With his groundbreaking Europe and the People Without History, Eric R. Wolf powerfully advanced the project of integrating the disciplines of anthropology and history. In Articulating Hidden Histories, many of those influenced by Wolf—both anthropologists and historians—acknowledge the contribution of this great scholar while extending his work by presenting their own original field and archival research. The "hidden histories" referred to here encompass the histories of economic and political forces capable of dislodging people from their surroundings, of the people thus dislocated, and of the anthropological concepts developed to understand such processes. Within this framework, the contributors explore an extraordinarily wide range of topics, from the invention of tribalism in colonial West Africa to the ecological activism of North American housewives. This collection offers a fitting tribute not only to Eric Wolf's work, but to its continuing influence on the fields of anthropology and history.
Drawing on ancient texts and modern archeology to reveal the trans woman’s story hidden underneath the well-known myths of The Iliad, Maya Deane’s Wrath Goddess Sing weaves a compelling, pitilessly beautiful vision of Achilles’ vanished world, perfect for fans of Song of Achilles and the Inheritance trilogy. The gods wanted blood. She fought for love. Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance. But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death. An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
Striking natural beauty draws many visitors to Lake County, but the area also has a rich and captivating history. Willoughbeach Amusement Park arose where one of the worst shipwrecks in Great Lakes history occurred years before. Secret passageways and tunnels helped slaves escape to freedom. Native son and Tuskegee Airman Earl R. Lane earned the Distinguished Flying Cross. Marge Hurlburt, a service pilot during World War II, set an international women's flight speed record, and Amy Kaukonen, one of the nation's first female mayors, personally raided suspected bootleggers during Prohibition. Author Jennifer Boresz Engelking uncovers the history behind some of Lake County's most well-known people and landmarks and reveals stories lost to time.
DIVCollection of essays which compares the gendered aspects of state formation in Latin Ameri can nations and includes new material arising out of recent feminist work in history, political science and sociology./div
This book brings together issues of social justice and the neglect of a sustainable orientation to the tourism workforce. This has resulted in an impoverished, unsustainable, and transient workforce that does not meet the aims of UN sustainable goals within the sector or indeed the UNTWO Code of ethics towards its employees. The introductory review and 15 chapters in this volume each make a unique and distinct contribution to knowledge. The opening review presents a critique of current definitions of sustainability in an employment, and specifically in a tourism employment context, acknowledging and critiquing extant literature. It uniquely recognises the themes submitted on the topic of sustainable work in the book, as well as those which comprise the final selection of chapters. These exercises culminate in the presentation of a refreshed conceptualisation of sustainable employment. The chapters were mapped onto a proposed conceptual framework, which recognises the multi-dimensional influences of the evolving Sustainable Development Goals (SDGs), recent Sustainable Human Resource Management (SHRM) and tourism literature, and fresh contributions to theory. Additionally, the introductory review offers concluding remarks that the authors hope will influence and guide future research endeavours. The book will be invaluable to educators, students and policymakers interested in information and guidance on managing sustainable tourism. Several chapters in this book were originally published as a special issue of the Journal of Sustainable Tourism.
In Kerala, political activists with a background in Communism are now instead asserting political demands on the basis of indigenous identity. Why did a notion of indigenous belonging come to replace the discourse of class in subaltern struggles? Indigenist Mobilization answers this question through a detailed ethnographic study of the dynamics between the Communist party and indigenist activists, and the subtle ways in which global capitalist restructuring leads to a resonance of indigenist visions in the changing everyday working lives of subaltern groups in Kerala.
This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.