In a world ruled by ancient magic, a formidable enemy long thought extinct reappears, throwing the kingdoms into disarray. With a thousand suns' worth of power, this force appears invincible, prompting the monarchs to wonder: How can you fight a war you can't win? How can you kill a soul that never dies, especially when theyre a friend?
The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple
Almost three centuries have passed since the oldest manuscript of The Thousand and One Nights arrived in Europe. Since then, the Nights have occupied the minds of scholars world-wide, in particular the questions of origin, composition, language and literary form. In this book, Muhsin Mahdi, whose critical edition of the text brought so much praise, explores the complex literary history of the Nights, bringing to fruition the search for the archetype that constituted the core of the surviving editions, and treating the fascinating story of the growth of the collection of stories that we now know as The Thousand and One Nights.
Unleash the best-selling author in you – using the "Hannes Steiner story.one method" "There's a great book inside each of us, just waiting to conquer the world. And it's never been easier to publish it than today. So if you've ever dreamed of writing a book, I'm telling you: the perfect moment is now." Hannes Steiner "The story.one Bestseller Formula" takes you through the exciting adventure of coming up with ideas, publishing and marketing a book. What you will learn: The Art of Storytelling: how to develop a compelling story readers can't put down. Secrets of Marketing: how to effectively promote a book in today's climate. Essential Knowledge: everything you need to know about writing a book and a bestseller. "The story.one Bestseller Formula" offers you not only the theory, but also practical instructions which you can put into action immediately. It is the destillation of story.one's visionary founder Hannes' many years of experience - which include twice being voted publisher of the year. What are you waiting for? The best books have yet to be written. story.one - Write here. Write now.
"What if Cinderella absolutely hated Prince Charming?" Several years and a handful of scandals were enough to make Taliana Avilla forget all about her sworn enemy, Sebastian Phillips. Too bad a one-night stand and a lost diamond ring made her remember all over again.
In a 2004 meeting marking the Arabian Nights' tercentennial at the Herzog August Library in Wolfenb'ttel, Germany, nineteen international scholars presented their work on the transnational aspects of the Arabian Nights. This volume collects their papers, whose topics range from the history of the Arabian Nights manuscripts, to positioning the Nights in modern and postmodern discourse, to the international reception of the Nights in written and oral tradition. Essays are arranged in five sections. The first section contains essays on Galland's translation and its "continuation" by Jacques Cazotte. The second section treats specific characteristics of the Nights, including manuscript tradition, the transformations of a specific narrative pattern occurring in the Nights and other works of medieval Arabic literature, the topic of siblings in the Nights, and the political thought mirrored in the Nights. The essays in the third section deal with framing in relation to the classical Indian collection Panchatantra and as a general cultural technique, with particular attention to storytelling in the oral tradition of the Indian Ocean islands off the African coast. The two concluding and largest sections focus on various aspects of the transnational reception of the Nights. While the essays of the fourth section predominantly discuss written or learned tradition in Hawai'i, Swahili-speaking East Africa, Turkey, Iran, German cinema, and modern Arabic literature, the fifth section encompasses essays on the reception and role of the Nights in the oral tradition of areas as wide apart as Sicily, Greece, Afganistan, and Balochistan. A preface by Ulrich Marzolph unifies this volume. In view of the tremendous impact of the Arabian Nights on Western creative imagination, this collection will appeal to literary scholars of many backgrounds.
This volume is centred around the idea that the aim of literature is to build bridges, to bring people together, and to highlight underlying similarities despite the apparent differences in world literatures. As such, the book focuses on the moral purpose of literature and its tendency to overcome divisive forces. It supports the idea of cosmopolitanism, a re-working of the ancient Indian ideal of Vasudhaiva Kuttumbakam, or ‘the world is my home’, a concept close to the African notion of ‘ubuntu’, which refers to an open society (as against a small, enclosed one) and relates to the essence of being human and working for the benefit of a larger community. The book uses examples from texts across geographical and cultural borders, beginning with classics like the Indian epics, the Panchatantra, the Kathasaritsagar, and the Arabian Nights, before moving on to contemporary texts in the age of information technology. Although these may originate against diverse backdrops, they have a commonality that cannot be denied. The stories we tell, the tales we love to hear and repeat, all share certain features which reach out across boundaries of time and space, thus bridging the gap between people and places. Living in today’s globalized world, there is a need to study literature in a broader perspective and to be aware that, though stories may be rooted in a particular time and place, they are still a part of the world heritage and comprise what is called world literature. The book will be of particular interest to scholars studying the art of storytelling, as well as the lay reader passionate about literature.
This broad-ranging companion brings together respected American and European critics and a number of up-and-coming scholars to provide an overview of Twain, his background, his writings, and his place in American literary history. One of the most broad-ranging volumes to appear on Mark Twain in recent years Brings together respected Twain critics and a number of younger scholars in the field to provide an overview of this central figure in American literature Places special emphasis on the ways in which Twain's works remain both relevant and important for a twenty-first century audience A concluding essay evaluates the changing landscape of Twain criticism
Authors of autobiographies are always engaged in creating a "self" to present to their readers. This process of self-creation raises a number of intriguing questions: why and how does anyone choose to present herself or himself in an autobiography? Do women and men represent themselves in different ways and, if so, why? How do differences in culture affect the writing of autobiography in various parts of the world? This book tackles these questions through a close examination of Arab women's autobiographical writings. Nawar Al-Hassan Golley applies a variety of western critical theories, including Marxism, colonial discourse, feminism, and narrative theory, to the autobiographies of Huda Shaarawi, Fadwa Tuqan, Nawal el-Saadawi, and others to demonstrate what these critical methodologies can reveal about Arab women's writing. At the same time, she also interrogates these theories against the chosen texts to see how adequate or appropriate these models are for analyzing texts from other cultures. This two-fold investigation sheds important new light on how the writers or editors of Arab women's autobiographies have written, documented, presented, and organized their texts.
