Encyclopedia of Twentieth-Century Photography, 3-Volume Set
Encyclopedia of Twentieth-Century Photography, 3-Volume Set

Author: Lynne Warren

Publisher: Routledge

Published: 2005-11-15

Total Pages: 1849

ISBN-13: 1135205434

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The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Mark Kimber
Mark Kimber

Author: Jim Moss

Publisher: Wakefield Press

Published: 2013-03

Total Pages: 162

ISBN-13: 1743051212

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This work encapsulates the photographic career to date of Mark Kimber, whose track record as an artist has its origins in the early 1980s when, only one year after graduating from art school, six of his prints were collected by the Art Gallery of South Australia. Since that time his photographs have been collected internationally.

Photography and Australia
Photography and Australia

Author: Helen Ennis

Publisher: Reaktion Books

Published: 2007

Total Pages: 164

ISBN-13: 9781861893239

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'Photography and Australia' focuses on those aspects of photographic practice that can be considered distinctively Australian. It argues that the colonial experience has been crucial in shaping photographers' concerns.

Balls and Bulldust
Balls and Bulldust

Author:

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9783869307077

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Balls and Bulldust is a rich collection of images that explores life and work among the cattlemen in the Northern Territory in Australia. It is not another cowboy story, rather one about men and women working very hard, and seeking some kind of solitude and sense of space in the midst of harsh conditions. For some, life in Australias outback is a life-long routine. The young are attracted by its romanticism, which is more often than not shattered by realitys hardships. The red dust covering this vast scrubby landscape and filling the air is prevalent in Ludwigsons images. Days can be blistering hot and temperatures at nights may sometimes fall below zero. People sleep on swags on the ground for weeks. The food is drab and the men are in their saddles twelve hours a day mustering herds of cattle, branding and castrating young bulls. Hkan Ludwigson, who is one of the worlds leading commercial photographers, spent three months with the cattlemen of the Australian outback early in his career, and returned to his native Sweden with a body of work that became Balls and Bulldust in 2012. The work was first exhibited at Strandverket Konsthall on Marstrand in Sweden in 2012. The exhibition was curated by Hasse Persson.

Decadent
Decadent

Author: Rennie Ellis

Publisher:

Published: 2014

Total Pages: 256

ISBN-13: 9781742705347

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A fascinating snapshot of the wild, opulent, sometimes tacky and always decadent 1980s in Australia by a true original. Decadent: 1980-2000 is a photography book showcasing Rennie Ellis' (1940-2003) contribution to photography and social history. With an

Each Wild Idea
Each Wild Idea

Author: Geoffrey Batchen

Publisher: MIT Press

Published: 2002-02-22

Total Pages: 254

ISBN-13: 9780262523240

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Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.