Auction catalogue, books of Bishop's Court Estate ... [et al.], 8 to 10 April 1957
Author: Sotheby & Co. (London).
Publisher:
Published: 1957
Total Pages:
ISBN-13:
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Author: Sotheby & Co. (London).
Publisher:
Published: 1957
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: George R. Goldner
Publisher: Getty Publications
Published: 1992-10-08
Total Pages: 374
ISBN-13: 0892362197
DOWNLOAD EBOOKThe Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
Author: British Museum. Department of Printed Books
Publisher:
Published: 1969
Total Pages: 1138
ISBN-13:
DOWNLOAD EBOOKAuthor: Bancroft Library
Publisher:
Published:
Total Pages: 768
ISBN-13:
DOWNLOAD EBOOKAuthor: George Burton Adams
Publisher:
Published: 2019-07-25
Total Pages: 582
ISBN-13: 9789353806286
DOWNLOAD EBOOKThis book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
Author: Arianne Faber Kolb
Publisher: Getty Publications
Published: 2005
Total Pages: 106
ISBN-13: 0892367709
DOWNLOAD EBOOKKolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.
Author: Thomas Kren
Publisher: Getty Publications
Published: 1992-07-16
Total Pages: 273
ISBN-13: 0892362049
DOWNLOAD EBOOKPresented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
Author: Yves Bousquet
Publisher:
Published: 2016-12-02
Total Pages: 776
ISBN-13: 9789546428172
DOWNLOAD EBOOK"Bibliographic references to works pertaining to the taxonomy of Coleoptera published between 1758 and 1900 in the non-periodical literature are listed. Each reference includes the full name of the author, the year or range of years of the publication, the title in full, the publisher and place of publication, the pagination with the number of plates, and the size of the work. This information is followed by the date of publication found in the work itself, the dates found from external sources, and the libraries consulted for the work. Overall, more than 990 works published by 622 primary authors are listed. For each of these authors, a biographic notice (if information was available) is given along with the references consulted"--[p. 1].
Author: Claire Bishop
Publisher: Verso Books
Published: 2012-07-24
Total Pages: 483
ISBN-13: 1781683972
DOWNLOAD EBOOKSince the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: William Amhurst Thyssen Amherst
Publisher:
Published: 1909
Total Pages: 226
ISBN-13:
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