Proceedings of the 14th edition of ArcheoFOSS, 18 high-level and peer reviewed papers are well distributed between two thematic sections—Application Cases and Development, and Open Data—contributed by more than forty Italian and foreign scholars, researchers and freelance archaeologists working in the field of Cultural Heritage.
Il numero 35.1, 2024 di Archeologia e Calcolatori è un volume ricco e articolato che contiene tre sezioni speciali e un gruppo di 15 contributi dedicati all’applicazione delle più attuali tecnologie informatiche nei diversi settori della ricerca archeologica, in cui si nota una crescente attenzione verso il dato visuale e la modellazione virtuale. La prima sezione, curata da G. Gambacurta e F. Bortolami, è dedicata agli Atti del workshop (Venezia 25 settembre 2023) “Necropoli etrusco-italiche: archeologia digitale e paesaggio funerario”, che offrono un interessante focus sul tema della ricostruzione del paesaggio funerario attraverso le nuove tecnologie, presentando alcuni significativi casi di studio. La seconda sezione è curata da V. Fromageot-Laniepce e A.V. Szabados e tratta di “Images antiques et humanités numériques”, tematica particolarmente fertile negli studi della scuola francese. La sezione, in particolare, riferisce i risultati dei seminari ArcheoNum, organizzati dall’equipe CNRS-ArScAn con l’obiettivo di creare uno spazio di dialogo sulle questioni dell’archeologia e del patrimonio culturale digitali. La terza sezione, curata da A. Caravale. P. Moscati e I. Rossi, chiude il volume, pubblicando i primi risultati del lavoro di alcuni gruppi di ricerca impegnati nel Progetto PNRR H2IOSC, che mira a creare un cluster di Infrastrutture di Ricerca nei settori delle Scienze Umane, delle Tecnologie Linguistiche e dei Beni Culturali.
Il numero 34.1, 2022 della rivista Archeologia e Calcolatori è caratterizzato dalla pubblicazione degli Atti di due Convegni internazionali. Il primo riguarda la sedicesima edizione del Convegno ArcheoFOSS, dal titolo “Open Software, Hardware, Processes, Data and Formats in Archaeological Research”, svoltosi a Roma il 22-23 settembre 2022 presso la sede del Digilab della Sapienza Università di Roma. Gli Atti, curati da Julian Bogdani e Stefano Costa, comprendono 21 articoli che ben testimoniano il successo e la vitalità dell’iniziativa, nata nel 2006, cui si è più volte dato spazio nelle pagine della rivista. La seconda parte del volume, che raccoglie 14 contributi, è stata curata da Carlo Citter e Agostino Sotgia ed è dedicata agli Atti della Sessione speciale “Modelling the Landscape. From Prediction to Postdiction” della settima edizione della Landscape Archaeology Conference (Iași, Romania 10-15 September 2022). Si tratta di un tema dedicato all’uso dei modelli per lo studio dei paesaggi antichi, considerato sia attraverso l’approccio predittivo “tradizionale”, perché in uso dagli anni Novanta, sia attraverso quello postdittivo, che i curatori definiscono più “sperimentale”.
This volume represents the editorial outcome of the 14th edition of ArcheoFOSS international conference, which took place online between 15-17 October 2020. The event has been held annually since 2006 and is dedicated to the theoretical framework and actual application of free and open source software solutions and the promotion and encouragement of the Open Data paradigm for archaeology and, more generally, for Cultural Heritage. This volume well represents the approach taken at the conference and the extensive participation it received, with eighteen high-level and peer reviewed papers, well distributed in two thematic sections-application cases and development, and open data-contributed by more than forty Italian and foreign scholars, researchers and freelance archaeologists working in the field of Cultural Heritage.
