Michigan Modern: An Architectural Legacy takes readers on a privileged tour of iconic buildings and interiors designed by some of the world¿s most renowned and celebrated architects and interior designers. Each of the 34 selected projects is carefully documented to record its place in art history and the story behind both its architect and client.
Michigan Modern: Design That Shaped America is an impressive collection of important essays touching on all aspects of Michigan’s architecture and design heritage. The Great Lakes State has always been known for its contributions to twentieth-century manufacturing, but it’s only beginning to receive wide attention for its contributions to Modern design and architecture. Brian D. Conway, Michigan’s State Historic Preservation Officer, and Amy L. Arnold, project manager for Michigan Modern, have curated nearly thirty essays and interviews from a number of prominent architects, academics, architectural historians, journalists, and designers, including historian Alan Hess, designers Mira Nakashima, Ruth Adler Schnee, and Todd Oldham, and architect Gunnar Birkerts, describing Michigan’s contributions to Modern design in architecture, automobiles, furniture and education.
The first and most prolific professional architect to reside permanently in Michigan’s Upper Peninsula, D. Fred Charlton used the local Lake Superior sandstone to craft the distinctive style found in buildings throughout Michigan’s Upper Peninsula. Born in England and trained there as a civil engineer, Charlton came to Detroit in the late 1870s, seeking work as a draftsman. Much like his peers of the time, he had no formal training as an architect and learned his trade by working at several prominent firms. The last, Scott & Company, sent him to Marquette in 1887 to open a branch office. Three years later, Charlton opened his own firm, and over the next twenty-eight years, he designed more than four hundred buildings, including residences, commercial structures, schools, courthouses, and churches throughout the region, which offer an invaluable insight into the tastes of Americans before the World War I and provide a unique vantage point for studying the evolution of the architectural profession. Deftly adapting national trends, he provided the communities of the Upper Peninsula with modern structures worthy of any place in the nation. Many of his buildings remain to this day, monuments to the skill of this English-born architect who made a place for himself upon the shores of Lake Superior. Anyone interested in architecture and in the history of the upper Midwest will find this read both fascinating and informative.
"From early landscape gardeners influenced by Ossian Cole Simonds and the nationally known Olmsted Brothers, to the vision of President John Hannah, the consistent intent has been to interrelate architecture and the campus park. The result is a campus whose development reflects major trends in American architecture and whose creators include local, regional, and nationally known architectural firms."--BOOK JACKET.
This study looks at the architectural transformation of Cleveland during its "golden age"--roughly the period between Civil War reconstruction and World War I. By the early twentieth century, Cleveland, which would evolve into the fifth largest city in America, hoped to shed the gritty industrial image of its rapid growth period. Encouraged by the spectacle and enthusiastic response to the Beaux-Arts buildings of the Chicago World's Exposition of 1893, the city embarked upon a grand scheme to construct new governmental and civic structures known as the Cleveland Plan of Grouping Public Buildings, one of the earliest and most complete City Beautiful planning schemes in the country. The success of this plan led to a spillover effect that prompted architects to design all manner of new public buildings that adopted similar Beaux-Arts architectural characteristics over the ensuing decades.
Darius Bartlett Moon was, in the truest sense, an embodiment of a Renaissance man. Born into an agricultural family in 1851, Moon left the farm and apprenticed as a carpenter. Eventually he attended classes at a local business school and began his career as an architect. In 19th century Michigan, an architect was not subject to the same requirements as they are today and many architects apprenticed under an established architectural firm to learn the trade. Darius Moon took a different path and became a self-taught architect. His years working as a carpenter and contractor enabled him to see firsthand the problems that poor architectural design could cause. Because Moon was self-taught, he was occasionally self-conscious about his abilities which lead him to be a demanding and ever present supervisor at construction sites. This is typically an uncommon role for an architect, and in Moons' day, resulted in several injuries at building sites. On February 8, 1877 Moon married the love of his life, Miss Ellen Sprague. They had four children who became the center of his world. Moon had a softer side not seen by the contractors with whom he worked, and also wrote on a daily basis, mostly poetry with a healthy dose of prose. Additionally, he engaged in property development and several business ventures. Moon's legacy includes several significant houses in Lansing and Michigan, many of which are still standing, including the Rogers Carrier home on the campus of Lansing Community College, the Woodbury home in East Lansing (now the Howland House, a student co-op), the Turner Dodge home and the Stebbins cottage overlooking Lake Michigan. There are also some that are lost to history including the Ransom E. Olds mansion, Henry Kositchek's house and the Homer D. Luce residence. SoloVerso Press is dedicated to the study and preservation of local history and culture.
A pictorial survey of Michigan architecture from 1831 to the present. Architecture in Michigan, a pictorial survey of Michigan architecture from 1831 to the present, explores the architecture of Detroit and many other cities, towns, and villages. Here is Romantic Michigan, before the Civil War, with dozens of examples of Greek, Gothic, and Italian villas from Grosse lIe to Grass Lake, Tecumseh, and Ypsilanti, as well as Gothic churches. Then there is Glorious Michigan of the exuberant 1870s and 1880s, when architects evoked the Paris of the Second Empire and the doctrine of John Ruskin cast its peculiar spell. And Discreet Michigan, when the wealthy, following the lead of the Vanderbilts in New York, revived the Renaissance as the proper style for Michigan dynasties. And finally Modern Michigan, with Albert Kahn, the greatest factory architect in history, Eliel and Eero Saarinen, the talented Finns, the time when the buildings of modern Michigan began to acquire an international reputation. The expanded text of this unique book dips deep into Michigan history, covering every generation since Michigan entered the Union in 1837.
Alden Dow (active 1930s-1970s) produced more than five hundred designs—often daringly modern structures. This book traces Alden Dow's life and work as well as the intensely personal philosophy that governed everything he did: houses, churches, schools, business and civic structures, and even a new town in Texas. Dow changed the face of his hometown of Midland, Michigan, leaving more than one hundred buildings, including his Home and Studio, a National Historic Landmark. 185 color and 220 black-and-white illustrations.