Rudolf Arnheim
Author: Rudolf Arnheim
Publisher: University of Michigan Press
Published: 1997
Total Pages: 178
ISBN-13: 9780472108596
DOWNLOAD EBOOKEminent contributors celebrate the distinguished career of art and film theorist Rudolf Arnheim
Read and Download eBook Full
Author: Rudolf Arnheim
Publisher: University of Michigan Press
Published: 1997
Total Pages: 178
ISBN-13: 9780472108596
DOWNLOAD EBOOKEminent contributors celebrate the distinguished career of art and film theorist Rudolf Arnheim
Author: Rudolf Arnheim
Publisher: Univ of California Press
Published: 2004-11-08
Total Pages: 526
ISBN-13: 9780520243835
DOWNLOAD EBOOKA 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
Author: Scott Higgins
Publisher: Routledge
Published: 2010-10-18
Total Pages: 300
ISBN-13: 1135966931
DOWNLOAD EBOOKRudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
Author: Rudolf Arnheim
Publisher: Univ of California Press
Published: 1957
Total Pages: 244
ISBN-13: 9780520248373
DOWNLOAD EBOOK“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts
Author: Rudolf Arnheim
Publisher: Univ of California Press
Published: 1989
Total Pages: 392
ISBN-13: 9780520065161
DOWNLOAD EBOOKAuthor: Rudolf Arnheim
Publisher: Univ of California Press
Published: 1983-01-01
Total Pages: 266
ISBN-13: 9780520050150
DOWNLOAD EBOOKThe tension between two systems for understanding and picturing space, the concentric and the Cartesian, is regarded by the author as the key to composition in painting, sculpture and architecture
Author: Ian Verstegen
Publisher: Springer Science & Business Media
Published: 2006-05-24
Total Pages: 190
ISBN-13: 3211307621
DOWNLOAD EBOOKArnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim. Written as a complete overview of Arnheim’s thinking, it covers fundamental issues of the importance of psychological discussion of the arts, the status of gestalt psychology, the various sense modalities and media, and developmental issues. By proceeding in a direction from general to specific and then proceeding through dynamic processes as they unfold in time (creativity, development, etc.), the book discovers an unappreciated unity to Arnheim’s thinking. Not content to simply summarize Arnheim’s theory, however, Arnheim, Art, and Gestalt goes on to enrich (and occasionally question) Arnheim’s findings with the contemporary results of gestalt-theoretical research from around the world, but especially in Italy and Germany. The result is a workable overview of the psychology of art with bridges built to contemporary research, making Arnheim’s approach living and sustainable.
Author: Ian Verstegen
Publisher: Springer
Published: 2019-01-09
Total Pages: 144
ISBN-13: 3030029700
DOWNLOAD EBOOKThis monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.
Author: Rudolf Arnheim
Publisher: Univ of California Press
Published: 1986
Total Pages: 354
ISBN-13: 9780520055537
DOWNLOAD EBOOKThousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.
Author: Rudolf Arnheim
Publisher: Univ of California Press
Published: 1957-09
Total Pages: 244
ISBN-13: 9780520000353
DOWNLOAD EBOOKA theory of film