Artifice and Design

Artifice and Design

Author: Barry Allen

Publisher: Cornell University Press

Published: 2011-03-15

Total Pages: 227

ISBN-13: 0801457025

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"As familiar and widely appreciated works of modern technology, bridges are a good place to study the relationship between the aesthetic and the technical. Fully engaged technical design is at once aesthetic and structural. In the best work (the best design, the most well made), the look and feel of a device (its aesthetic, perceptual interface) is as important a part of the design problem as its mechanism (the interface of parts and systems). We have no idea how to make something that is merely efficient, a rational instrument blindly indifferent to how it appears. No engineer can design such a thing and none has ever been built."—from Artifice and Design In an intriguing book about the aesthetics of technological objects and the relationship between technical and artistic accomplishment, Barry Allen develops the philosophical implications of a series of interrelated concepts-knowledge, artifact, design, tool, art, and technology-and uses them to explore parallel questions about artistry in technology and technics in art. This may be seen at the heart of Artifice and Design in Allen's discussion of seven bridges: he focuses at length on two New York bridges—the Hell Gate Bridge and the Bayonne Bridge—and makes use of original sources for insight into the designers' ideas about the aesthetic dimensions of their work. Allen starts from the conviction that art and technology must be treated together, as two aspects of a common, technical human nature. The topics covered in Artifice and Design are wide-ranging and interdisciplinary, drawing from evolutionary biology, cognitive psychology, and the history and anthropology of art and technology. The book concludes that it is a mistake to think of art as something subjective, or as an arbitrary social representation, and of Technology as an instrumental form of purposive rationality. "By segregating art and technology," Allen writes, "we divide ourselves against ourselves, casting up self-made obstacles to the ingenuity of art and technology."


Reclaiming Art in the Age of Artifice

Reclaiming Art in the Age of Artifice

Author: J.F. Martel

Publisher: North Atlantic Books

Published: 2015-02-10

Total Pages: 209

ISBN-13: 1583945784

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Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.


James Prosek

James Prosek

Author: James Prosek

Publisher: Yale University Press

Published: 2020-07-07

Total Pages: 163

ISBN-13: 0300250797

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Works by Prosek and others are juxtaposed with natural objects in an illuminating interrogation of the artificial boundaries we create between art and nature Award-winning artist, writer, and naturalist James Prosek (b. 1975) has gained a worldwide following for his deep connection with the natural world, which serves as the basis for his art and numerous popular books. In this cross-disciplinary catalogue, Prosek poses the question, What is art and what is artifact—and to what extent do these distinctions matter? Drawing on the collections of the Yale University Art Gallery and the Yale Peabody Museum of Natural History, Prosek places man- and nature-made objects on equal footing aesthetically, suggesting that the distinction between them is not as vast as we may believe. In more than 150 full-color plates, objects such as a bird’s nest, dinosaur head, and cuneiform tablet are juxtaposed with Asian handscrolls, an African headdress, modern masterpieces, and more. Artists featured include Albrecht Dürer, Helen Frankenthaler, Vincent van Gogh, Barbara Hepworth, Pablo Picasso, and Jackson Pollack, as well as Prosek himself, whose works depict fish, birds, and endangered wildlife. Also included are an incisive essay by Edith Devaney and texts by Prosek that explore the magnificent productions of our wondrous interconnected world.


Insect Artifice

Insect Artifice

Author: Marisa Bass

Publisher: Princeton University Press

Published: 2019-04-09

Total Pages: 313

ISBN-13: 0691177155

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How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.


Needles and Artifice

Needles and Artifice

Author: The Ladies of Mischief LLC

Publisher:

Published: 2012-10-10

Total Pages: 234

ISBN-13: 9781937513108

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The Ladies of Mischief Interrupt Their Knitting to Present to You, Needles and Artifice: A Refined Adventure Story with Ingenious Knitting Patterns Gentle ladies and kind sirs: welcome to the world of Needles and Artifice, where corseted Victorian fashion gets an energized infusion of punk. In this fantastically playful take on steampunk knitwear design, the Ladies of Mischief offer not only 23 original patterns, but also a high-flying, busk-snapping adventure that plays out across each chapter. Pull on your goggles and spats, knitters: you're in for a wild ride.


What's Wrong with Plastic Trees?

What's Wrong with Plastic Trees?

Author: Martin Krieger

Publisher: Praeger

Published: 2000-04-30

Total Pages: 192

ISBN-13:

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"Krieger takes design - in architecture, landscape, interiors, engineering, and systems and computer science - to be modeled by traditional theological and artistic problems. And here, he claims, design has traditionally been a redesign of nature. For nature is for us - as Durkheim would describe it - a totem."--BOOK JACKET.


