First published in 2005. With updated documents including papyri, inscriptions and ostraka, this book casts fresh and original light on the administration and economy issues faced with the transition of Egypt from an allied kingdom of Rome to a province of the Roman Empire.
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
This second collection by Roger Bagnall brings together a further two dozen of his studies, this time covering Hellenistic, Roman, and Byzantine Egypt, published over the last thirty years. Many of the articles deal with issues of historical and papyrological method: the restoration of papyrus texts, the direction of archaeological work in Egypt, economic models for Roman Egypt, the usefulness of postcolonial theory, and approaches to the defective literary tradition for the Library of Alexandria. Others concentrate on particular bodies of evidence, ranging from inscriptions to ascetic literature, from registers to women's letters.
An examination of the main characters in the Aeneid - Aeneas himself, Dido and Turnus - in the light of Virgil's contemporary Augustan political and literary ideology. The characters and the plot and incident of the epic are seen as embodying and exemplifying first the ancient ideals of kingship and concord, and second the Roman self-identification as at once 'Italian' and 'Trojan', and finally as reflecting the literary self-evaluation of the Augustan age. In the literary area, Virgil's relations with contemporary Roman elegy, with early Greek lyric and, most important, with Homer, are studied and reevaluated. Virgilian scholars and students of Augustan literature in general will find this book of interest to them.
Egypt is by far the best-documented province of the Roman Empire. The dryness of its climate means that an enormous number of literary and documentary papyri have survived - a unique, reliable and lively source that documents Egypt in more detail than any other Roman province. Hitherto these have not been used extensively by Roman historians, on the erroneous assumption that Egypt is somehow 'atypical' as a Roman province. However, scholars now agree that Egypt should be devoted more attention by anyone interested in the history of the Roman Empire. This book offers a first approach to the subject, presenting a survey of the most important aspects of life in the province under Roman domination, from the conquest by Octavian in 30 BC to the third century AD, as they emerge from the micro-level of the Egyptian papyri and inscriptions, but also from the ancient literary sources, such as Strabo, Diodorus, and Philo, and from the most important archaeological discoveries.
This book presents the first detailed study of Tebtunis, a village in Egypt within the Roman Empire, in the first century AD. It is founded on the archive material of the local notarial office, or grapheion, which was run by a man named Kronion for most of the mid-first century. The archive, unparalleled in antiquity, includes over two hundred documents written on papyrus which attest a wide range of transactions made by the villagers over defined periods of time, in particular the years AD 42 and 45-7 under the reign of the emperor Claudius. This evidence provides a unique insight into various aspects of village life: the level of participation in the written contractual economy; the socio-economic stratification of the village, including the position of women, slaves, priests, and the role of the elite; the functions of associations; the types and importance of agriculture; and non-agricultural activities. This multitude of data reveals a highly diversified village economy, a large involvement in written transactions among all the strata of the population, and a rural society living mostly above subsistence level. Tebtunis provides a model of village society that can be used to understand the majority of the population within the Roman Empire who lived outside cities in the Mediterranean, particularly in the other eastern and more Hellenized provinces.
Scholars have read the Alexandrian riots of 38 CE according to intertwined dichotomies. The Alexandrian Jews fought to keep their citizenship - or to acquire it; they evaded the payment of the poll-tax - or prevented any attempts to impose it on them; they safeguarded their identity against the Greeks - or against the Egyptians. Avoiding that pattern and building on the historical reconstruction of the experience of the Alexandrian Jewish community under the Ptolemies, this work submits that the riots were the legal and political consequence of an imperial adjudication against the Jews. Most of the Jews lost their residence never to recover it again. The Roman emperor, the Roman prefect of Egypt and the Alexandrian citizenry - all shared responsibilities according to their respective and expected roles.
Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.