At the Councillor's; or, A Nameless History
At the Councillor's; or, A Nameless History

Author: E. Marlitt

Publisher: Good Press

Published: 2023-10-20

Total Pages: 554

ISBN-13:

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E. Marlitt's 'At the Councillor's; or, A Nameless History' is a captivating novel that delves into the complexities of society and human nature. Set in the 19th century, the book explores themes of class struggle, romance, and the pursuit of identity. Marlitt's writing style is characterized by vivid descriptions and nuanced character development, drawing readers into a world filled with intrigue and emotion. The novel is a prime example of 19th-century German literature, showcasing the societal norms and values of the time. Marlitt's narrative skillfully weaves together the lives of the characters, creating a compelling story that keeps readers engaged from start to finish. E. Marlitt, a pseudonym for Eugenie John, was a prolific German author known for her engaging novels that often depicted the struggles of women in society. With 'At the Councillor's; or, A Nameless History,' Marlitt sheds light on the complexities of human relationships and the constraints of societal expectations. Her own experiences and observations likely influenced her writing, giving her stories an authentic and relatable quality. I highly recommend 'At the Councillor's; or, A Nameless History' to readers who enjoy historical fiction with a focus on character development and social issues. Marlitt's novel offers a thought-provoking exploration of the human experience and is sure to resonate with those looking for a compelling and insightful read.

At the Councillor's
At the Councillor's

Author: E. Marlitt

Publisher: J. B. LIPPINCOTT COMPANY

Published:

Total Pages: 449

ISBN-13:

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At the Councillor's : or A Nameless History Just before the operation, the miller had made his will; as Doctor Bruck and the councillor entered the room, they met the lawyers and witnesses leaving it. Although outwardly composed, the patient must have gone through much agitation of mind: his hand had evidently been uncertain, for in putting away his papers he had left one of them lying upon the table. Noticing this omission, after the doctor's arrival he had requested the councillor to lock it up in the safe. A second door led from the recess where the safe was placed into an antechamber, and there were all sorts of people continually coming and going in the mill. The councillor had put away the paper, but left the door of the safe unlocked,—an inexcusable neglect,—and he hastily went to the little room. What would the old man, who guarded this precious place of deposit like a dragon, have said at seeing his money thus exposed! No one could possibly have entered the room, the councillor consoled himself by thinking; the slightest noise could not have escaped him; but he would make sure that everything was in order. He opened the iron folding-doors as noiselessly as possible; there were the money-bags untouched, and before the packets of valuable papers were ranged columns of glittering gold pieces. He glanced rapidly over the paper, which in his former natural haste and agitation he had put carelessly into one of the neatly-arranged pigeon-holes: it was an inventory of the miller's entire possessions. What enormous sums those rows of figures represented! He carefully put it where it belonged, and in doing so he accidentally overthrew one of the columns of gold pieces: a number of napoleons fell noisily upon the floor. What an ugly sound they made! He had touched money belonging to another! A mixture of terror and uncalled-for shame sent the colour to his cheeks; he stooped in haste to pick up the money. As he did so, a heavy body fell upon him from behind, and hard, coarse fingers clutched his throat.