Bacchus in Romantic England

Bacchus in Romantic England

Author: A. Taylor

Publisher: Springer

Published: 1998-11-11

Total Pages: 276

ISBN-13: 0230377203

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Bacchus in Romantic England describes real drunkenness among writers and ordinary people in the Romantic age. It grounds this 'reality' in writings by doctors and philanthropists from 1780 onwards, who describe an epidemic of drunkenness. These commentators provide a context for the different ways that poets and novelists of the age represent drunkards. Wordsworth writes poems and essays evaluating the drunken career of his model Robert Burns. Charles Lamb's essays and letters reveal a real and metaphorical preoccupation with his own drinking as a way of disguising his personal suffering; his companion Coleridge writes drinking songs, essays about drunkenness, and meditations about his own weakness of will that show both festive inebriety and consciousness of an inward abyss; Coleridge's son Hartley, whose fate his father had prophesied, experiences drunkenness as the life-long humiliation described in his poems and letters. Keats's complex dionysianism runs through 'Endymion' and the late odes, setting him at odds with his temperate hero Milton. Men in the Romantic age, such as Sheridan, Byron, Moor, and Clare, celebrate rowdy friendship with tales and songs of drinking; Romantic women novelists such as Smith, Edgeworth and Wollstonecraft depict these men stumbling home to abuse their wives. Although excessive drinking is real in the period, observers and participants can still maintain ambivalence about its power to release or to debase the human being.


The Oxford Handbook of British Romantic Prose

The Oxford Handbook of British Romantic Prose

Author: Robert Morrison

Publisher: Oxford University Press

Published: 2024-04-18

Total Pages: 993

ISBN-13: 0192571494

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The Oxford Handbook of British Romantic Prose is a full-length essay collection devoted entirely to British Romantic nonfiction prose. Organized into eight parts, each containing between five and nine chapters arranged alphabetically, the Handbook weaves together familiar and unfamiliar texts, events, and authors, and invites readers to draw comparisons, reimagine connections and disconnections, and confront frequently stark contradictions, within British Romantic nonfiction prose, but also in its relationship to British Romanticism more generally, and to the literary practices and cultural contexts of other periods and countries. The Handbook builds on previous scholarship in the field, considers emerging trends and evolving methodologies, and suggests future areas of study. Throughout the emphasis is on lucid expression rather than gnomic declaration, and on chapters that offer, not a dutiful survey, but evaluative assessments that keep an eye on the bigger picture yet also dwell meaningfully on specific paradoxes and the most telling examples. Taken as a whole the volume demonstrates the energy, originality, and diversity at the crux of British Romantic nonfiction prose. It vigorously challenges the traditional construction of the British Romantic movement as focused too exclusively on the accomplishments of its poets, and it reveals the many ways in which scholars of the period are steadily broadening out and opening up delineations of British Romanticism in order to encompass and thoroughly evaluate the achievements of its nonfiction prose writers.


Bacchus in Romantic England

Bacchus in Romantic England

Author: Anya Taylor

Publisher: Palgrave Macmillan

Published: 1999

Total Pages: 264

ISBN-13: 9780312214999

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Although many books have studied writers and alcohol in modern American literature, the rich culture of drinking and the many poems and narratives about it in the Romantic period in England have been entirely neglected. Bacchus in Romantic England: Writers and Drink 1780-1830 is the first study to describe the bulk and variety of writings about drinking; to set these poems, novels, essays, letters and journals in a historical, sociological, and medical context; to demonstrate the importance of drunkenness in the works of a number of major and minor writers of the period; and to suggest that during these years, for a short time, the pleasures and pains of drinking are held in a vivacious balance. The book argues that the figure of the drinker tests the margins of the human being, either as a beast, savage, or thing or, on the other edge of the human range, as a free, inspired spirit.


God and Grace of Body

God and Grace of Body

Author: David Brown

Publisher: Oxford University Press

Published: 2011-02-03

Total Pages: 460

ISBN-13: 0199599963

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An exploration of the ways in which the symbolic associations of the body and what we do with it have helped shape religious experience and continue to do so. David Brown writes excitingly about the potential of dance and music - including pop, jazz, and opera - to enhance spirituality and widen theological horizons.


The Politics of Wine in Britain

The Politics of Wine in Britain

Author: C. Ludington

Publisher: Springer

Published: 2016-01-12

Total Pages: 366

ISBN-13: 0230306225

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A unique look at the meaning of the taste for wine in Britain, from the establishment of a Commonwealth in 1649 to the Commercial Treaty between Britain and France in 1860 - this book provides an extraordinary window into the politics and culture of England and Scotland just as they were becoming the powerful British state.


The New Cambridge Companion to Coleridge

The New Cambridge Companion to Coleridge

Author: Tim Fulford

Publisher: Cambridge University Press

Published: 2022-11-24

Total Pages: 295

ISBN-13: 1108936067

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This new collection enables students and general readers to appreciate Coleridge's renewed relevance 250 years after his birth. An indispensable guide to his writing for twenty-first-century readers, it contains new perspectives that reframe his work in relation to slavery, race, war, post-traumatic stress disorder and ecological crisis. Through detailed engagement with Coleridge's pioneering poetry, the reader is invited to explore fundamental questions on themes ranging from nature and trauma to gender and sexuality. Essays by leading Coleridge scholars analyse and render accessible his extraordinarily innovative thinking about dreams, psychoanalysis, genius and symbolism. Coleridge is often a direct and gripping writer, yet he is also elusive and diverse. This Companion's great achievement is to offer a one-volume entry point into his incomparably rich and varied world.


Romanticism and Male Fantasy in Byron’s Don Juan

Romanticism and Male Fantasy in Byron’s Don Juan

Author: C. Donelan

Publisher: Springer

Published: 1999-10-11

Total Pages: 205

ISBN-13: 0230596568

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Don Juan , Byron's best poem, is a sensational radical satire. It uses the legend of Don Juan to expose the male fantasies behind Romanticism and nineteenth-century public culture. Critics feared that the poem was a 'manual for vice' and would corrupt society. Should England's best selling author have been censored? This book looks at how Europe's most famous literary celebrity shows his dark side in Don Juan , a canonical long poem and a pop culture masterpiece.


The Sacred and Secular Canon in Romanticism

The Sacred and Secular Canon in Romanticism

Author: D. Jasper

Publisher: Springer

Published: 1998-12-09

Total Pages: 169

ISBN-13: 0230378579

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This book is an interdisciplinary study of Romanticism which focuses on the reception of the Biblical canon in poetry, art and theory. The Bible is acknowledged as the heart of European culture, but as its status as the sacred text of Judaism and Christianity becomes questionable, it remains at the turning-point between sacred and secular art in the modern world. The insights of Romanticism are crucial for our understanding of postmodernism as a fundamentally religious movement which acknowledges both the death and rebirth of religious language.


Romanticism and Masculinity

Romanticism and Masculinity

Author: T. Fulford

Publisher: Springer

Published: 1999-03-22

Total Pages: 262

ISBN-13: 0230372902

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This book examines the male Romantics' versions of poetic authority in theory and practice in the context of their involvement in the political debates of Regency Britain and argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity. It portrays their influence on each other as a series of unstable struggles and alliances in which the formulation of an authoritative masculinity was a political as well as an aesthetic issue. The author investigates the writers' portrayals of women and their collaborations with women writers and throws new light on their nature poetry by relating it to their reactions to the sexual and political scandals of the Regency.