppress their feelings in order to feel accepted and (temporarily) loved, many young women are realizing that “friends with benefits” are often anything but. And as these girls speak for themselves, we see that what is expected of them turns out to be very different from what is in their own hearts. Shalit reveals how the media, one’s peers, and even parents can undermine girls’ quests for their authentic selves, details the problems of sex without intimacy, and explains what it means to break from the herd mentality and choose integrity over popularity. Written with sincerity and upbeat humor, Girls Gone Mild rescues the good girl from the realm of mythology and old manners guides to show that today’s version is the real rebel: She is not “people pleasing” or repressed; she is simply reclaiming her individuality. These empowering stories are sure to be an inspiration to teenagers and parents alike.
Take this journey of self-discovery with first-time author Kathi Stewart. Walk the path with her as she takes you through family darkness, secrets, broken relationships, and healing. Kathi is a survivor. Through her vulnerability and willingness to work through her demons, you will journey with Kathi to find hope, courage, and to rise up and see her take control of her life and get off the virtual merry-go-round that so often repeats itself generation to generation. So many of us are on that ride, but deep within ourselves we all have the inner ability to take the reins and ride the horse off.
Ramblings from a Recovering Heterosexual is the story of a woman who left her husband of twenty-seven years to come out of the closet. Never having realized she was in the closet, she goes on to search for answers. Writing with a sense of humor, she chronicles an unusual life of love, loss, cults, drugs, and numerous mistakes made along the way. Her time spent in a mental institution where she received shock therapy in her fifties has ultimately given her the resilience to move on, to make some changes, and to accept herself for who she is.
Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don't Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women's and cultural studies to grapple with visual media.
Thick with suspense and simmering with adolescent turmoil, Bad Girls is an action-adventure survival story that pits a group of troubled teens against a forbidding tropical landscape, an elusive enemy, and, worst of all, each other. It's Mean Girls meets Lord of the Flies, and it marks the debut of an innovative new voice in fiction. Anna Wheeler's parents have had it up to here. They can't seem to control their daughter anymore and so, one night, Anna's yanked from her bed and carted off to Camp Archstone -- bootcamp for troubled teen girls. There, on a vast, remote, sparsely populated island, Anna will be expected to change her ways and repent for the sins her religious father just can't seem to forgive. Here's a hint: There's a boy involved. No, a man. Life at Camp Archstone is Anna's worst nightmare. Every minute of the day is scheduled, the counselors are hardcore, and one girl is crueler than the next. But when a grueling hike into the forest goes horribly wrong, things go from bad to worse. Stalked by an unknown foe and left to fend for themselves, the girls band together to try to find their way back to civilization -- and that's when the real trouble begins.
From the war-torn foothills of the Little Bighorns to the tragedy that is modern ranch life, this spellbinding collection of short fiction celebrates ordinary people struggling to do what's right. A cavalry trooper dismisses his premonitions of disaster for the fort, but as winter deepens, he can hardly deny the grisly precision of his dreams. Two brothers separated by circumstance must reconcile the ways they have grown apart. A young bull rider-turned-burglar searches for the courage to face his weaknesses, and earn the respect of a good man "James D. Wright is extremely adept at creating characters and worlds for them to live in." -Tara Wray, Land-Grant College Review "James Wright's stories are compelling-his vision and imagination fresh." -Gordon Kessler, author of Jezebel and Dead Reckoning. "Great stuff!" -W. Steven Hathaway, Past National Endowment for the Arts Fellow "James D. Wright provides wonderful images in his narrative and paints the scene superbly. His characters are real and the reader is right there with them. I anticipate great things from this author." -Steven Law, ReadWest Online Magazine (www.readwest.com)
