Asmat Art

Asmat Art

Author: Dirk Smidt

Publisher: Tuttle Publishing

Published: 2012-11-13

Total Pages: 377

ISBN-13: 1462909647

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Asmat Art features the world renowned woodcarvings of the Asmat, former head-hunters who live in the western half of New Guinea This book presents a full range of Asmat woodcarving art, but emphasizes the rare early shields and figure sculptures. Drums, canoe prowheads and the larger, more dramatic "objects" are also shown. Together with bisj poles, war shields are perhaps the most famous creation of Asmat artists, and these were carved throughout the region. It is in the design and construction of the shields that the variations in style region can most clearly be seen. Figure sculptures, of varying styles, are also well represented here, and a limited number of the huge ceremonial carvings, such as bisj poles and basu suangkus, have also been included. The cultural context in which these items play their part is described in detail in the introductory chapters. But it is not the intention of this book to be an ethnography. The focus is on the art pieces themselves.


Asmat Art

Asmat Art

Author: Adrian A. Gerbrands

Publisher: Periplus Editions

Published: 1993

Total Pages: 160

ISBN-13: 9780945971597

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Asmat

Asmat

Author: H. C. van Renselaar

Publisher:

Published: 1961

Total Pages: 92

ISBN-13:

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The Future of Indigenous Museums

The Future of Indigenous Museums

Author: Nick Stanley

Publisher: Berghahn Books

Published: 2008

Total Pages: 280

ISBN-13: 1845455967

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Indigenous museums and cultural centres have sprung up across the developing world, and particularly in the Southwest Pacific. This book looks to the future of museum practice through examining how these museums have evolved to incorporate the present and the future in the display of culture.


Oceania

Oceania

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2007

Total Pages: 370

ISBN-13: 1588392384

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Includes detailed chapters devoted to each of the five major cultural regions of the Pacific: Australia, Melanesia, Micronesia, Polynesia, and the islands of Southeast Asia.


A Companion to Modern Art

A Companion to Modern Art

Author: Pam Meecham

Publisher: John Wiley & Sons

Published: 2018-02-13

Total Pages: 568

ISBN-13: 1118639847

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A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more


Collecting Kamoro

Collecting Kamoro

Author: Karen Jacobs

Publisher: Sidestone Press

Published: 2011

Total Pages: 292

ISBN-13: 9088900884

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The story of ethnographic collecting is one of cross-cultural encounters. This book focuses on collecting encounters in the Kamoro region of Papua from the earliest collections made in 1828 until 2011. Exploring the links between representation and collecting, the author focuses on the creative and pragmatic agency of Kamoro people in these collecting encounters. By considering objects as visualizations of social relations, and as enactments of personal, social or historical narrative, this book combines filling a gap in the literature on Kamoro culture with an interest in broader questions that surround the nature of ethnographic collecting, representation, patronage and objectification.


Art and Creativity in a New Guinea Society

Art and Creativity in a New Guinea Society

Author: Ross Bowden

Publisher: Rowman & Littlefield

Published: 2022-07-26

Total Pages: 185

ISBN-13: 1793611378

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The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.