The senator from Missouri shares her “straightforward, plainspoken, and at once deeply personal and thoroughly political” (Publishers Weekly) story of embracing her ambition, surviving sexism, making a family, losing a husband, outsmarting her enemies—and finding joy along the way. Claire McCaskill grew up in a political family, but not at a time that welcomed women with big plans. She earned a law degree and paid her way through school by working as a waitress. By 1982 Claire had set her sights on the Missouri House of Representatives. That door was slammed in her face, but Claire always kept pushing—first as a prosecutor of arsonists and rapists and then all the way to the door of a cabal of Missouri politicians, who had secret meetings to block her legislation. In this candid, lively, and forthright memoir, Senator McCaskill describes her uphill battle to become who she is today, from her failed first marriage to a Kansas City car dealer—the father of her three children—to her current marriage to a Missouri businessman whom she describes as “a life partner.” She depicts her ups and downs with the Clintons, her long-shot reelection as senator after secretly helping to nominate a right-wing extremist as her opponent, and the fun of joining the growing bipartisan sisterhood in the Senate. Unconventional, unsparing in its honesty, full of sharp humor and practical wisdom, and rousing in its defense of female ambition, “Plenty Ladylike is a powerful, unapologetic primer on the successful exercise of real power and what it takes to get it, keep it, and use it. This is a brilliant memoir that nearly explodes with encouragement for women on how to achieve their dreams” (Sheryl Sandberg, Facebook COO and author of Lean In).
"We've found ourselves in a "me first" culture, and it's time to reimagine what it means to be a Christian woman in a feminized, secular society.... Sisters Rose Adle and Rebekah Curtis challenge us to rethink everything we thought we knew about men and women, marriage, vocation, identity, and much more"--p.4 cover.
Men to Avoid in Art and Life pairs classical fine art with modern captions that epitomize the spirit of mansplaining. This hilarious book perfectly captures those relatable moments when a man explains to a woman a subject about which he knows considerably less than she does. Situations include men sharing keen insight on the female anatomy, an eloquent defense of catcalling, or offering sage advice about horseback riding to the woman who owns the horse. • These less qualified men of antiquity dish out mediocrity as if it's pure genius • For the women who have endured overbearing men over the centuries • Written with hilariously painful accuracy "Now, when you're riding a horse, you need to make sure to keep a good grip on the reins." "These are my horses." Through cringe-induced empathy, this timeless gift book of shared experiences unites women across history in one of the most powerful forms of resistance: laughter. • Started as a Twitter thread and quickly gained widespread popularity. • Makes a perfect book for women and feminists with a wry sense of humor, millennials, anyone who loves memes and Internet humor, as well as history and art buffs. • You'll love this book if you love books like Men Explain Things to Me by Rebecca Solnit, Milk and Vine: Inspirational Quotes from Classic Vines by Emily Beck, and Awards For Good Boys: Tales Of Dating, Double Standards, And Doom by Shelby Lorman.
Kate Lilley has an impressive literary heritage (her mother is Dorothy Hewett) and is regarded as an outstanding poet in her own right. Ladylike is Lilley's second volume of poetry, much awaited after her 2002 debut Versary (Salt Publishing). She mines the areas of her scholarly specialization - the early modern period, as well as contemporary popular culture - and matches these with some of the 20th century's enduring interests, such as psychoanalysis and the figure of Sigmund Freud. At all times, Lilley applies her sardonic humor and mischievous word play to make her dazzling poems.
Arguing that the term "lady" should be re-examined and brought back into circulation, the author shows readers how to achieve civility and grace in an often uncivil world.
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
A concert violinist details the life of a performing artist in the twenty-first century, the complexities of musical inheritance, and the communal role of artistic expression.