Architecture's Pretexts
Architecture's Pretexts

Author: Aarati Kanekar

Publisher: Routledge

Published: 2014-11-13

Total Pages: 205

ISBN-13: 1317610008

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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture. Architecture’s Pretexts seeks to cultivate a vision for architecture that sponsors operative links between the discipline of architecture and those outside of architecture. Exploring the works of various architects including Guiseppe Terragni, Peter Eisenman, Peter Zumthor, Perry Kulper and Smout Allen, and Rem Koolhaas, this book provides the framework to understanding architecture through the lens of art. Key concepts discussed are: allegories, diagrams, form, material, montage, movement, musical ratios, narrative sequence and representation. A valuable tool, with over 75 black and white illustrations, for students and professionals interested in interdisciplinary methods of design thinking.

Architectures of Hiding
Architectures of Hiding

Author: Rana Abughannam

Publisher: Taylor & Francis

Published: 2024-01-31

Total Pages: 432

ISBN-13: 1003834116

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Architecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the architectures of hiding. Looking at and beyond the intentions and agency that architects possess, architectural spaces lend themselves as apparatuses for various forms of hiding and un(hiding). The examples explored in this book and the creative works presented in the interviews enclosed in the interludes of this publication cover a broad range of geographic and cultural contexts, discursively disclosing hidden aspects of architectural meaning. The book investigates the imaginative intrigue of concealing and revealing in design processes, along with moral responsibilities and ethical dilemmas inherent in crafting concealment through the making and reception of architecture.

Architecture Oriented Otherwise
Architecture Oriented Otherwise

Author: David Leatherbarrow

Publisher: Chronicle Books

Published: 2012-04-17

Total Pages: 305

ISBN-13: 156898961X

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So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow, in this groundbreaking new book, argues for a richer and more profound, but also simpler, way of thinking about architecture, namely on the basis of how it performs. Not simply how it functions, but how it acts, "its manner of existing in the world," including its effects on the observers and inhabitants of a building as well as on the landscape that situates it. In the process, Leatherbarrow transforms our way of discussing buildings from a passive technical or programmatic assessment to a highly active and engaged examination of the lives and performances, intended and otherwise, of buildings.

The Architectures of Childhood
The Architectures of Childhood

Author: Roy Kozlovsky

Publisher: Routledge

Published: 2016-03-16

Total Pages: 292

ISBN-13: 1317044657

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Between 1935 and 1959, the architecture of childhood was at the centre of architectural discourse in a way that is unique in architectural history. Some of the seminal projects of the period, such as the Secondary Modern School at Hunstanton by Peter and Alison Smithson, Le Corbusier’s Unité d’Habitation at Marseilles, or Aldo van Eyck’s playgrounds and orphanage, were designed for children; At CIAM, architects utilized photographs of children to present their visions for reconstruction. The unprecedented visibility of the child to architectural discourse during the period of reconstruction is the starting point for this interdisciplinary study of modern architecture under welfare state patronage. Focusing mainly on England, this book examines a series of innovative buildings and environments developed for children, such as the adventure playground, the Hertfordshire school, the reformed children hospital, Brutalist housing estates, and New Towns. It studies the methods employed by architects, child experts and policy makers to survey, assess and administer the physiological, emotional and developmental needs of the ’user’, the child. It identifies the new aesthetic and spatial order permeating the environments of childhood, based on endowing children with the agency and autonomy to create a self-regulating social order out of their own free will, while rendering their interiority and sociability observable and governable. By inserting the architectural object within a broader social and political context, The Architectures of Childhood situates post-war architecture within the welfare state’s project of governing the self, which most intensively targeted the citizen in the making, the children. Yet the emphasis on the utilization of architecture as an instrument of power does not reduce it into a mere document of social policy, as the author uncovers the surplus of meaning and richness of experience invested in these environments at the historical mom

Considering Research
Considering Research

Author: Architectural Research Centers Consortium. Spring Conference

Publisher: Lulu.com

Published: 2011

Total Pages: 709

ISBN-13: 1257321897

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"The premise of the conference was to assess the impact and relevance of contemporary paradigms in architectural research including substantial developments in technology, public consciousness and economic pressures."--Page 4 of printed paper wrapper.

The Palladio Method
The Palladio Method

Author: Thorsten Bürklin

Publisher: transcript Verlag

Published: 2024-03-31

Total Pages: 313

ISBN-13: 3839466725

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The architect Andrea Palladio was a draughtsman and a designer, a mason and an engineer, an innovator and an image maker. His growing importance from the 16th century onwards was based on his profound expertise in architectural issues that went beyond singular tasks and situations, and beyond his particular moment in history. His way of thinking and solving architectural problems proved invaluable for centuries to come. The contributions to this volume reflect on Palladio's method(s) beyond historism and style, and thus provide insights into design and building in our time.

Architectural Body
Architectural Body

Author: Madeline Gins

Publisher: University of Alabama Press

Published: 2002-09-25

Total Pages: 129

ISBN-13: 0817311696

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A verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality. In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms “human” and “being.” When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that “Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.” Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.

Text as Pretext
Text as Pretext

Author: Robert P. Carroll

Publisher: A&C Black

Published: 1992-01-01

Total Pages: 313

ISBN-13: 1850752958

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This collection of essays in honour of Professor Robert Davidson celebrates a number of notable achievements of this outstanding Scottish churchman and scholar. It is published for the occasion of his sixty-fifth birthday, but it also marks his retirement from full-time university teaching and nods in the direction of his having been the Moderator of the General Assembly of the Church of Scotland (1990-91). The guiding principle governing this collection of essays is the notion of the Bible as the generator of other texts and cultural productions. The contributors are drawn from Davidson's wide range of colleagues and former students and focus on many different aspects of this generative force within the Bible itself and in materials related to it. Contributors include A.G. Auld, J.M.G. Barclay, E. Best, J.C.L. Gibson, W. Johnstone, H.A. McKay, J.K. Riches, and the editor, among others.