This volume brings together all the successful peer-reviewed papers submitted for the proceedings of the 43rd conference on Computer Applications and Quantitative Methods in Archaeology that took place in Siena (Italy) from March 31st to April 2nd 2015. Altogether, within the four days of the conference 280 papers were presented in 48 sections divided into ten macro topics, 113 posters, 7 roundtables and 12 workshops. That number, in itself, has prompted a thought or two. Above all it says that CAA is very much alive and kicking, that it is in robust good health, and that it remains a wholly relevant force in the scientific community, fully engaged with the questions of the day, and a continuing focal point for the profession. All of that speaks well for the motto of CAA 2015: KEEP THE REVOLUTION GOING. Although the significance of the motto is obvious, it is worth some thoughts. Few would deny that in the past 30 years or so, digital technologies have profoundly revolutionised archaeology - in the office and laboratory, in the field and in the classroom. The progressive introduction of digital techniques in the archaeological process has of course led to a general increase in efficiency. But perhaps more importantly it has provided a spur to the discussion of methodology and through that has strongly influenced not only the way we go about things but also the outcomes that we have been able to achieve. The pioneering phase in the application of digital techniques in archaeological research has clearly been fruitful and today computer applications such as GIS, databases, remote sensing and spatial analysis as well as virtual and cyber archaeology are deeply embedded within our universities. This is all good, of course, but we must not assume that the task has been completed. An intrinsic revolutionary instinct towards technological development has been awakened. But it will only survive by virtue of the results that it brings about. Or using the words of our Chairman Prof Gary Lock: 'Computers not only change the way we do things, but more importantly they change the way we think about what we do and why we do it'. The general thrust of this statement can be summed up and reinforced by recalling a quote from the philosopher Don Ihde, who has argued we should never forget that all technologies should be regarded as 'cultural instruments', which as well as strategies and methodologies implemented in our researches are also 'non-neutral'. So KEEP THE REVOLUTION GOING! is a motto that lays stress on the need to maintain innovation in archaeology through technological advances. But innovation must have at its root the fostering of critical thought and the framing of new archaeological questions. So there is much work still to be done, and fresh challenges to be faced in the months, years and decades ahead. -from the introduction by Stefano Campana and Roberto Scopigno
This peer-reviewed volume contains selected papers from the First EAGLE International Conference on Information Technologies for Epigraphy and Cultural Heritage, held in Paris between September 29 and October 1, 2014. Here are assembled for the first time in a unique volume contributions regarding all aspects of Digital Epigraphy: Models, Vocabularies, Translations, User Engagements, Image Analysis, 3D methodologies, and ongoing projects at the cutting edge of digital humanities. The scope of this book is not limited to Greek and Latin epigraphy; it provides an overview of projects related to all epigraphic inquiry and its related communities. This approach intends to furnish the reader with the broadest possible perspective of the discipline, while at the same time giving due attention to the specifics of unique issues.
This is the first textbook of Virtual Anthropology, the new science that combines elements from fields as diverse as anthropology, medicine, statistics, computing, scientific visualization, and industrial design. The book is intended for students in any of these or nearby fields within biology, medicine, or engineering and for teachers, journalists, and all others who will enjoy the many examples from our real biological world. After a general introduction to the field and an overview, the book is organized around six themes conveyed in more than 300 pages of text accompanied by hundreds of carefully annotated images: medical imaging and 3D digitising techniques, electronic preparation of individual specimens, analysis of complex forms in space one or many at a time, reconstruction of forms that are partly missing or damaged, production of real objects from virtual models, and, finally, thoughts about data accessibility and sharing and the implications of all this for the future of anthropology. The authors' emphasis is not on technical details but rather on step-by-step explanations of the wealth of examples included here, from brain evolution to surgical planning, always in light of the relevance of these approaches to science and to society. All readers are encouraged to try out the techniques on their own using the tools and data included in the Online Extra Materials resource.
This insightful Research Agenda examines the multidimensional relationships between heritage planning and pressing current societal challenges around climate, identity and development. Mapping future avenues for the field, it suggests new approaches to executing, studying and reflecting on heritage planning.
Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.