Victory Point

Victory Point

Author: Owen D. Pomery

Publisher: Avery Hill Publishing

Published: 2020-09-10

Total Pages: 0

ISBN-13: 9781910395523

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On a summer's day, Ellen returns to the coastal town she grew up in, Victory Point. Revisiting old haunts and people from her past, she feels increasingly disconnected. Exploring a town, which itself is an experiment in how to live, Ellen searches for some comfort in her own history that might just give her the strength to move forward. 'Victory Point' quietly explores the idea of how we choose to live and be remembered.


Agents of Artifice

Agents of Artifice

Author: Ari Marmell

Publisher: Wizards of the Coast

Published: 2010-01-26

Total Pages: 388

ISBN-13: 0786955767

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A new age dawns in the Multiverse—and the balance of power shifts—in this Magic: The Gathering novel that brings readers to the heart of a Planeswalker struggle Jace Beleren is a planeswalker who has taken the path of least resistance. He is gifted and powerful, but chooses not to push himself. Part of an inter-planar consortium that deals in magical artifacts, Jace has some power and influence. He also has a certain amount of security. That’s all about to change when Liliana—a dark temptress with demons of her own—comes into his life, bringing with her more possibilities and more problems. Under attack from external interests, a friend dies because of decisions Jace made. Upset with himself and fearing for his life, Jace sets out to find who is behind this new threat. What he uncovers along the way, an inter-planar chase filled with peril, will alter everything he knows.


The Real Real Thing

The Real Real Thing

Author: Wendy Steiner

Publisher: University of Chicago Press

Published: 2010-11

Total Pages: 239

ISBN-13: 0226772195

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Steiner (English, Univ. of Pennsylvania) delivers a lucidly written elaboration of "interactive aesthetics" first broached in her examination of the revival of beauty in contemporary art, Venus in Exile (2001). Here the focus is the artist's model, broadly conceived as a paradoxical site of reality/artificiality and power/lack of power. Steiner incorporates a wide range of material to explain early history (the Pygmalion myth, Galatea, Eve, and Pandora), the postmodernist turn (Edie Sedgwick, muse of Andy Warhol and Bob Dylan), and recent developments (Second Life, blogging, Wikipedia, bioethics). Concepts (mimesis, spectacle), literature (Kathleen Rooney's Live Nude Girl of 2008, J. M. Coetzee's Diary of a Bad Year of 2007, Milton, Keats, Henrik Ibsen, Virginia Woolf, Vladamir Nabokov, Nathaniel Hawthorne); art (Michelangelo, Picasso, Henri Matisse, Marcel Duchamp, Robert Mapplethorpe, Hannah Wilke, Vanessa Beecroft, Gillian Wearing, Oron Catts, Helena Almeida, Ann Hamilton, Sylvia Plachy, Hiroshi Sugimoto, Frederick Hart, John Kindness, Peter Eisenman, Rachel Whiteread), theory (Michel Foucault, Jacques Derrida, Jacques Lacan, Frederic Jameson, Judith Butler, Rene Girard), and art history (Michael Fried, Sir Kenneth Clark) are woven into a rich tapestry informed by Steiner's favorite semioticians, Roman Jakobson and Jan Mukarovsky. Summing Up: Recommended. Upper-level undergraduates and above; general readers. General Readers; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by E. K. Mix.


Standard Architecture Design

Standard Architecture Design

Author: Jeffrey Allsbrook

Publisher:

Published: 2018-09-26

Total Pages: 160

ISBN-13: 9781911339045

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Through an in-depth exploration of 9 projects ranging from retail to residential design, Standard highlights the practice of Los Angeles-based interdisciplinary studio Standard while it deconstructs traditional conceptions of interior and exterior space. By honing in on the malleability of the storefront and its transformative role across varying sectors of architecture and design, Standard presents an alternative understanding of the facade. The public/private divide becomes permeable, and cultural narratives can be written from the inside out - flowing from fundamental elements like space and light to the contextual meaning of place. In Standard's world, transitional spaces such as doors, windows, and openings come to define and bring meaning to our collective experience of place. From nooks like Hidden House and Kayne Griffin Corcoran that escape their immediate surroundings to the hybrid retail-gallery venues such as the Helmut Lang Concept Store and Maxfield Gallery in West Hollywood, Standard unveils the studio's unique philosophy in action. Across all of Standard's work is the feeling of osmosis through space and time: where old sites bleed into new structures, and apparently contrasting elements of urban life are artfully exposed to one other, re-producing themselves in the process. The result is a sophisticated rendering of place that is at once as intimate as it is accessible, and as nuanced as it is organic. Standard is the partnership of Jeffrey Allsbrook and Silvia Kuhle, two Los Angeles-based architects whose combined practice stems from a research-based and collaborative approach to architecture, interiors, and design. Standard fuses classical teachings with contemporary applications to arrive at new forms of living and working. 153 colour and b/w illustrations