"Our Old Home: A Series of English Sketches" by Nathaniel Hawthorne is a memoir that takes readers into the mind of this beloved writer during his time in England and Scotland. In this book, Hawthorne narrates his experiences working at the American Consulate, as well as his travels through Warwisk, Lichfield, Oxford, and more, all accompanied by his thoughts and commentaries about the state of England's society and citizens.
In the summer of 1860 Hawthorne returned to America and prepared for the Atlantic Monthly some sketches of England, which appeared in that magazine in 1862 and 1863, and with others were published in book form in 1863, under the title "Our Old Home." The opening article, "Consular Experiences," gives some curious incidents in his office at Liverpool, and describes queer Americans who came for the consular help. The closing one, "Civic Banquets," affords a glimpse at some of the public social intercourse to which his position introduced him. "Lichfield and Uttoxeter " is devoted largely to Dr. Johnson. Long before, Hawthorne had written for children the story of Johnson's penance in Uttoxeter market. The offense taken by the Uttoxeter people at an article published in Harper's Magazine is mentioned in the " English Note-Books," vol. ii., August 2,1857. " Recollections of a Gifted Woman " gives some notes on Stratford, together with reminiscences of Delia Bacon. In "Yesterdays with Authors" Mr. Fields says: " One of the most difficult matters he had to manage while in England was the publication of Miss Bacon's singular book on Shakespeare. The poor lady, after he had agreed to see the work through the press, broke off all correspondence with him in a storm of wrath, accusing him of pusillanimity in not avowing full faith in her theory; so that, as he told me, so far as her good-will was concerned, he had not gained much by taking the responsibility of her book upon his shoulders. It was a heavy weight for him to bear, in more senses than one, for he paid out of his own pocket the expenses of publication." The other articles of the book describe Warwick, Oxford, Leamington, Boston, Lincoln, some parts of London, and the haunts of Burns.
Following on from the first in this series, No High Adobe, which was published in 1950, in this 1952 follow-up, Adobe Doorways, author Dorothy L. Pillsbury takes the reader on a journey into the heart—and often the soul—of Northern New Mexico. We visit Teronrio Flat, as well as friends in the Indian Pueblos and Spanish-American villages in the mountains. As with No High Adobe, this exuberant collection of thirty-six tales emanate from the author’s deep experience of the land and its people, conveying the spirit of both with the care of a loving friends and the skill of a talented storyteller.
"Historic Fredericksburg" by John T. Goolrick. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Beijing-based writer Lin Zhe's novel Waipode Gucheng, on which this translation is faithfully based, paints an unforgettable picture of an "ordinary" family caught up in the maelstrom that was China's most recent century. Her narrative ranges across the entire length of China, to California and back again, to the battlefields of the Anti-Japanese War of Resistance and the brutal "struggle" sessions of the Cultural Revolution. But it always returns to this family's home in Old Town, that archetypical, old-fashioned, and vanishing place steeped in the traditions of South China. Ms. Lin examines the inner strength that sustains people's lives in their darkest hours, when religious and political faith falter. And yet, a vein of irony and droll humor runs through this powerful story. Lin Zhe's novel may be understood as a love story, memoir, history, or allegory. For the non-Chinese reader it provides a rare and moving insight into Chinese lives in a century of fearsome upheaval.
