Art in an Age of Counterrevolution, 1815-1848

Art in an Age of Counterrevolution, 1815-1848

Author: Albert Boime

Publisher: University of Chicago Press

Published: 2004-08-18

Total Pages: 771

ISBN-13: 0226063372

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Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.


Revelation of Modernism

Revelation of Modernism

Author: Albert Boime

Publisher: University of Missouri Press

Published: 2008

Total Pages: 277

ISBN-13: 0826266258

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"Examines the work of postimpressionist painters - Van Gogh, Seurat, Cezanne, and Gauguin - and how they responded to cultural and spiritual crisis in the avant-garde world. Boime reconsiders familiar masterpieces and draws analogies with literary sources and social, personal, and political strategies to produce revelations that have eluded most art historians"--Provided by publisher.


The Work of Art

The Work of Art

Author: Anthea Callen

Publisher: Reaktion Books

Published: 2015-02-15

Total Pages: 338

ISBN-13: 178023418X

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In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.


Art against censorship

Art against censorship

Author: Erin Duncan-O'Neill

Publisher: Manchester University Press

Published: 2024-07-02

Total Pages: 249

ISBN-13: 1526168405

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Honoré Daumier (1808–79), who was imprisoned early on for a politically offensive cartoon, painted scenes from seventeenth-century theatre and literature at moments of stifling censorship later in his career. He continued to find form for dangerous political dissent in the face of intense and shifting censorship laws by drawing on La Fontaine, Molière, and Cervantes, masters of dissimulation and critique in a newly glorified literary past. This book reveals new connections between legal repression and subversive fine-arts practice, showing the force of Daumier’s role in the broader stories of image-text relationships and political expression.


Freedom

Freedom

Author: Annelien De Dijn

Publisher: Harvard University Press

Published: 2020-08-25

Total Pages: 433

ISBN-13: 0674988337

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Winner of the PROSE Award An NRC Handelsblad Best Book of the Year “Ambitious and impressive...At a time when the very survival of both freedom and democracy seems uncertain, books like this are more important than ever.” —The Nation “Helps explain how partisans on both the right and the left can claim to be protectors of liberty, yet hold radically different understandings of its meaning...This deeply informed history of an idea has the potential to combat political polarization.” —Publishers Weekly “Ambitious and bold, this book will have an enormous impact on how we think about the place of freedom in the Western tradition.” —Samuel Moyn, author of Not Enough “Brings remarkable clarity to a big and messy subject...New insights and hard-hitting conclusions about the resistance to democracy make this essential reading for anyone interested in the roots of our current dilemmas.” —Lynn Hunt, author of History: Why It Matters For centuries people in the West identified freedom with the ability to exercise control over the way in which they were governed. The equation of liberty with restraints on state power—what most people today associate with freedom—was a deliberate and dramatic rupture with long-established ways of thinking. So what triggered this fateful reversal? In a masterful and surprising reappraisal of more than two thousand years of Western thinking about freedom, Annelien de Dijn argues that this was not the natural outcome of such secular trends as the growth of religious tolerance or the creation of market societies. Rather, it was propelled by an antidemocratic backlash following the French and American Revolutions. The notion that freedom is best preserved by shrinking the sphere of government was not invented by the revolutionaries who created our modern democracies—it was first conceived by their critics and opponents. De Dijn shows that far from following in the path of early American patriots, today’s critics of “big government” owe more to the counterrevolutionaries who tried to undo their work.


Arab France

Arab France

Author: Ian Coller

Publisher: Univ of California Press

Published: 2011

Total Pages: 302

ISBN-13: 0520260643

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"Ian Coller's fascinating book explores the making of modern France during the Napoleonic period and under the Restoration 'from the outside inward'. He examines the life of Arab migrants in France: their role as outsiders, and victims, but also as participants in the creation of the modern nation and its empire. In the process he also throws much light on the history of the contemporary Arab Middle East and North Africa."—C.A. Bayly, University of Cambridge


History of Illustration

History of Illustration

Author: Susan Doyle

Publisher: Bloomsbury Publishing USA

Published: 2018-02-22

Total Pages: 592

ISBN-13: 1501342118

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"Written by an international team of illustration historians, practitioners, and educators, History of Illustration covers image-making and print history from around the world, spanning from the prehistoric to the contemporary. With hundreds of color image, this book to contextualize the many types of illustrations within social, cultural, and technical parameters, presenting information in a flowing chronology. This essential guide is the first comprehensive history of illustration as its own discipline. Readers will gain an ability to critically analyze images from technical, cultural, and ideological standpoints in order to arrive at an appreciation of art form of both past and present illustration"--


Art History: The Key Concepts

Art History: The Key Concepts

Author: Jonathan Harris

Publisher: Routledge

Published: 2006-10-16

Total Pages: 436

ISBN-13: 1134363265

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Art History: The Key Concepts is a systematic, reliable and accessible reference guide to the disciplines of art history and visual culture. Containing entries on over 200 terms integral to the historical and theoretical study of art, design and culture in general, it is an indispensable source of knowledge for all students, scholars and teachers. Covering the development, present status and future direction of art history, entries span a wide variety of terms and concepts such as abstract expressionism, epoch, hybridity, semiology and zeitgeist. Key features include: a user-friendly A-Z format fully cross-referenced entries suggestions for further reading. Engaging and insightful, as well as easy to follow and use, Art History: The Key Concepts builds a radical intellectual synthesis for understanding and teaching art, art history and visual culture.


Internationalizing the History of American Art

Internationalizing the History of American Art

Author: Barbara S. Groseclose

Publisher: Penn State Press

Published: 2009

Total Pages: 256

ISBN-13: 0271032006

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"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American Art"--Provided by publisher.