This book is a heavily documented study of the psychology of rumor and propaganda during World War I, with coverage of the German, Belgian, French, British and American roles.
Is it true that the German army, invading Belgium and France in August 1914, perpetrated brutal atrocities? Or are accounts of the deaths of thousands of unarmed civilians mere fabrications constructed by fanatically anti-German Allied propagandists? Based on research in the archives of Belgium, Britain, France, Germany, and Italy, this pathbreaking book uncovers the truth of the events of autumn 1914 and explains how the politics of propaganda and memory have shaped radically different versions of that truth. John Horne and Alan Kramer mine military reports, official and private records, witness evidence, and war diaries to document the crimes that scholars have long denied: a campaign of brutality that led to the deaths of some 6500 Belgian and French civilians. Contemporary German accounts insisted that the civilians were guerrillas, executed for illegal resistance. In reality this claim originated in a vast collective delusion on the part of German soldiers. The authors establish how this myth originated and operated, and how opposed Allied and German views of events were used in the propaganda war. They trace the memory and forgetting of the atrocities on both sides up to and beyond World War II. Meticulously researched and convincingly argued, this book reopens a painful chapter in European history while contributing to broader debates about myth, propaganda, memory, war crimes, and the nature of the First World War.
"People screamed, cried, and groaned. Above the tumult I could distinguish the voices of small children. All this time the soldiers were singing.... Sometime after the first salvo, there was another round of fire and, once again, I was not hit. After this I heard fewer cries, save from time to time a small child calling its mother."?Félix Bourdon, survivor of a mass execution in Dinant, BelgiumIn August 1914, without any legitimate pretext, German soldiers killed nearly 6,000 Belgian noncombatants, including women and children, and burned some 25,000 homes and other buildings. Rehearsals is the first book to provide a detailed narrative history of the German invasion of Belgium as it affected civilians. Based on extensive eyewitness testimony, the book chronicles events in and around the towns of Liége, Aarschot, Andenne, Tamines, Dinant, and Leuven, where the worst of the German depredations occurred. Accounts of the killing, looting, and arson have long been dismissed as "atrocity propaganda," particularly in the United Kingdom and the United States. Rehearsals examines the campaign by revisionists that led to voluminous and compelling testimony about German war crimes being discredited.Recently, the case has been made that the violence that came to a peak between August 19 and August 26, 1914, was the result of a spontaneous outbreak of German paranoia about civilian sharpshooters. In Rehearsals, Jeff Lipkes offers compelling evidence that the executions were in fact part of a deliberate campaign of terrorism ordered by military authorities. In his shocking account of events that have been largely overlooked by historians of World War I, Lipkes commemorates the heroism as well as the suffering of the Belgian victims of German aggression.
Ross discusses how the British organized a massive, covert propaganda apparatus with the goal of dragging America into the Great War of 1914-1918 on the side of the Allies.
The German Corpse Factory' is one of the most famous and scandalous propaganda stories of the First World War. It has been repeated many times down to the present day as the prime example of the falsehood of British wartime propaganda. But despite all the attention paid to it, the full story has never been properly told. In Spring 1917, parts of the British press claimed that Germany was so short of essential fats and glycerine that the German Army was being forced to boil down the bodies of its own dead soldiers, causing a brief scandal of accusation and counter-accusation, including the claim that the story was the invention of the British official propaganda organisations. Behind the scenes, British propaganda experts opposed exploiting the story as it was obviously false, and contrary to their basic principles of never telling an obvious lie in an official statement. But at the time, the British government refused to deny that the 'German Corpse Factory' might really exist. In 1925 the scandal re-erupted in New York, when the former head of British military intelligence on the Western Front, in the United States on a speaking tour, was quoted in newspapers as having confessed to making the whole German Corpse Factory story up, a claim that he immediately denied. As a gesture of friendship on the occasion of the Locarno treaties, the British government now accepted the German government position that the story was a lie, but in fact neither government knew what had really happened in 1917. This book provides the answers to these questions according to the best historical evidence available. It uses the scandal of the 'German Corpse Factory' as a case-study to explore the true nature of British official propaganda and its organisations in the First World War, including the events of 1917 and who might really have been responsible for the story. It also shows how this brief episode was taken up by the German government after 1918, and by interest groups in Britain and the United States after 1925, to paint a false picture of British propaganda, with far-reaching consequences for the peace of Europe, and for our subsequent understanding of the First World War.
The author presents a compelling and untold story of Germany's occupation of Belgium after WW1. It's a great, trade history book from a wonderful storyteller.
This is a major new contribution to the historiography of the First World War. It examines the lively battle of ideas which helped to destroy Austria-Hungary. It also assesses, for the first time, the weapon of 'front propaganda' as used by and against the Empire on the Italian and Eastern Fronts. Based on material in eight languages, the work challenges accepted views about Britain's primacy in the field of propaganda, while casting fresh light on the creation of Yugoslavia and the viability of the Habsburg Empire in its last years.