The term Arte Povera was coined in 1967 by the critic Germano Celant to describe a group of Italian artists making work that used the simplest means to create poetic statements based on events of everyday life. Seen as a reaction against the commercialism of the art market and the dominance of American Minimalist and Pop art, the work demonstrated a keen hunger to explore new materials. In this fully illustrated survey, Robert Lumley provides a concise and highly readable interpretation of Arte Povera informed by extensive interviews with the artists themselves.
With Zero to Infinity: Arte Povera 1962-1972, the Walker Art Center and the Tate Modern have undertaken an ambitious project - to represent an important yet seldom seen period in Italian modern art. As the U. S. tour sponsor of Zero to Infinity: Arte Povera 1962-1972, the Italian Trade Commission is proud to share the Walker Art Center's enthusiasm in illustrating the evolution of artistic expression in Italy as reflected in all aspects of Italian life.
Born in the midst of the delicate political situation in Italy in the 1960s, Arte Povera, introduced by the Italian art critic and curator Germano Celant, was a reaction to Pop and Minimalism, reflecting the anti-establishment mood of the period with its rejection of a consumer society based on profit.
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
A massive compendium on the multimedia art of Rashid Johnson, tackling themes of Black history, literature, philosophy and material culture Rashid Johnson (born 1977) is renowned for challenging the assumptions often present in collective notions of Blackness. Based in New York, Johnson is among an influential group of American artists whose work employs a wide range of materials and images to explore themes of art history, literature, philosophy, and personal and cultural identity. After beginning his career working primarily in photography, Johnson has expanded into a variety of mediums, including text work, sculptural objects, installation, painting, drawing, collage, film, performance and choreography. Drawing on a dizzying array of historical, cultural, literary and musical references, Johnson ultimately invites audiences to find connections to their own lives. Rashid Johnson: The Hikers presents works from his highly acclaimed shows at the Aspen Art Museum, Museo Tamayo and Hauser & Wirth. This dynamic and unprecedented collection of his work features a conversation between Rashid Johnson and choreographer Claudia Schreier, as well as essays by curators Heidi Zuckerman and Manuela Moscoso.
Her examination of Earthworks relationship to the ecology movement perceptively corrects a popular misconception about the artists goals while acknowledging the social and cultural complexities of the period."
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
The artists of the Arte Povera movement sought to bridge the gap between art and life, expanding consciousness by reducing the distance between the artwork and the spectator. The familiar, ordinary things often regarded as worthless were to be rediscovered as new, art-worthy materials; previously neglected everyday items were to be transformed into meaningful works of art. The new art was to be more simple and more modest in its means and more authentic in its materials. This influential groundbreaking movement is explored in images and text in this comprehensive catalogue.