Happiness or Its Absence in Art
Happiness or Its Absence in Art

Author: William Barcham

Publisher: Cambridge Scholars Publishing

Published: 2014-10-02

Total Pages: 195

ISBN-13: 1443868256

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The concept of ‘happiness’ is central to most civilized cultures. This volume investigates the many ways in which Western art has visualized the concept from the early Middle Ages to the present. Employing different methodological approaches, the essays gathered here situate the concept of human happiness within discourses on gender, religion, intellectual life, politics and ‘New-Age’ culture. Operating as a cultural agent, art communicates the idea of happiness as both a physical and spiritual condition by exploiting specific formulae of representation. This volume combines art history, cultural analyses and intellectual studies in order to explore the complexities of iconographic programs that represent various forms of happiness, or its explicit absence, and to expose the implications embedded in the artistic works in question. Through innovative readings, the ten authors presented in this book survey different artistic and/or cultural paradigms and offer new interpretations of happiness or of its absence.

Place Matters
Place Matters

Author: Jonathan Bordo

Publisher: McGill-Queen's Press - MQUP

Published: 2022-12-15

Total Pages: 393

ISBN-13: 0228014859

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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

Church Life
Church Life

Author: Michael Davies

Publisher: Oxford University Press

Published: 2019-05-16

Total Pages: 241

ISBN-13: 0191067466

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Church Life: Pastors, Congregations, and the Experience of Dissent in Seventeenth-Century England addresses the rich, complex, and varied nature of 'church life' experienced by England's Baptists, Congregationalists, and Presbyterians during the seventeenth century. Spanning the period from the English Revolution to the Glorious Revolution, and beyond, the contributors examine the social, political, and religious character of England's 'gathered' churches and reformed parishes: how pastors and their congregations interacted; how Dissenters related to their meetings as religious communities; and what the experience of church life was like for ordinary members as well as their ministers, including notably John Owen and Richard Baxter alongside less well-known figures, such as Ebenezer Chandler. Moving beyond the religious experience of the solitary individual, often exemplified by conversion, Church Life redefines the experience of Dissent, concentrating instead on the collective concerns of a communally-centred church life through a wide spectrum of issues: from questions of liberty and pastoral reform to matters of church discipline and respectability. With a substantial introduction that puts into context the key concepts of 'church life' and the 'Dissenting experience', the contributors offer fresh ways of understanding Protestant Dissent in seventeenth-century England: through differences in ecclesiology and pastoral theory, and via the buildings in which Dissent was nurtured to the building-up of Dissent during periods of civil war, persecution, and revolution. They draw on a broad range of printed and archival materials: from the minutes of the Westminster Assembly to the manuscript church books of early Dissenting congregations.

Emotion and the Self in English Renaissance Literature
Emotion and the Self in English Renaissance Literature

Author: Paul Joseph Zajac

Publisher: Cambridge University Press

Published: 2022-12-22

Total Pages: 241

ISBN-13: 1009271687

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This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.

Positive emotions in early modern literature and culture
Positive emotions in early modern literature and culture

Author: Cora Fox

Publisher: Manchester University Press

Published: 2021-04-27

Total Pages: 248

ISBN-13: 1526137151

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What did it mean to be happy in early modern Europe? Positive emotions in early modern literature and culture includes essays that reframe historical understandings of emotional life in the Renaissance, focusing on under-studied feelings such as mirth, solidarity, and tranquillity. Methodologically diverse and interdisciplinary, these essays draw from the history of emotions, affect theory and the contemporary social and cognitive sciences to reveal rich and sustained cultural attention in the early modern period to these positive feelings. The book also highlights culturally distinct negotiations of the problematic binary between what constitutes positive and negative emotions. A comprehensive introduction and afterword open multiple paths for research into the histories of good feeling and their significances for understanding present constructions of happiness and wellbeing.