Artists/Hawaii celebrates the fiftieth state's visual arts through the featured works and personal profiles of twenty-two of Hawaii's most respected contemporary artists. Artists from Oahu, Maui, Kauai, and Hawaii are profiled in this lavishly illustrated volume. From an original list of 160 artists working in a variety of media, the twenty-two chosen through peer selection describe in their own words their life, work, and reflections on the role of art in society. Each artist was interviewed by the editors and responded to a series of questions about their background, their style and medium, and how Hawaii has influenced their creative endeavors. These personal and revealing sketches are followed by four signature pieces of each artist's work. University of Hawaii art professors Tom Klobe and Duane Preble visited with each artist prior to selecting the works featured in this book. Two pieces were identified as "career best" and two as outstanding recent works. Artists/Hawaii presents a captivating visual statement of the remarkable individual style of these twenty-two artists.
The Arts of Kingship offers a sustained and detailed account of Hawaiian public art and architecture during the reign of David Kalakaua, the nativist and cosmopolitan ruler of the Hawaiian Kingdom from 1874 to 1891. Stacy Kamehiro provides visual and historical analysis of Kalakaua’s coronation and regalia, the King Kamehameha Statue, ‘Iolani Palace, and the Hawaiian National Museum, drawing them together in a common historical, political, and cultural frame. Each articulated Hawaiian national identities and navigated the turbulence of colonialism in distinctive ways and has endured as a key cultural symbol. These cultural projects were part of the monarchy’s concerted effort to promote a national culture in the face of colonial pressures, internal political divisions, and declining social conditions for Native Hawaiians, which, in combination, posed serious threats to the survival of the nation. The Kalakaua leadership endorsed images that boosted international relations and appeased foreign agitators in the kingdom while addressing indigenous political cleavages. Kamehiro interprets the images, spaces, and institutions as articulations of the complex cultural entanglements and creative engagement with international communities that occur with prolonged colonial contact. Nineteenth-century Hawaiian sovereigns celebrated Native tradition, history, and modernity by intertwining indigenous conceptions of superior chiefly leadership with the apparati and symbols of Asian, American, and European rule. The resulting symbolic forms speak to cultural intersections and historical processes, claims about distinctiveness and commonality, and the power of objects, institutions, and public display to create meaning and enable action. The Arts of Kingship pursues questions regarding the nature of cultural exchange, how precolonial visual culture engaged and shaped colonial contexts, and how colonial art informs postcolonial visualities and identities. It will be welcomed by readers with a general and scholarly interest in Hawaiian history and art. As it contributes to discussions about colonial cultures, nationalism, and globalization, this interdisciplinary work will appeal to art and architectural historians as well as those studying Pacific history, cultural and museum studies, and anthropology.
The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.
"Sam and Mary Cooke have assembled at Kualii, their Manoa Valley home, a cultural treasure unsurpassed by any other private collection in the islands. This collection of paintings, drawings, and prints of the Hawaiian Islands uniquely reflects the kamaaina appreciation the Cookes have for various locales throughout the islands, including generations-long associations with people and places, and a love of legends and history. In this book, historian and bibliographer David W. Forbes presents a selection of the collection's finest works. Hawaii in the late eighteenth and early nineteenth centuries, with particular focus on portrayal of the Hawaiian chiefs, is depicted by artists associated with voyages of exploration and art in the interest of science, including John Webber, Jacques Arago, Louis Choris, John Hayter, Alfred T. Agate, Titian Ramsay Peale, and J. G. Keulemans. Everyday life in mid-nineteenth century Hawaii is captured by August Borget, Enoch Wood Perry Jr., Edward Bailey, Paul Emmert, and George H. Burgess. Landscapes and portraits of emerging multi-cultural Hawaii are beautifully rendered by accomplished late nineteenth- and early twentieth-century artists Charles Furneaux, Joseph D. Strong, Jules, Tavernier, D. Howard Hitchcock, Helen Whitney Kelly, Lionel Walden, Matteo Sandona, and by mid-twentieth century painters Lloyd Sexton and Peter Hurd"-- From book jacket.
Meet Punky Aloha: a girl who uses the power of saying "aloha" to experience exciting and unexpected adventures! Punky loves to do a lot of things--except meeting new friends. She doesn't feel brave enough. So when her grandmother asks her to go out and grab butter for her famous banana bread, Punky hesitates. But with the help of her grandmother's magical sunglasses, and with a lot of aloha in her heart, Punky sets off on a BIG adventure for the very first time. Will she be able to get the butter for grandma? Punky Aloha is a Polynesian girl who carries her culture in her heart and in everything she does. Kids will love to follow this fun character all over the island of O'ahu.
The first comprehensive study of Hawaiian sculptural tradition, Hawaiian Sculpture documents most known extant indigenous carvings of the human figure and identifies their location in public and private collections. More than 164 illustrations illuminate the wooden sculpture of artists whose names are unknown but who were brilliant by any standard. The revised (1988) edition adds recently discovered pieces and a new introduction. The first edition discussed 147 pieces; the revised edition presents 17 previously uncatalogued works, making the volume a valuable addition to the field of Oceanic art.
