Asian nations are no longer "rising" powers in the world order; they have risen. How will they conduct themselves in world politics? How will they deploy their considerable and growing power individually and collectively? These questions are critical for global governance. Conventional wisdom claims that, lacking in institutions that accumulate and coordinate the massive economic and growing military strength of Asian nations, the Asian region will continue to punch below its weight in world politics; thin and patchy institutionalization results in political weakness. In Asian Designs, Saadia M. Pekkanen and her collaborators question and provide evidence on these core assumptions of Western scholarship. The book advances a new framework for debate and sophisticated examinations of institutional arrangements for several major issue areas in the world order—security, trade, environment, and public health.
Exotic array of perennially popular designs — widely recognized for their striking qualities — depict scores of authentic motifs from Burma, Thailand, Laos, Cambodia, Vietnam, and Malaysia. Includes artfully rendered images of serene Buddhas, sandstone sculptures, textile designs, details from decorative panels, temple ornaments, shadow puppets, masks, and other motifs. 150 black-and-white illustrations.
Dragons, fish, flowers, and foo dogs abound in this magnificent compilation of Chinese designs and motifs. An exotic archive of permission-free art, this volume offers 361 crisp black-and-white images in a wide variety of shapes and sizes that adapt themselves easily to use as spot illustrations, borders, and a host of other possibilities. Certain to lend a distinctive Far Eastern accent to any project, these evocative images will prove a treasury of inspiration for illustrators, graphic artists, and crafters.
This is an overview of 100 young designers working across Asia, selected by the co-founders of one of Asia's interior-design magazines, Design Anthology, based in Hong Kong. Featuring first-hand accounts from each designer, the book reveals their inspirations, collaborations and the challenges and opportunities presented as a young designer working in the region. The book includes photography of each designer's work and will be a key resource for design professionals and enthusiasts, as well as all those interested in the contemporary Asian design scene.
Chinese craft design excelled in the manipulation of geometric space and reached its highest point in the design of window lattices on Chinese houses. Long recognized as an important folk art, window lattices have been generally neglected as an art form and this book is the first work on the subject since the 17th century. Fortunately, it is also the definitive work on the subject, and though no book can present a complete coverage of Chinese lattice, this book is a great classic study and an incredibly rich source of design for Westerners. More than 1200 designs are shown here, arranged in a clear system of classification that includes 22 areas of related design — borders, brackets, tail pieces, and so on. The lattices are classified according to one basic figure or concept, and the hundreds of beautiful design variations fall into only 26 categories: parallelogram, octagon or octagon square, hexagon, single focus frames, double focus frames, triple focus frames, quintuple focus frames, no focus frames, wedge-lock, presentation, out-lock, in-out bound, the Han line, parallel waves, opposed waves, recurving wave, loop-continued, like swastikas (a Buddhist symbol), unlike swastikas, central Ju I, allover Ju I, S-scroll, U-scroll, rustic ice-ray, symmetrical ice-ray, and square and round. Each category is introduced in sections at the front. In addition, there is usually a short description for each design and every design is designated by name, location, and approximate date of construction. Professor Dye spent over 21 years studying and copying lattices all over China, and because of the ravages of time and changing cultural values, this collection can probably never be duplicated. Balanced, intricate, sometimes asymmetrical, usually harmonious, these lattice designs present a wealth of material for the Western commercial artist, textile designer, pattern-maker, and craftsman. Reflecting their Chinese heritage, these designs are universal and can be used almost anywhere.
Asian Elements comprises two sections: a guide to traditional Eastern illustrations and patterns including zodiac, festivals, solar terms and traditional paintings, and a gallery of superb examples of graphic design across branding, posters, fonts, logos and more. Though the majority of designers featured hail from Asia, several non-Asian designers passionate about Asian culture show work and share perspectives on the elements presented. Featuring more than 100 works from Mainland China, Taiwan, Hong Kong, Sinapore, Thailand, Japan, Korea and more, Asian Elements is a rich guide for those who want to explore Asian Culture through visual elements.
Dangerous Designs tells the story of Asian fashion in the West, and describes how Asian dress has become culturally charged and powerfully coded, defining contemporary cultural and economic borders.
This book analyses the efforts throughout East Asia to deploy education for purposes of political socialization, and in particular in order to shape notions of identity. The chapters also examine the trend of ‘common textbook initiatives’, which have recently emerged in East Asia with the aim of helping to defuse tensions arguably fuelled by existing practices of mutual (mis)representation. These are analysed in relation to the East Asian political context, and compared with previous and ongoing endeavours in other parts of the world, particularly Europe, which have been keenly observed by East Asian practitioners. Written by a group of international education experts, chapters discuss the enduring focus on the role of curricula in inculcating homogenous visions of the national self, and indeed homogenized visions of significant 'others'. Including contributions from scholars and curriculum developers involved personally in the writing of national and multi-national history textbooks this book will be of interest to students and scholars of Asian education, Asian history and comparative education studies. Gotelind Müller is Professor of Chinese Studies, University of Heidelberg, Germany
With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.
