Arabic Literature and Social Media

Arabic Literature and Social Media

Author: Eman Younis

Publisher: Lexington Books

Published: 2024-06-15

Total Pages: 199

ISBN-13: 1666951811

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This book identifies the key transformations that have occurred in Arabic literature, in form and content, in the era of social media. Younis investigates the wide range of texts and media that constitute Arabic literature in social media, detailing emerging genres and linguistic features.


Classical Arabic Literature

Classical Arabic Literature

Author:

Publisher: NYU Press

Published: 2013

Total Pages: 496

ISBN-13: 0814738265

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NYU Press and NYU Abu Dhabi (NYUAD) announce the establishment of the Library of Arabic Literature (LAL), a new publishing series offering Arabic editions and English translations of the great works of classical Arabic literature. The translations, rendered in parallel-text format with Arabic and English on facing pages, will be undertaken by renowned scholars of Arabic literature and Islamic studies, and will include a full range of works, including poetry, poetics, fiction, religion, philosophy, law, science, history and historiography. Unprecedented in its scope, LAL will produce authoritative and fiable editions of the Arabic and modern, lucid English translations, introducing the treasures of the Arabic literary heritage to scholars and students, as well as to a general audience of readers.


Arab Media

Arab Media

Author: Noha Mellor

Publisher: John Wiley & Sons

Published: 2013-05-20

Total Pages: 308

ISBN-13: 0745637361

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This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.


Ideas, Images, and Methods of Portrayal

Ideas, Images, and Methods of Portrayal

Author: Sebastian Günther

Publisher: BRILL

Published: 2005-05-01

Total Pages: 504

ISBN-13: 9047407261

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This volume of collected studies in classical Arabic literature and Islam opens a window into the fascinating world of medieval Muslim scholarship. It explores issues in the intellectual heritage of Islam, which have universal appeal and are, therefore, of interest to both specialist and non-specialist readers alike.


Modern Arabic Literature

Modern Arabic Literature

Author: Paul Starkey

Publisher: Edinburgh University Press

Published: 2014-03-11

Total Pages: 233

ISBN-13: 0748696539

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An introduction to Modern Arabic Literature, from the beginning of the nineteenth century to the present


Arabic Literary Salons in the Islamic Middle Ages

Arabic Literary Salons in the Islamic Middle Ages

Author: Samer M. Ali

Publisher: University of Notre Dame Pess

Published: 2010-11-15

Total Pages: 312

ISBN-13: 0268074976

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Arabic literary salons emerged in ninth-century Iraq and, by the tenth, were flourishing in Baghdad and other urban centers. In an age before broadcast media and classroom education, salons were the primary source of entertainment and escape for middle- and upper-rank members of society, serving also as a space and means for educating the young. Although salons relied on a culture of oral performance from memory, scholars of Arabic literature have focused almost exclusively on the written dimensions of the tradition. That emphasis, argues Samer Ali, has neglected the interplay of oral and written, as well as of religious and secular knowledge in salon society, and the surprising ways in which these seemingly discrete categories blurred in the lived experience of participants. Looking at the period from 500 to 1250, and using methods from European medieval studies, folklore, and cultural anthropology, Ali interprets Arabic manuscripts in order to answer fundamental questions about literary salons as a social institution. He identifies salons not only as sites for socializing and educating, but as loci for performing literature and oral history; for creating and transmitting cultural identity; and for continually reinterpreting the past. A fascinating recovery of a key element of humanistic culture, Ali’s work will encourage a recasting of our understanding of verbal art, cultural memory, and daily life in medieval Arab culture.


Arabs and Muslims in the Media

Arabs and Muslims in the Media

Author: Evelyn Alsultany

Publisher: NYU Press

Published: 2012-08-20

Total Pages: 239

ISBN-13: 0814707319

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After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.


The City in Arabic Literature

The City in Arabic Literature

Author: Nizar F. Hermes

Publisher: EUP

Published: 2019-11-27

Total Pages: 352

ISBN-13: 9781474455824

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The theme and motif of the city has had an enduring presence in the Arabic-Islamic tradition, from the classical and post-classical literary corpus to modern and post-colonial Arabic poetry and prose. Cities such as Mecca, Baghdad, Cairo, Damascus, Beirut, Qayrawan, Marrakesh and Cordoba have served as virtual (battle)grounds for some of the Arab world's most complex intellectual, sociocultural, and political issues. The Arab city has been transformed from a mere physical structure and textual space into an (auto)biographical, novelistic, and poetic arena-often troubled and contested-for debating the encounter, competition and conflict between the rural and the urban, the traditional and the modern, the meditative and the satiric, the individual and the communal, and the Self and Other(s).


Translation and the Manipulation of Difference

Translation and the Manipulation of Difference

Author: Tarek Shamma

Publisher: Routledge

Published: 2014-06-03

Total Pages: 148

ISBN-13: 1317641590

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Translation and the Manipulation of Difference explores the question of difference in translation and offers an extended critique of the advocacy of foreignizing translation as a practice that does not minimize the alterity of the foreign text, and could therefore serve as an antidote to ethnocentrism and cultural insularity. Shamma examines the reception of Arabic literature - especially the Arabian Nights - in nineteenth-century England and offers a detailed analysis of the period's major translations from Arabic: by Edward Lane, Richard Burton and Wilfred Blunt. He demonstrates that the long, complicated history of interaction, often confrontation, between Europe and the Arab World, where (mis)representations of the Other were intricately embroiled with political struggles, provides a critical position from which to examine the crucial role of context, above and beyond the textual elements of the translation, in shaping the political effects of translation. Examining translation techniques and decisions in the context of the translators' own goals as well as the conditions that surrounded the reception of their work, the study shows how each translator 'manipulated' his original in line with political positions that ranged from (implicit) acquiescence to steadfast resistance to colonialism. In a carefully elaborated critique of totalizing positions, the author argues that the foreignizing-domesticating model is too limited to describe the social and political function of translation and calls for a more complex understanding of the sociopolitical dimensions of translation strategies.


How Do You Say “Epigram” in Arabic?: Literary History at the Limits of Comparison

How Do You Say “Epigram” in Arabic?: Literary History at the Limits of Comparison

Author: Adam Talib

Publisher: BRILL

Published: 2018-01-29

Total Pages: 351

ISBN-13: 9004350535

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The qaṣīdah and the qiṭʿah are well known to scholars of classical Arabic literature, but the maqṭūʿ, a form of poetry that emerged in the thirteenth century and soon became ubiquitous, is as obscure today as it was once popular. These poems circulated across the Arabo-Islamic world for some six centuries in speech, letters, inscriptions, and, above all, anthologies. Drawing on more than a hundred unpublished and published works, How Do You Say “Epigram” in Arabic? is the first study of this highly popular and adaptable genre of Arabic poetry. By addressing this lacuna, the book models an alternative comparative literature, one in which the history of Arabic poetry has as much to tell us about epigrams as does Greek.