The world is full of bad books written by amateurs. But why settle for the merely regrettable? Atlanta Nights is a bad book written by experts. -- T. Nielsen Hayden Atlanta Nights is a book that could only have been produced by an author well-versed in believable storylines, set in conditions that exist today, with believable every-day characters. Accepted by a Traditional Publisher, it is certain to resonate with an audience. It fits their specialty like a glove. All proceeds from this book go to the Science Fiction and Fantasy Writers of America Emergency Medical Fund. Get the Tee-shirt http: //www.cafepress.com/atlanta_night
An electric and intimate story of 1970s gay Atlanta through its bedazzling drag clubs and burgeoning rights activism. Coursing with a pumped-up beat, gay Atlanta was the South's mecca—a beacon for gays and lesbians growing up in its homophobic towns and cities. There, the Sweet Gum Head was the club for achieving drag stardom. Martin Padgett evokes the fantabulous disco decade by going deep into the lives of two men who shaped and were shaped by this city: John Greenwell, an Alabama runaway who found himself and his avocation performing as the exquisite Rachel Wells; and Bill Smith, who took to the streets and city hall to change antigay laws. Against this optimism for visibility and rights, gay people lived with daily police harassment and drug dealing and murder in their discos and drag clubs. Conducting interviews with many of the major figures and reading through deteriorating gay archives, Padgett expertly re-creates Atlanta from a time when a vibrant, new queer culture of drag and pride came into being.
Evelyn thought Lord Savage taught her everything he knew about pleasure. But her lesson isn't finished yet - and a feeling deeper than lust will consume them both.
From the New York Times bestselling author of the Tradd Street series comes a stunning novel about a young single mother who discovers that the nature of friendship is never what it seems.... Recently divorced, Merilee Talbot Dunlap moves with her two children to the Atlanta suburb of Sweet Apple, Georgia. It’s not her first time starting over, but her efforts at a new beginning aren’t helped by an anonymous local blog that dishes about the scandalous events that caused her marriage to fail. Merilee finds some measure of peace in the cottage she is renting from town matriarch Sugar Prescott. Though stubborn and irascible, Sugar sees something of herself in Merilee—something that allows her to open up about her own colorful past. Sugar’s stories give Merilee a different perspective on the town and its wealthy school moms in their tennis whites and shiny SUVs, and even on her new friendship with Heather Blackford. Merilee is charmed by the glamorous young mother’s seemingly perfect life and finds herself drawn into Heather's world. In a town like Sweet Apple, where sins and secrets are as likely to be found behind the walls of gated mansions as in the dark woods surrounding Merilee’s house, appearance is everything. But just how dangerous that deception can be will shock all three women....
This is the delightfully wicked story of an era of infinite possibilities — especially when it comes to eroticism in all its bewitching forms. Among actors and aristocrats, students and showgirls, in cafes and salons, and at backstage parties in pleasure boudoirs, Blue Angel Nights describes the time when even the most outlandish proposal is likely to find an eager accomplice.
Christine Sheridan is the middle sister of the Sheridan clan: lost between her older sister, Susan, a successful criminal lawyer and her whip-smart little sister, Lola. Over twenty years apart, she and her sisters have just learned the secret that their dead mother has kept from them all these years, of their mother's true fate. Now, Christine returns to New York City, to her boyfriend Frank, to a life she once loved. But the prestige's restaurant they own is no more, and Christine is left once again without solid ground. At forty-one, unable to have children, and with nowhere to go--she knows only to return home to the Vineyard and her family. Martha's Vineyard is in full summer bloom. After over twenty years away, Christine falls in love again with the water, with boating, the people, and with carefree days that meander and pop with bright conversations with Lola and Susan and long afternoon swims through crystal waters. Unfortunately, her high school rival, the ever-handsome Zach Walters, seems to lurk everywhere she goes--even offering her a pastry chef position at the Sunrise Inn Bistro. Almost reluctantly, she takes it--and soon becomes the most championed pastry chef on the island. Zach doesn't seem so bad, either, although he does seem to harbor his own secrets. Still, the Sheridan clan is never far from heartbreak. As the Sheridan sisters grow closer, their father loses even more of his memory; their mother's real killer remains on the loose, as does Scott's brother, who stole an obscene amount of money from the Sunrise Cove Inn. Secrets swirl through the family--and drama escalates when Lola's daughter, Audrey, calls with shocking news that sends ripples through the entire Sheridan family. Every day, the Sheridan sisters find new ways to support, enrage, love, and surprise one another. At forty-one, Christine feels caught between her old life and her new one--poised on the brink of either collapse or the greatest love she's ever known. Will she find happiness on the island? Come and find out! Dive into book two of this new women's fiction series: a backdrop of white sand and crystal blue waters, following the Sheridan sisters' heartwarming journey of friendship, loss, and love. For fans of Pamela Kelley, Caroline Brown, Debbie Macomber, and Jan Moran.
Recovering from nightmares of the past, former Marine Cecily Knight has been living alone in the remote Canadian wilderness, but when she takes in an intriguing boarder, Cecily finds herself coming alive for the first time in years.
Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.
