Welcome to Riverdale, the home of everyone’s favorite teenager, Archie Andrews - and his closest friends! Dive into these beloved and classic Archie stories, which feature all the elements that have become an important part of pop culture. See the love triangle that includes girl-next-door Betty Cooper and wealthy socialite, Veronica Lodge! Share a burger with Archie’s best pal, Jughead Jones! Square off with tough-talking Reggie Mantle! Sit back and enjoy a chocolate shake at Pop’s! It’s all here for you to enjoy. Prepare to experience wonders of the teens' beloved hometown with stories like "Follow the Leader," "Ski Scoff," and more!
BRAND NEW STORY: “That Elf is Shelved!” When Jingles takes over as the Andrews Household’s resident “Elf on the Shelf,” Santa’s nosy helper keeps interfering and causing trouble! Archie and Jughead decide to give him a dose of his own medicine, getting him in trouble with his boss.... the one and only Santa Claus himself!
TWO BRAND NEW STORIES! First, Ethel and new girl Cassie Cloud are teaming up against Betty and Veronica in a beach volleyball contest. But when two cuties on the beach catch their eyes, they have a new mission—hit the ball in their direction to get their attention! But when Ethel’s aim is a little off, chaos ensues! Then, in “Solar Panic,” Archie’s spending a day on the beach with Darla Lang—aka Darkling! But it’s not all sun in the fun for Darla, who isn’t exactly a fan of sunshine. Can Archie get her to change her mind, or will he get sunburned trying?
This is Archie's new sister series to our all-time best-selling graphic novel series, featuring a focus on the latest and greatest stories from the previous year of digests. After 80 years of humorous tales, the Riverdale gang are still going strong! Archie is proud to present the best stories from 2020 - collected for the first time ever. Don't miss these modern classics!
Fragmented and hybrid in style, On Comics and Grief examines a year in comic book publishing and the author’s grief surrounding his mother’s death. This book connects grief, memory, nostalgia, personal history, theory, and multiple lines of comics studies inquiry in relation to the comic books of 1976. Structured around a year of comic books with a cover date of 1976, the year the author turned ten, the book is divided into an Introduction plus twelve sections, each a month of the publishing year. Two comic books are highlighted each month and examined through the interwoven lenses of creative nonfiction and comics studies. Through these twenty-four comics, the book addresses the major comic book publishers and virtually all genres of comics published in 1976. By pushing the ways in which the personal is used in comics studies, combining different modes of writing, and embracing a fragmentary style, the book explores what is possible in academic writing in general and comics studies in particular. On Comics and Grief both acts as a way for the author to process his grief and uses grief as a way to think about the comics themselves through the emotions and personal connections that underlie the work we do as scholars.
A genealogy and a family history of the ancestors and descendants of Robert Bradfute. He was born in Dec 1749 in Balgray, Crawfordjohn, Lanarkshire, Scotland. Robert came to America and settled in Bedford county, Virginia. He married Sarah Irvine 8 Feb 1777 in Bedford county. They had 8 children. He died in Virginia about 1816.
In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.
