As always, it is a thrilling experience to write about Augusta’s history. Our local history is so rich with interesting stories that weave through time. From Augusta’s beginning as the king’s fort to the founding of Augusta by Gen. James Edward Oglethorpe in 1739, Augusta has gone from a capitol city to a winter playground for wealthy northerners. This history and more brought to life herein. This book is composed of fifty-six chapters or short stories, capitalizing on historic photos that range in time from Augusta’s founding to recent times. It is the intent that these stories are easy and quick reads that will transport the reader through time to vividly experience these historical events.
As Georgia's second oldest and second largest city, Augusta has long been a center of commerce, industry, defense, education, tourism, and recreation. Fortunately, as the city grew and modernized, it also preserved its heritage--a beautiful blend of past and present, then and now.
Founded in 1933, the Augusta National Golf Club is the perfect course. Co-designed by legends Bobby Jones and Alister MacKenzie, Augusta boasts gorgeous fairways and perfectly manicured greens, set against a breathtaking backdrop of azaleas and pines. Every April, the invitation-only Masters Tournament is watched by millions of avid viewers around the globe. But the exclusive club, with a membership comprising some of the world's most powerful and influential men, is also notorious for a legacy of secrets and controversy. Journalist and novelist Steve Eubanks used all of his investigative and storytelling talents to get to the heart of Augusta's turbulent history, including its 44-year rule under the iron fist of Cliff Roberts and his suicide on the club's grounds; the Masters' impetuous yet long-standing relationship with CBS; allegations of racism; and the club's countless, rigid rules (members can even be expelled for wearing their green Augusta blazers outside the club). With 45 inspiring photographs, Eubanks's balanced account also captures the historic moments that evoke deep affection for Augusta, from Dwight Eisenhower teeing off in the days before the Masters was televised to Jack Nicklaus's emotional victory at age 46, 23 years after he won his first green jacket. With a new chapter on Tiger Woods's 1997 triumph and published just in time for the 1998 Masters, Augusta is essential reading for anyone who wants the complete story of American golf's most hallowed ground.
Contested the second weekend in April each year since 1934, the Masters is the world’s most prestigious golf tournament and most-watched tournament on television. Tickets are in such demand that even the waiting list is closed, and players value the title above all others. In Making the Masters, award-winning golf writer David Barrett focuses his attention on how the Masters was conceived, how it got off the ground in 1934, and how it fully established itself in 1935. The key figure in the tournament’s creation and success was Bobby Jones, who was a living legend after winning the Grand Slam in 1930 and immediately retiring at the age of twenty-eight. He went on to found Augusta National and sought a high-profile tournament for his new course. But nearly as important was Clifford Roberts, a banker friend of Jones who not only embraced Jones’s vision but became his right-hand man in working to bring that vision to reality. Barrett explores how Jones and Roberts built the Masters from scratch, creating a golf institution embellished by the often surprising details of what that entailed as they were trying to establish a golf club and golf tournament in tough economic times. It also vividly chronicles the events of the 1934 and 1935 Masters, with Gene Sarazen’s spectacular victory in 1935 providing the climax. Set against the backdrop of golf, and America, in the 1930s, the book provides an informative and entertaining read for fans of the Masters and students of golf history.
The Masters is unquestionably the crown jewel of golf's major tournaments, not only for the transcendent performances it has inspired over the years, but for the incomparable sights and sounds of Augusta National and its environs, each distinct element contributing to the storied, rarefied atmosphere which draws tens of thousands to Georgia each spring. Seven Days in Augusta spans everything from the par-3 contest, to Amen Corner, to Butler Cabin. Mark Cannizzaro goes behind the scenes of the exclusive competition, covering wide-ranging topics including green jacket rituals, tales from The Crow's Nest atop the clubhouse, the extreme lengths some fans have gone to acquire tickets, and what goes on outside the gates during Masters week. Also featuring some of the most memorable and dramatic moments from the tournament's history, this is an essential, expansive look at golf's favorite event.
In Thinking Outside the Book, Augusta Rohrbach works through the increasing convergences between digital humanities and literary studies to explore the meaning and primacy of the book as a literary, material, and cultural artifact. Rohrbach assembles a rather unlikely cohort of nineteenth-century women writers--Jane Johnston Schoolcraft, Sojourner Truth, Hannah Crafts, Augusta Evans, and Mary Chesnut--to consider the publishing culture of their period from the perspective of our current digital age, bringing together scholarly concepts from both print culture and new media studies. In nineteenth-century America, women from a variety of racial and class affiliations were bombarding the print market with their literary productions, taking advantage of burgeoning rates of literacy and advances in publishing technology. Their work challenged prevailing modes of authorship and continues to do so today. Each chapter of Thinking Outside the Book positions a focal figure as both paradigmatic and problematic within the context of key terms that define the study of the book. In lieu of terms such as literacy, authorship, publication, edition, and editor, Rohrbach develops an alternate typology that includes mediation, memory, history, testimony, and loss. Recognizing that the field spans radio, cinema, television, and the Internet, she draws comparisons to the present day, when Web 2.0 allows writers from varying backgrounds and positions to seek out readers without gatekeepers limiting their exposure. More than a literary history, this book takes up theories of recovery, literacy, authorship, narrative, the book, and new media in connection with race, gender, class, and region.
